Results for 'Gilles Deleuze'

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  1. John Cage, Gilles Deleuze, and the Idea of Sound.Iain Campbell - 2017 - Parallax 23 (3):361-378.
    In this essay we will take the American experimental composer John Cage’s understanding of sound as the starting point for an evaluation of that term in the field of sound studies. Drawing together two of the most influential figures in the field, Cage’s thought and work will serve as a lens through which to engage with recent debate concerning the uptake in sound studies of the philosophy of Gilles Deleuze. In so doing we will attempt to develop a (...)
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  2.  93
    Gilles Deleuze.İbrahim Okan Akkin - 2018 - In Eray Yaganak (ed.), Modern Felsefe Tartışmaları. İstanbul, Turkey: pp. 84-105.
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  3. Gilles Deleuze: An Introduction.Daniel W. Smith - 2010 - In Alan Schrift (ed.), History of Continental Philosophy, Vol. 6: Poststructuralism and Critical Theory's Second Generation. London: Acumen. pp. 91-110.
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  4. Happy Death of Gilles Deleuze.Finn Janning - 2013 - Tamara - Journal for Critical Organization Inquiry 11 (1):29-37.
    In this essay, I will look closer at the death of the French philosopher Gilles Deleuze, who committed suicide in 1995. I will scrutinize his death in concordance with his philosophical thoughts, but frame my gaze within Albert Camus’ well-known opening- question from The Myth of Sisyphus: “Judging whether life is worth living amounts to answering the fundamental question of philosophy” (Camus, 2005:1).
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  5. Gilles Deleuze and the Philosophy of Difference: Toward a Transcendental Empiricism.Daniel W. Smith - 1997 - Dissertation, The University of Chicago
    The dissertation presents a systematic analysis of the work of the French philosopher Gilles Deleuze , using two interrelated themes as its guiding threads. The first is the concept of "difference," which is normally conceived as an empirical relation between two terms each of which have a prior identity of their own . In Deleuze, this primacy is inverted: identity persists, but it is now a secondary principle produced by a prior relation between differential elements. Difference here (...)
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  6. Gilles Deleuze y el tacto en pintura: el grito tangible de Francis Bacon.Antonio Tudela Sancho - 2005 - Revista de Filosofía (Venezuela) 49 (1):49-75.
    Admitiendo, con René Schérer, que la filosofía de Deleuze puede leerse como una teoría de la literatura y la escritura, y dado que tal filosofía constituye un punto cimero del pensamiento dedicado a combatir la representación, este ensayo quisiera aplicar dicha teoría al terreno de la imagen pictórica, articulando la lectura que de Bacon realiza el filósofo en torno a un desarraigo -o desterritorialización- del sentido básico, dominante en pintura: la vista, desplazándose así desde un principio la visión por (...)
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  7. Gilles Deleuze.Jon Roffe - 2002 - Internet Encyclopedia of Philosophy.
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  8. Gilles Deleuze: nel Fuori assoluto. [REVIEW]Fabio Vergine - 2016 - Consecutio Temporum 1.
    Discussione sul testo di Rocco Ronchi "Gilles Deleuze. Credere nel reale". Per un pensiero della temporalità della filosofia come Fuori assoluto.
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  9. Isolated Experiences: Gilles Deleuze and the Solitudes of Reversed Platonism.James Brusseau - 1998 - New York, USA: State University of New York Press.
    Traversing the genres of philosophy and literature, this book elaborates Deleuze's notion of difference, conceives certain individuals as embodying difference, and applies these conceptions to their writings.
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  10. Gilles Deleuze y el pensamiento del cinematógrafo / Gilles Deleuze and the Thouhgt of Cinema.Antonio Tudela Sancho - 2002 - Revista de Filosofía (Venezuela) 42:07-37.
