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Francis Bacon alchimiste de l'esprit humain

Didier Deleule

Les Etudes Philosophiques (forthcoming)

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The Other in Deleuze and Husserl.Hamed Movahedi - 2021 - Dialogue 60 (1):93-120.details There is no consensus regarding whether Gilles Deleuze offers a cogent theory of the Other. Deleuze develops the notion of the Other-structure, but given his scarce remarks on this concept, his treatment of this issue is debated. This article argues that to elucidate Deleuze's philosophy of the Other, his notion of the Other-structure must be analyzed in parallel to Edmund Husserl's intersubjective theory. This comparison, made possible by Natalie Depraz's reading of the Husserlian alterity, reveals nuanced phenomenological traces in Deleuze's (...) Download Export citation Bookmark 1 citation
L’Éthique de Spinoza dans l’œuvre de Gilles Deleuze.Alain B. Eaulieu - 2003 - Dialogue 42 (2):211-.details Spinoza est pour Deleuze le «Christ» et le «Prince» des philosophes, le philosophe «absolu», et son Éthique, «l’un des plus grands livres du monde»C’est sur Spinoza que Deleuze aura le plus écrit en lui consacrant deux livres: Spinoza et le problème de l’expression et Spinoza. Philosophie pratiqueSpinoza, le seul philosophe que Deleuze déclarait connaître «dans son cœur», est aussi celui dont la conceptualité fut la mieux approfondie par lui. «C’est sur Spinoza, écrit Deleuze, que j’ai le plus sérieusement travaillé d’après (...) Download Export citation Bookmark
Extracts from a paper laboratory: the nature of Francis Bacon’s Sylva sylvarum.Doina-Cristina Rusu & Christoph Lüthy - 2017 - Intellectual History Review 27 (2):171-202.details Download Export citation Bookmark 5 citations
Deleuze and Guattari’s Logic of Sensation in the Context of Contemporary Art.Sigita Dackevičiūtė - 2021 - Problemos 100:180-190.details Deleuze and Guattari’s concept of art has been interpreted in the context of the opposition between modernism and contemporary art, and then it is either attributed only to modernism, which gives priority to the aesthetic dimension of art, or it is argued that we must see its potential to create “new connections.” These opposing views are expressed by Stephen Zepke and Simon O’Sullivan. However, Deleuze and Guattari’s artistic sensation is not a sensory perception, it is the main concept of their (...) Download Export citation Bookmark

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