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  1. Flirting in online dating: Giving empirical grounds to flirtatious implicitness.Kristine Køhler Mortensen - 2017 - Discourse Studies 19 (5):581-597.
    Various fields have examined the activity of flirting, predominantly based on experimental and reported data; the interactional workings are therefore often overlooked. Based on emails and chats from two Danish online dating sites, this article investigates how users negotiate romantic connections through the flirting strategy of ‘imagined togetherness’, linguistically constructing imagery of a shared future. Using the notion of the chronotope, turn-by-turn analysis demonstrates how users, embedded in the activity of getting to know each other, tenuously communicate romantic interest by (...)
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  • Identity work of corporate social responsibility consultants: Managing discursively the tensions between profit and social responsibility.Luc Brès, Jean-Pascal Gond & Djahanchah P. Ghadiri - 2015 - Discourse and Communication 9 (6):593-624.
    Critical evaluations of the current movement of corporate social responsibility commodification have neglected an important question: How do CSR professionals manage the tensions resulting from the search for both profit and social responsibility? This article addresses this question by analyzing the discourse of CSR consultants with the aim of understanding how they deal with such tensions through identity work. Our findings suggest that people who claim, or who are ascribed, paradoxical professional identities may engage in ‘paradoxical identity mitigation’ – a (...)
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  • Foucault, exhibitionism and voyeurism on chatroulette.Dgp Kreps - unknown
    Sexuality, understood as a Foucauldian discourse that expresses itself through our passions and pursuits and contributes massively to our socially- constructed identity formation, has from the outset been a major factor in the growth of the internet. As the ultimate look-but-don‘t-touch medium, the computer screen has offered us a pornographic emporium in the privacy of our homes, fed first by the producers of material in the standard broadcast mode, then more and more by ourselves, to each other, in the social (...)
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