    Resumen: Resulta incuestionable la importancia que el filósofo francés Gilles Deleuze otorga al cinematógrafo. Conforme a su teoría del conocimiento, si la filosofía "piensa" mediante conceptos, el cine "piensa" mediante imágenes: se trata de un medio de creación artística a la vez que de reflexión (distinta de otras formas de "escritura") acerca de los problemas de la condición humana. De hecho, afirmamos que el propio pensamiento de Deleuze guarda mucho en común con las técnicas cinematográficas, al igual (...)
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  11. Gilles Deleuze. Flores a su tumba.Alejandro Sanchez Lopera - 2018 - Bogotá, Bogota, Colombia: Uniediciones Grupo Ibañez.
    El 4 de noviembre de 2015 se cumplieron veinte años de la muerte del filósofo Gilles Deleuze. Para conmemorar su presencia viva compilamos este volumen, compuesto como un encuentro entre amigos que celebra la potencia del pensamiento y ofrece la leve inquietud de la aventura que nos arrastra más allá de nuestra área de comprensión, hacia una tierra espiritual en la que la filosofía habla a nombre propio, produciendo efectos, actualizaciones, compilaciones de lo disperso. Por eso, con ocasión (...)
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  12. Time-Traveling Image: Gilles Deleuze on Science-Fiction Film.Joshua M. Hall - 2016 - Journal of Aesthetic Education 50 (4):31-44.
    The first section of this article focuses on the treatment of “time travel” in science-fiction literature and film as presented in the secondary literature in that field. The first anthology I will consider has a metaphysical focus, including (a) relating the time travel of science fiction to the banal time travel of all living beings, as we move inexorably toward the future; and (b) arguing for the filmstrip as the ultimate metaphor for time. The second anthology I will consider has (...)
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  13. Review of Gilles Deleuze, Nietzsche and Philosophy. [REVIEW]Daniel W. Smith - 1986 - Journal of Religion 66 (4):455-456.
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  14.  98
    Review of James Williams, Gilles Deleuze's Philosophy of Time. [REVIEW]Daniel W. Smith - 2013 - Notre Dame Philosophical Reviews 2013:pp. 1-8.
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  15. Review of Gilles Deleuze, Two Regimes of Madness. [REVIEW]Daniel W. Smith - 2007 - Teaching Philosophy 30 (2):237-241.
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  16. Review of Gilles Deleuze, Pure Immanence: Essays on a Life. [REVIEW]Daniel W. Smith - 2002 - Teaching Philosophy 25 (4):394-396.
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  17. Review of Gilles Deleuze, Desert Islands and Other Texts. [REVIEW]Daniel W. Smith - 2005 - Teaching Philosophy 28 (1):95-99.
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  18. Empirismo trascendental. Génesis y desarrollo de la filosofía de Gilles Deleuze.Gonzalo Montenegro (ed.) - 2013 - Editorial Bonaventuriana.
    La presente investigación se propone mostrar la génesis y desarrollo de la tentativa matriz de la filosofía de Gilles Deleuze, el empirismo trascendental. Para ello, se realizará una revisión de las problemáticas por las que atraviesa dicha tentativa a lo largo de la obra de este pensador. Cuidadosa atención recibirán a propósito de la génesis del empirismo trascendental el problema del hábito y el de la constitución de la subjetividad, que Deleuze reconoce en Hume (Empirisme et subjectivité, (...)
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  19. Review of Gilles Deleuze, Negotiations. [REVIEW]Alistair Welchman - 1999 - Philosophy in Review 19 (2):93-95.
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  20.  35
    Structuralist heroes and points of heresy: recognizing Gilles Deleuze’s (anti-)structuralism.Iain Campbell - 2022 - Continental Philosophy Review 55 (2):215-234.
    This article is concerned with the status and stakes of Gilles Deleuze’s “break” with structuralism. With a particular focus on a transitional text of Deleuze, the 1967/1972 article “How Do We Recognize Structuralism?,” it asks how Deleuze understood structuralism and why, after his encounter with Félix Guattari and Guattari’s own transitional text, 1969’s “Machine and Structure,” Deleuze felt the need to break with structuralism. It argues that reading these two texts together allows us to see (...)
