This article is an analysis of a collection of articles published by Gilles Deleuze in 1953 under the direction of Georges Canguilhem. This collection, which has been little read and commented upon, sheds light on the intellectual trajectory of its author by underlining the theoretical hesitations that were his. I show that Deleuze then outlined an ambitious “psycho-sociological” project that he never fully realized. To do this, I reconstitute the psychological and ethological subtext of the book by following his sources; (...) I thus bring to light real theoretical positions often unnoticed in his work (in particular with respect to Henri Bergson, Jakob von Uexküll, and gestaltpsychology). I then argue that the difficulties linked to the theory of perception lead Deleuze to turn away from this project in order to devote himself to more specifically ontological problems. However, I suggest that these difficulties persist throughout Deleuze's works, where notions such as “sign” and “semiotics” both cover and avoid specifically perceptual problems. (shrink)

Deleuze, G., Guattari, F., 2019. Kas yra filosofija? Vertė Daina Habdankaitė, Nijolė Keršytė. Vilnius: Jonas ir Jokūbas, 242 p. ISBN 978-609-8236-06-4.

This article reconstructs Henri Bergson’s argument at the beginning of the second chapter of his Essai sur les données immédiates de la conscience for his view that every idea of number involves sp...

Partimos da perspectiva que nos convida a observar que a leitura que Bergson faz sobre Leibniz tanto nos seus cursos, quanto em Possível e o Real e em A Evolução Criadora participam da construção de um modelo de individuação no âmbito filosofia bergsoniana. No curso sobre o opúsculo De rerum natura originatione, Bergson propõe uma avaliação sobre o finalismo metafísico leibniziano a partir da noção do possível e sua relação com o princípio da harmonia pré-estabelecida. Neste artigo, pretende-se mostrar que (...) as implicações decorrentes da leitura de Leibniz são conservadas até as proposições sobre o elã vital e as tendências. (shrink)

Despite the distance between the philosophies of Merleau-Ponty and of Deleuze, it is possible to discover not only analogue complicity with regard to thecriticism addressed to Husserl. In the aesthetic, for example, we note that the last thoughtsof Merleau-Ponty, present mainly in The visible and the invisible, are a constant referencefor the works that Deleuze dedicates to the painter Francis Bacon. In the present researchwe expect to define the passages on account of the reading of Husserl, and to show thepoint (...) of contact between Merleau-Ponty and Deleuze. So, we hope to change the image of apparent indifference with regard to understanding their philosophies. (shrink)

What status should be given to the calculations and especially the figures proposed by Henri Bergson to explain the functioning of recognition in Matter and Memory? This article suggests that these calculations and figures are not just convenient metaphors; reality is not devoid of numbers (e.g., numbers of vibrations, and numbers of memories), and nor is it devoid of more or less extended planes. Therefore, it is possible to suppose that, after having arithmetized the facts of consciousness with the help (...) of special numbers in Time and Free Will, Bergson geometrizes the spiritual and material being in Matter and Memory. (shrink)

Physical processes manifest an objective order that science manages to discover. Commonly, it is considered that these processes obey the “laws of nature.” Bergson disputes this idea which ultimately constitutes a kind of Platonism. In contrast, he develops the idea that physical processes are a particular case of automatic behaviors. In this sense, they imply a motor memory immanent to matter, whose actions are triggered by some perceptions. This approach is obviously panpsychist. It gives matter a certain consciousness, even if (...) the latter is different in nature from our consciousness. In some respects, this approach is similar to contemporary panpsychism because it claims that the psychic is a fundamental characteristic of nature, causally active. But it is also original because it does not constitute a theory of the origin of mind in nature. (shrink)

Planteamos el problema del aparecer de la hylè husserliana, lo que nos conduce al problema de la auto-donación de la vida como condición de una fenomenología de la percepción. Para solucionar este problema, establecemos las condiciones de un diálogo entre Michel Henry, que pone énfasis sobre la auto-afección de la vida inmanente, y Merleau-Ponty, que privilegia una concepción intencional del cuerpo mundano. Tal diálogo nos permite identificar un prejuicio común, cuya superación podría ofrecer la posibilidad de una solución al problema (...) del aparecer sensible desde la vida. (shrink)

Spinoza est pour Deleuze le «Christ» et le «Prince» des philosophes, le philosophe «absolu», et son Éthique, «l’un des plus grands livres du monde»C’est sur Spinoza que Deleuze aura le plus écrit en lui consacrant deux livres: Spinoza et le problème de l’expression et Spinoza. Philosophie pratiqueSpinoza, le seul philosophe que Deleuze déclarait connaître «dans son cœur», est aussi celui dont la conceptualité fut la mieux approfondie par lui. «C’est sur Spinoza, écrit Deleuze, que j’ai le plus sérieusement travaillé d’après (...) les normes de l’histoire de la philosophie»Mais Deleuze ne s’en tient pas au seul cadre académique d’analyse. Il sait également produire une interprétation éminemment originale de la pensée de Spinoza. (shrink)

Jung’s advance, for Deleuze, must lie in this identification of a « problematic » zone of human intelligence, through which the instinctual form of consciousness can return. A gap is opened up for the return of an « instinct devenu désintéressé, conscient de lui-même, capable de réfléchir sur son objet et de l’élargir indéfiniment ».

