This article aims to challenge the thesis of the craft origins of scientific empiricism by demonstrating how the empirical practices of early experimentalism differed in significant ways from the activities of artisans. Through a phenomenological analysis of instrumental observation and experimental demonstrations, I aim to show how experimentalism privileged modes of experience that were foreign to craft traditions and which facilitated a newfound estrangement of human subjects from the objects of their knowledge. Firstly, we will review concerns surrounding the promotion (...) of optical instruments by early experimentalists to reveal how these technologies were understood not only to amplify the senses but also to obscure contextual and relative qualities available to unaided visual perception. Secondly, we will examine the experimental practices of the early Royal Society, to see how experimental demonstrations were deliberately structured to facilitate experiences of the natural world that were divorced from practical and personal contexts. It is here that the divergence from artisanal epistemology is rendered most apparent. For in contrast to craft practices, which favored forms of experience which were personal and engaged, I will argue that the new scientific practices of the 17th century played a central role in effecting the researcher's transformation into a new kind of epistemological subject – the spectator. (shrink)

This paper investigates the relation between Gabriel Plattes’ cosmology and theory of matter, on the one hand, and his method of experimentation, on the other. In my view Plattes based his cosmology and theory of matter on specific “principles of nature” expressed as alchemical qualitative relations between bodies, and these principles formed the theoretical framework for his experimental method and technologies. I also claim that Plattes’ method of experimentation has heuristic purposes, acting as a tool to instantiate and illustrate these (...) natural principles. By quantifiable manipulations of matter, Plattes made use of experimentation to provide technologies whose immediate purpose was to ameliorate or improve the material world. (shrink)

During the 17th century, important conventions for the visual representation of the Earth as a whole were established by writers of Theories of the Earth. This essay examines how the emergence of visual representations contributed to the establishment of a new print tradition of multicontextual discourse and critical debate. Four vignettes contrast varying uses of global depictions: the incidental global depictions and mathematical vision of Johannes Kepler; the cosmogonic sections and chemical vision of Robert Fludd; the geogonic sections and mechanical (...) vision of René Descartes; and the global views and classical vision of Thomas Burnet. The continuities of visual conventions and the contrasts of disciplinary perspectives and local contexts observed in these vignettes conforms well to the characterization of Theories of the Earth as an interdisciplinary print tradition. (shrink)

By the time of the Leibniz-Clarke correspondence of 1716 the Newtonian and Leibnizian systems of natural philosophy had reached maturity. Each system consisted of different physical as well as metaphysical principles which, taken together, formed a world view. At the time of their famous debates, Leibniz at 70 and Newton at 74, the founders of two highly developed scientific philosophies, were struggling to establish and defend the ontological and mechanical bases of differing bodies of organized knowledge.

In the present article, we discuss the specificity of the object of the history of science as an autonomous and interdisciplinary field of studies by nature and origin, placed at the interface of history, epistemology and science, and focus on some key historiographical views. Within this context, Georges Canguilhem stands out for contributions such as calling the attention to the relevance of epistemology in science history research and the discontinuity-continuity antithesis, among many others. An accurate understanding of Canguilhem’s ideas demands (...) an unbiased review of Auguste Comte’s work, particularly his views on science in general, the various sciences in particular and the methods to present them, to wit, the historical and the dogmatic. We finish with a short description of our theoretical-methodological work and its implications for studies in the history of science. (shrink)

The practices of Galenic pharmacy that dominated the Western pharmaceutical tradition throughout the medieval and early modern periods generally eschewed methods of alchemical processing and the use of high heat. A unique 10th-century Arabic pharmaceutical treatise, the Kitab al Tasrif by al-Zahrāwī/Abulcasis, however, discussed thermo-chemical techniques of distillation, calcination, and sublimation at length and would go on to have a major impact on Galenic pharmacy. It included recipes, for example, for two highly important distilled substances – rosewater and Philosophers' Oil (...) – that were copied and revised in Latin texts from the later Middle Ages and early modern Spanish formularies. By the end of the 16th century, these recipes had formed the basis for two new categories of distilled medicines – distilled waters and distilled oils – in Galenic pharmacy. Their inclusion in the Galenic formulary indicates that apothecaries in the Latin West were familiar with and indeed practicing thermo-chemical operations during the medieval and early modern periods. (shrink)

This article analyses a central episode in the response of the Catholic bodies of doctrinal control to the emergence of Paracelsianism. More specifically, it discusses the censorial report written in 1616 by the physician Johannes Faber for the Congregation for the Index about the works of Paracelsus. This report was written in a time that Paracelsianism had become increasingly popular, but also a source of fierce debates. The complex context surrounding the report is investigated, with particular attention to the broader (...) social, religious, and scientific aspects as well as the precise historical situation in which it was written. Faber’s report and an English translation are provided in separate appendices. (shrink)

Os escritos de Francis Bacon dedicados à filosofia abundam em imagens, metáforas, comparações e alegorias destinadas a ilustrar e apresentar com eloquência suas ideias. Solidamente formado na cultura humanista de seu tempo, Bacon adotou com destreza os recursos da retórica e nutriu-se de um amplo espectro da literatura clássica greco-latina, assim como também dos escritos bíblicos. Em especial, a mitologia clássica (a que dedicou seu De sapientia veterum (1609) - Da sabedoria dos antigos) foi um de seus recursos predilteos na (...) hora de valer-se de alegorias para tornar acessível a um público amplo e não especializado os conteúdos mais inovadores, profundos e abstrusos de sua filosofia.1 Tudo isso converte algumas de suas obras em excelentes peças da literatura filosófica, nas quais Bacon põe em prática sua grande plasticidade como escritor, que, delicadamente e sem tropeços, transporta seus leitores da beleza da poesia e fantasia para os conceitos mais abstratos, sempre em busca de representar suas ideias filosóficas e de transformar a realidade por meio delas. Neste texto, apresentarei brevemente algumas das imagens pelas quais ele quis retratar aspectos fundamentais do seu projeto de restauração do saber. (shrink)