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  21. What is Schizoanalysis? (An Introduction to Gilles Deleuze & Felix Guattari).Irfan Ajvazi - manuscript
    What is Schizoanalysis? (An Introduction to Gilles Deleuze & Felix Guattari) -Irfan Ajvazi.
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  22.  37
    Análisis cinematográfico de la película peruana Jarjacha. El demonio del incesto (2000). Perspectivas de Gilles Deleuze y Alain Badiou.Jesús Miguel Delgado Del Aguila - 2022 - Opuntia Brava 13 (3):217-228.
    Este artículo extrapola conceptos cinematográficos que desarrollan Gilles Deleuze y Alain Badiou, tales como movimiento, cuadro, plano y montaje. El propósito de corroborar estas categorías es para articularlas en el largometraje del director Melinton Eusebio, Jarjacha. El demonio del incesto (2000), y detectar la cosmovisión concomitante que prevalece en una localidad distanciada de la capital, caracterizada por la presencia andina de una tradición y una organización política basada en el sometimiento de una localidad hacia un alcalde, quien dictamina (...)
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  23.  30
    What is It Like to Be a Philosopher? Jacques Derrida, Gilles Deleuze, and Nineteenth Century British Anthropology.Terence Rajivan Edward - manuscript
    In this paper, I respond to the infamous letter to The Times warning the University of Cambridge against awarding Jacques Derrida an honorary degree. I draw attention to an assumption of that letter.
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  24. Stirb Und Werde: The Creation of Thinking in Gilles Deleuze’s Philosophy.Torbjørn Eftestøl - 2016 - Cosmos and History 12 (1):67-86.
    What does it mean to think? In the following article I will show Gilles Deleuze’s answer to this question. According to him ’to think is to create — there is no other creation — but to create is first of all to engender ' thinking ' in thought ’. To understand what this means, to grasp the radical nature of such an event, we need to see how for Deleuze to engender thinking in thought means a repetition (...)
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  25. The Politics of Life in the Thought of Gilles Deleuze.Todd G. May - 1991 - Substance 20 (3):24.
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  26.  52
    L'immagine-inazione. Lo spazio e il tempo nel passaggio dall'image-mouvement all'image-temps in Gilles Deleuze.Fabio Vergine - 2019 - In Enrico Giannetto (ed.), La memoria del cielo. Catania CT, Italia: pp. 1-18.
    Nella sua riflessione filosofica sull’immagine filmica Gilles Deleuze sembra aver tradotto nella maniera più immediata, ancorché insolubilmente problematica, la presenza di uno spazio e di un tempo che giocano il proprio ruolo su di una forma passiva di soggettività: è proprio ne L’image- mouvement, infatti, che Deleuze mostra come uno dei passaggi più proficui delle sue osservazioni sul cinema sia proprio la crisi di ciò che egli definisce immagine-azione, a favore, invece, di un’immagine-tempo, o situazione ottica e (...)
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  27.  5
    Oltre l'umano. La concezione trascendentale della temporalità nel pensiero di Gilles Deleuze.Fabio Vergine - 2022 - Milano MI, Italia: Mimesis.
    La temporalità è una questione che innerva la filosofia di Gilles Deleuze nel suo complesso. Il tempo è implicato pressoché ovunque nel suo corpus di opere, talvolta in forma più esplicita, talora più allusiva. Ma la temporalità è strettamente correlata alla radicale rivisitazione che il filosofo parigino attua del concetto kantiano di trascendentale. Attraverso l’analisi compa- rata di questi due orizzonti concettuali, si può osservare come, a priori rispetto all’ordinaria scansione cronologica mediante la quale l’uomo ordina la propria (...)
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  28. The Conditions of the Question: What Is Philosophy?Gilles Deleuze, Daniel W. Smith & Arnold I. Davidson - 1991 - Critical Inquiry 17 (3):471-478.
    Perhaps the question “What is philosophy?” can only be posed late in life, when old age has come, and with it the time to speak in concrete terms. It is a question one poses when one no longer has anything to ask for, but its consequences can be considerable. One was asking the question before, one never ceased asking it, but it was too artificial, too abstract; one expounded and dominated the question, more than being grabbed by it. There are (...)