Cet article met l’accent sur la notion de création, entendue comme cercle vertueux dans l’œuvre de Bergson. La figure du cercle vertueux désigne un processus qui tire de soi rétrospectivement son identité à travers les événements présents. Nous montrerons que ce schème est à l’œuvre dans l’acte libre, puis dans l’action des vivants, et surtout au niveau du processus évolutif lui-même. Nous verrons ensuite s’il est possible d’élargir la perspective au-delà de ce schème traditionnel amené par le spiritualisme bergsonien. Nous (...) montrerons que, contrairement à ce que souhaitait Bergson, nous pouvons en élargir l’extension au monde matériel lui-même.In this paper, I focus on the notion of creation in Bergson’s works, and I characterize it as a virtuous circle. The pattern of the virtuous circle displays a process that retrospectively finds its identity in itself through present events. I show that this pattern is at work in the free act, in the actions of living organisms, and mostly in the evolutionary process itself. I then move on to ask weather it is possible to broaden the perspective beyond the traditional pattern associated with Bergson’s spiritualism. I show that, contrary to what Bergson envisioned, this virtuous circle can be broadened as to include even the material world. (shrink)

Deleuze calls Spinoza the “Prince” of philosophers. He devotes two books to him, Spinoza et le probleme de l'expression and Spinoza. Philosophie pratique But Deleuze's entire body of work also gives him an opportunity to work on Spinoza's conceptuality. Deleuze does not arrive at Spinoza by making a leap from the principle of reason to reconquer an original and forgotten past. The immanence of Spinoza is more like an arrow found inadvertently and shot again into the immensity of the universe. (...) We propose to define this timelessness by highlighting the main points of convergence between Deleuze's thought and that of Spinoza. These convergences will be examined using excerpts selected from the five parts of the Ethics in which the following themes will be broached: the principle of reason, panpsychism, experimentation of the body, notion of power, and liberty. We will see how Deleuze gives a new and yet strangely faithful spin to Spinozist thought on which he establishes his notions of pluricosmism, non-human becomings, ethology, deterritorialization, and escape lines. (shrink)

This paper deals with Parmenides of Elea’s way of inquiry about reality and the opposition emerging from it. In more detail, it analyses how Parmenides’ concepts of logos and doxa present some analogies with Bergson’s thoughts about duration and Time and how these theories influenced the understanding of visual media, especially the cinematographic camera. This survey will allow us to demonstrate that some scientific theories about space that accompanied the development of the cinematographic camera progressively allowed for the birth of (...) a new understanding of this device. In the last section of this study, we will then focus on the way through which the film camera - understood as an intelligent device - passes from the sphere of doxa to the sphere of logos. (shrink)

RésuméJ'analyse la façon dont Bergson caractérise la logique tel un organe de simplification, de dissimulation, d'ordonnance, de limitation, de systématisation, comme habitude de pensée et comme ontologie foncière. Partout, la logique semble la prérogative de l'entendement et inapte à s'appliquer à la durée, voire à la réalité elle-même. Pour sortir d'un tel dualisme, je montre que Bergson conçoit une logique de l'absurde et de l'imagination, avec le rêve, la folie et le comique, laquelle transmute la logique dans le domaine du (...) pathologique et de l'art littéraire, et offre à l'image une seconde gloire.In this paper, I analyze the sense in which Henri Bergson characterizes logic, which he understands to be a means of simplification, dissimulation, ordering, limitation and systematizing, as well as a habit of thinking and something basically ontological. Overall, logic seems to be the privilege of the understanding; it is unfit to apply itself to duration, or to reality itself. To help us out of such dualism, I show that Bergson — considering dreams, madness, and comedy — conceives of a logic of the imagination and of the absurd that transplants logic into the field of the pathological and literary art, and that offers a second glory to images. (shrink)

Philosophers have thought more about the nature of thinking than about anything else. After Plato and Aristotle, philosophers’ main concern was to promote good, that is, correct, thinking. Because correct thinking was achieved best in propositional statements, thinking became a matter of logic, and logic became a discipline dealing with the formulation of true predicative sentences.In the twentieth century, many philosophers expressed their dissatisfaction with this view. Some, such as Heidegger, have pointed to the ontological presuppositions of a logic that (...) makes truth a matter of correspondence between predicative sentences and the reality of states of affairs. Other philosophers, such as Deleuze, have .. (shrink)

It has gone largely unnoticed that when Deleuze opposes the “private thinker” to the “public professor,” he is invoking the existential thought of Lev Shestov. The public professor defends established values and preaches submission to the demands of reason and the State; the private thinker opposes thought to reason, “idiocy” to common sense, a people to come to what exists. Private thinkers are solitary, singular and untimely, forced to think against consensus and “the crowd.” Deleuze takes from Shestov and Kierkegaard (...) the idea that genuine thinking manifests itself in a thinking which rebels against rational necessity, a theme central to Shestov’s leading French interpreter, Benjamin Fondane. Although Deleuze at first expresses doubts as to whether Shestov’s critique of reason can overcome the legislative reason of Kant, or whether it is entirely free of ressentiment, I argue that Shestov and Fondane’s anti-rationalism is more radical than Deleuze sometimes admits, and show how Deleuze’s attitude toward Shestov became more unreservedly positive over the years. On the other hand, against Shestov and Fondane, I agree with Deleuze that the private thinker is in solidarity with the “strange powers” which can remake the world, and thus with “the people to come.” Nonetheless, I argue that Deleuze’s philosophy cannot form the basis of a politics of egalitarian consensus, but that “the people to come” can only be a “broken chain” of untimely and singular exceptions. (shrink)

Borrowing conceptual tools from Bergson, this essay asks after the shift in the temporality of life from Merleau‐Ponty's Phénoménologie de la perception to his later works. Although the Phénoménologie conceives life in terms of the field of presence of bodily action, later texts point to a life of invisible and immemorial dimensionality. By reconsidering Bergson, but also thereby revising his reading of Husserl, Merleau‐Ponty develops a nonserial theory of time in the later works, one that acknowledges the verticality and irreducibility (...) of the past. Life in the flesh relies on unconsciousness or forgetting, on an invisibility that structures its passage. (shrink)