Šiame straipsnyje keliamas ir nagrinėjamas klausimas: koks santykis yra tarp Kanto transcendentalinio idealizmo ir Deleuze’o transcendentalinio empirizmo. Šis tyrimas suponuoja ir kitus klausimus: jeigu kartotė galima, kodėl tai negalėtų būti moralės dėsnis? Kaip nutinka, kad dogmatizmo filosofas Kantas tampa dogmatinės minties ženklu Deleuze’o tyrime? Kodėl vidinės proto iliuzijos sukuria prielaidas minties dogmatikai įveikti? Kaip transcendentalinė logika oponuoja formaliajai logikai Deleuze’o prasmės koncepcijoje? Kokia prielaida remdamasis Deleuze’as priešpriešina champ transcendentalkonceptą Kanto ir Husserlio transcendentaliniam idealizmui? Kaip yra įmanoma preferuoti bedugnę transcendentaliniam idealui (...) ir priešpriešinti Kantui Antoniną Artaud? (shrink)

Through an analysis of the film The Cry of Jazz, the Afro-Futurism of Ed Bland is contrasted with the schizoanalysis of Deleuze and Guattari to demonstrate both the application of schizoanalysis to jazz theory and the application of Afro-Futurism to schizoanalysis. In the first part, Bland’s critical race theory of jazz is outlined through the dialogue provided by the protagonist Alex in The Cry of Jazz demonstrating the dialectical Hegelianism of Bland’s analysis. Bland’s theory of jazz is sifted through a (...) reading of Deleuze’s Difference and Repetition as a critique of Hegelianism. Through an elaboration of jazz theory,the Deleuzian concepts of difference and repetition develop further Bland’s jazz theory leading to the death of jazz and the potential becoming of a new America. The survival of the spirit of jazz after death is demonstrated through the body without organs. Here, Bland’s Afro-Futurist critical race theory comes into focus as a pure affectivity that decomposes the boundaries of musicality and the social condition simultaneously. (shrink)

According to immunology’s prevailing paradigm, immunity is based on self/nonself discrimination and thus requires a construction of identity. Two orientations vie for dominance: The original conception, conceived in the context of infectious diseases, regards the organism as insular and autonomous, an entity that requires defense of its borders. An alternate view places the organism firmly in its environment in which both benign and onerous encounters occur. On this latter relational account, active tolerance allows for cooperative relationships with other organisms in (...) the larger ecological economy. These contending orientations —one derived from biomedicine and the other from the ecological sciences— have drawn the attention of social scientists and culture critics. On the one hand, feminists have portrayed immune theory as based upon borrowed social notions of identity that reflect male aggressive values and thus distort more balanced accounts of immunity; and, on the other hand, other commentary projects immune theory as a framework in which analysis of Western societies putatively reveals analogous patterns of ‘self’ and ‘other’ interactions, where autoimmunity and immunization are understood as expressions of the insular understanding of identity. Here, a meta-interpretation is presented that shows how these critiques place the immune self on a spectrum stretching from its formulation as an autonomous agent, a modernist conception of the independent individual, to a postmodern portrayal in which this conception of selfhood has been deconstructed. Accordingly, immunology is drawn into a wide-ranging debate about agency, where differing interpretations of immunity serves as a template in which competing understandings of human social intercourse is modeled.Según el paradigma dominante en inmunología, la inmunidad está basada en la discriminación entre yo/noyo y requiere, por tanto, una construcción de la identidad. Dos orientaciones compiten por dominar: la concepción original, concebida en el contexto de las enfermedades infecciosas contempla al organismo como aislado y autónomo, como una entidad que necesita defender sus fronteras. Una visión alternativa sitúa firmemente al organismo en su entorno, en el cual suceden tanto encuentros beneficiosos como costosos. En este enfoque relacional, la tolerancia activa permite relaciones cooperativas con otros organismos en una economía ecológica más amplia. Estas orientaciones en liza —una derivada de la biomedicina y otra de las ciencias ecológicas— han llamado la atención de los científicos sociales y de los críticos de la cultura. Por una parte, el feminismo ha descrito la teoría inmunológica como basada en nociones sociales prestadas de identidad que reflejan los valores agresivos del macho y que, de este modo, impiden una explicación más equilibrada de la inmunidad. Por otra parte, otro comentario proyecta la teoría inmunológica como un marco en el que el análisis de las sociedades occidentales revela aparentemente patrones análogos de interacciones ‘yo’ y ‘otros’, en las que la autoinmunidad y la inmunización son entendidas como expresiones de la comprensión insular de la identidad. Se ofrece aquí una meta-representación que muestra cómo estas críticas sitúan al yo inmune en un espectro que va desde su formulación cómo un agente autónomo, una concepción modernista del individuo independiente, a una visión postmoderna en la que esta concepción de la identidad ha sido deconstruida. De acuerdo con esto, la inmunología recoge un amplio debate sobre la agencia en el que diferentes interpretaciones de la inmunidad sirven como molde en el que se modelan comprensiones competidoras de la comprensión de las relaciones sociales humanas. (shrink)