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  29.  87
    A noção de velocidade em Gilles Deleuze à luz da manipulação sonora.Henrique Rocha de Souza Lima - 2014 - Exagium 13:141-159.
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  30. Literature and Life.Gilles Deleuze, Daniel W. Smith & Michael A. Greco - 1997 - Critical Inquiry 23 (2):225-230.
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  31. Émile Bréhier E a Noção de Problema Em Différence Et Répétition de Gilles Deleuze.Gonzalo Montenegro - 2014 - Dissertation, USP, Brazil
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  32. Deleuze em Diálogo com Frémont: tentativas de ler leibniz.Gonzalo Montenegro - 2016 - Deleuze Em Diálogo Com Frémont Artigos / Articles Trans/Form/Ação, Marília (n. 2, Abr./Jun., 2016):p. 147-174.
    Gilles Deleuze’s research during the 1980s focused on the 17th century German thinker G. W. Leibniz. In 1988, Deleuze published Le Pli, which forms part of a series of works on modern philosophy. This book displays Deleuze’s attention to the interpretations of contemporary commentators on modern philosophy, in this case, on Leibniz. In this context, there occurred a brief and important dialogue between Deleuze and Christiane Frémont, the French commentator and translator of Leibniz, with regard (...)
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  33. Essays on Deleuze.Daniel W. Smith - 2012 - Edinburgh University Press.
    Gilles Deleuze was one of the most influential philosophers of the twentieth-century, and Smith is widely recognized to be one of his most penetrating interpreters, as well as an important philosophical voice in his own right. Combining his most important pieces over the last fifteen years along with two new essays, this book is Smith 's definitive treatise on Deleuze. The essays are divided into four sections, which cover Deleuze's use of the history of philosophy, an (...)
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  34. Doing Business with Deleuze?Finn Janning - 2015 - Kritike 9 (1):28-44.
    This essay has two parts. The first part gives a brief overview of the foundations of economics. The second part contains a broader outline of the way in which philosopher Gilles Deleuze thinks of ethics. In the second part, I also explore the potential connections between Deleuze's thoughts and economics. Especially, I focus on the concepts of "human capital," "empowerment," and more fruitful, the concept of "power-with" as proposed by organizational theorist, Mary Parker Follett. By doing so, (...)
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  35. Deleuze and Guattari’s Semiorhythmology: A Sketch for a Rhythmic Theory of Signs.Iain Campbell - 2019 - la Deleuziana 10:351-370.
    I propose in this text a rhythmic theory of signs drawn from the thought of Gilles Deleuze and Félix Guattari. I name this theory a semiorhythmology. I suggest that the theory of rhythm developed in A Thousand Plateaus (1980) can be understood, in part, as the culmination of the diverse set of inquiries into signs that both Deleuze and Guattari undertook, individually and together, beginning in the 1960s. I first outline Deleuze’s theory of signs as a (...)
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  36. Thinking as Folding: Deleuze’s Leibnizian Nomadology as a Non-Ontological Approach to Posthumanist Subjectivity.Kyle Novak - forthcoming - Philosophy Today.
    Rosi Braidotti has recently argued that the emerging scholarship on posthumanism should employ that she calls nomadic thinking. Braidotti identifies Deleuze’s work on Spinoza as the genesis of posthumanist ontology, yet Deleuze’s claims about nomadic thinking or nomadology come from his work on Leibniz. I argue that for posthumanist thought to theorize subjectivity beyond the human, it must use nomadology to overcome ontology itself. To make my argument, I demonstrate that while Braidotti is correct about Spinoza’s influence on (...)
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  37. Bachelard and Deleuze on and with Experimental Science, Experimental Philosophy, and Experimental Music.Iain Campbell - 2019 - In Guillaume Collett (ed.), Deleuze, Guattari, and the Problem of Transdisciplinarity. London: Bloomsbury. pp. 73-104.