Breath is a perceptual practice, a form of listening, of attending. These words begin to mark out the unique space of this thesis. It is ‘written from the breath’, a stance that breaks free of the silencing of breath in contemporary language theory. Importantly, the thesis makes the large claim that the closing down of conceptual breathing spaces in the twentieth century parallels the asphyxiation of a spiritual connection with the world. This is seen by Helen Sharp, the author of (...) this posthumous thesis, as ‘the loss of the profane halo’. Sharp acknowledges a debt to Georgio Agamben’s notion of the ‘Halo’ in The Coming Community as composed of a ‘tiny displacement’. She identifies such displacements as breath movement. ‘Each breath event develops as a potentiality of relationship where self is re-conceived and born anew in tiny little flutters…’ of each inhalation and exhalation. Here lies the core of her thinking where the movement of life surges forth in the ‘imperceptible trembling of the finite’. This, she writes, is equivalent to ‘the illuminated field of the breath as halo’. Moving into the realm of the artistic-poetic, the thesis itself comes to take on the character of a work of art. Its three edges are written dialogues, performance prologues, and breath practice including breath dialogue. (shrink)

‘Beyond their instrumental functions,’ writes Rivka Oxman in an article about design, creativity and innovation, ‘advanced digital and computational environments are also becoming tools for thinking design’. At the leading edge of creativity and innovation design does not only speculate the plausible, possible or potential, but pragmatically inserts such futures into the present must). Using concepts mainly from Deleuze, Guattari, Spinoza and Simondon, I will position such design speculation as pragmatic, divergent, complex and emergent. That is, as manifesting the technical (...) mentalities that provide the milieu in which we can show what we ‘might be capable of’. (shrink)

Can literature make it possible to represent histories that are otherwise ineffable? Making use of the Deleuzian concept of “the powers of the false,” Doro Wiese offers readings of three novels that deal with the Shoah, with colonialism, and with racialized identities. She argues that Jonathan Safran Foer’s Everything Is Illuminated, Richard Flanagan’s Gould’s Book of Fish, and Richard Powers’s The Time of Our Singing are novels in which a space for unvoiced, silent, or silenced difference is created. Seen through (...) the lens of Deleuze and his collaborators’ philosophy, literature is a means for mediating knowledge and affects about historical events. Going beyond any simple dichotomy between true and untrue accounts of what “really” happened in the past, literature’s powers of the false incite readers to long for a narrative space in which painful or shameful stories can be included. (shrink)

A parallel reading of ten powerful works of conceptual and analytical originality yields a novel epistemological method based on the possibility of automated experimentation in engineering and architecture. An initial protocol for Parametric Epistemic Things, a particular kind of assemblage (as postulated by DeLanda following Deleuze & Guattari) that builds on Rheinberger’s ideas of Epistemic Things, is outlined and conceptualised to allow for the possibility of such automation. Following the interpretations of fragments from the texts, a discussion examines future potentials (...) and identifies some of the conceptual and pragmatic thresholds to overcome in order to leverage the proposal and situate it within a general theory of science and research, while attempting to answer the question at the heart of this essay: what is the role of parametric epistemic things in contemporary evolutionary architecture? (shrink)