    In this chapter I look at some questions around the notion of experimentation in philosophy, science, and the arts, through the thought of Gaston Bachelard and Gilles Deleuze. My argument is articulated around three areas of enquiry – Bachelard’s work on the experimental sciences, Deleuze’s notion of philosophy as an experimental practice, and recent musicological debate around the practical and political stakes of the term ‘experimental music’. By drawing together these three senses of experimentation, I test the (...)
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  38.  46
    Deleuze and Guattari's Conceptual Persona Revisited: The List of Character Traits as a Table of Categories.Mathias Schönher - 2021 - Cosmos and History 3 (17):309-339.
    This article focuses on the distinction between psychosocial types and conceptual personae advanced by Gilles Deleuze and Félix Guattari in What is Philosophy? The conceptual persona is the tool that a philosopher invents in order to create new concepts with which to bring forth new events. Although they present it as one of the three elements of philosophy, its nature and function and, above all, its conjunctions with psychosocial types have been overlooked by scholars. What is Philosophy? contains (...)
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  39. Deleuze’s Postscript on the Societies of Control Updated for Big Data and Predictive Analytics.James Brusseau - 2020 - Theoria 67 (164):1-25.
    In 1990, Gilles Deleuze published Postscript on the Societies of Control, an introduction to the potentially suffocating reality of the nascent control society. This thirty-year update details how Deleuze’s conception has developed from a broad speculative vision into specific economic mechanisms clustering around personal information, big data, predictive analytics, and marketing. The central claim is that today’s advancing control society coerces without prohibitions, and through incentives that are not grim but enjoyable, even euphoric because they compel individuals (...)
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  40. Making Sense in Education: Deleuze on Thinking Against Common Sense.Itay Snir - 2018 - Educational Philosophy and Theory 50 (3):299-311.
    According to a widespread view, one of the most important roles of education is the nurturing of common sense. In this article I turn to Gilles Deleuze’s concept of sense to develop a contrary view of education—one that views education as a radical challenge to common sense. The discussion will centre on the relation of sense and common sense to thinking. Although adherents of common sense refer to it as the basis of all thought and appeal to critical (...)
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  41. Deleuze and the Conceptualizable Character of Mathematical Theories.Simon B. Duffy - 2017 - In Nathalie Sinclair & Alf Coles Elizabeth de Freitas (ed.), What is a Mathematical Concept? Cambridge University Press.
    To make sense of what Gilles Deleuze understands by a mathematical concept requires unpacking what he considers to be the conceptualizable character of a mathematical theory. For Deleuze, the mathematical problems to which theories are solutions retain their relevance to the theories not only as the conditions that govern their development, but also insofar as they can contribute to determining the conceptualizable character of those theories. Deleuze presents two examples of mathematical problems that operate in this (...)
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  42. Deleuze and the Enaction of Nonsense.William Short, Alistair Welchman & Wilson Shearin - 2014 - In Tom Froese & Massimiliano Cappuccio (eds.), Enactive Cognition at the Edge of Sense-Making. pp. 238-265.
    This chapter examines the ways in which French philosopher Gilles Deleuze offers conceptual resources for an enactive account of language, in particular his extensive consideration of language in The Logic of Sense. Specifically, Deleuze’s distinction between the nonsense of Lewis Carroll’s portmanteau creations and that of Antonin Artaud’s “transla- tion” of Carroll’s Jabberwocky highlights the need for an enactive, rather than merely embodied, approach to sense-making, particularly with regard to the general category of what Jakobson and Halle (...)
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  43.  84
    Deleuze extraviado en Norteamérica.Alejandro Sanchez Lopera - 2016 - Politica Común 9 (1):1-12.
    El texto evalúa una de las maneras predominantes de la recepción de Gilles Deleuze. Establece una crítica de los desencuentros y misreadings en torno a la filosofía de Deleuze. Muestra esos desencuentros como un proceso sin contexto ni densidad histórica, sin unos mínimos elementos que permitan comprender los complejos procesos de su recepción. Mucho menos su genealogía. Para ello, el texto evalúa la lectura de Deleuze que hace Jacques Ranciere, a la luz de la recepción de (...)
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  44.  61
    Into the Abyss: Deleuze.Alistair Welchman - 1999 - In Simon Glendinning (ed.), The Edinburgh Encyclopedia of Continental Philosophy. Edinburgh, UK: pp. 615-27.
    Gilles Deleuze was born in 1925, and died by his own hand 70 years later. He taught philosophy in the French lycée system, at the University of Lyon, and then—after the institutional fragmentation that was the government‟s response to the student-driven near-revolution of 1968—at the University of Paris VIII (Vincennes). Although his work is only now coming to prominence in the Anglophone world, he has achieved great notoriety in France: he is widely credited with inaugurating the post-structuralist movement (...)
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  45.  45
    Into the Abyss: Deleuze.Alistair Welchman - 1999 - In Simon Glendinning (ed.), The Edinburgh Encycolpedia of Continental Philosophy. Edinburgh, UK: pp. 615-27.
    Gilles Deleuze was born in 1925, and died by his own hand 70 years later. He taught philosophy in the French lycée system, at the University of Lyon, and then—after the institutional fragmentation that was the government‟s response to the student-driven near-revolution of 1968—at the University of Paris VIII (Vincennes). Although his work is only now coming to prominence in the Anglophone world, he has achieved great notoriety in France: he is widely credited with inaugurating the post-structuralist movement (...)
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  46. ¿ Qué es un dispositivo?: Foucault, Deleuze, Agamben.Luis García Fanlo - 2011 - A Parte Rei 74:6.
    El concepto de dispositivo en el pensamiento de Michel Foucault, Gilles Deleuze y Giorgio Agamben.
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  47.  73
    Māyā and Becoming: Deleuze and Vedānta on Attributes, Acosmism, and Parallelism in Spinoza.Michael Hemmingsen - 2018 - Comparative and Continental Philosophy 10 (3):238-250.
    This paper compares two readings of Baruch Spinoza – those of Gilles Deleuze and Rama Kanta Tripathi – with a particular focus on three features of Spinoza’s philosophy: the relationship between substance and attribute; the problem of acosmism and unity; and the problem of the parallelism of attributes. Deleuze and Tripathi’s understanding of these three issues in Spinoza’s thought illustrates for us their own concerns with becoming over substance and māyā, respectively. This investigation provides not just two (...)
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  48. The Concept of the Simulacrum: Deleuze and the Overturning of Platonism.Daniel W. Smith - 2005 - Continental Philosophy Review 38 (1-2):89-123.
    This article examines Gilles Deleuze’s concept of the simulacrum, which Deleuze formulated in the context of his reading of Nietzsche’s project of “overturning Platonism.” The essential Platonic distinction, Deleuze argues, is more profound than the speculative distinction between model and copy, original and image. The deeper, practical distinction moves between two kinds of images or eidolon, for which the Platonic Idea is meant to provide a concrete criterion of selection “Copies” or icons (eikones) are well-grounded claimants (...)
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  49. What is Decadence in Philosophy? How Does It Come Between Rorty and Deleuze? - Delivered at 42nd Meeting North Texas Philosophical Association, 2009.James Brusseau - manuscript
    Decadence in philosophy is defined in the relation between thinking and truth, and explored as a conflict between Richard Rorty and Gilles Deleuze.
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  50. Santayana's Anticipations of Deleuze: Total Natural Events and Quasi-Pragmatism.Joshua M. Hall - 2017 - Transactions of the Charles S. Peirce Society 53 (2):270.
    In a monograph published last year, literary theorist Mark Noble notes that, in the way Deleuze understands the relationship between materialism and subjectivity, Deleuze “also sounds curiously like Santayana.” For example, the work of both philosophers “locates human value in a source at once immanent and alien.” Noble also wonders “whether the lesson of Santayana’s own negotiation with his tendency to humanize the non-human ground of experience also anticipates the thrill Deleuze chases when positing the univocity of (...)
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