In this first section we start with defining the notions of inconsistency and para-consistency, we give an example of an inconsistency and clarify what according to us is the basic problem with respect to the occurrence of inconsistencies. We are then in a position to state the aim of this paper.

Deconstruction is often depicted as a method of critical analysis aimed at exposing unquestioned metaphysical assumptions and internal contradictions in philosophical and literary language. Starting from Derrida's contention that deconstruction is not a method and cannot be transformed into one, I make a case for a different attitude towards deconstruction, to which I refer as 'witnessing'. I argue that what needs to be witnessed is the occurrence of deconstruction and, more specifically, the occurrence of metaphysics-in-deconstruction. The point of witnessing metaphysics-in-deconstruction (...) is affirmative: it is an affirmation of what cannot be conceived in terms of the system and yet makes this system possible. To the extent to which education is concerned with the 'coming into presence' of new beginners and new beginnings, it shares an interest with deconstruction. Through a discussion of the role of communication in education I indicate how we might witness the occurrence of deconstruction in education. Through this we may be able to identify openings that can become potential entrances for the coming into presence of new beginnings and new beginners. Such an engagement with Derrida's work is more than the application of 'his' philosophy to the 'field' of education and therefore also has implications for how we think of the very idea of philosophy of education. (shrink)

All concepts, methods, and techniques of the philosophy of language arise from its conceptions of language. Conceptions of language have determined the character of the philosophy of language and the direction of its philosophical research. Various schools and currents within the philosophy of language differ from each other, mainly in the way they understand the referential character of the sign—that is, the relationship between the meaning of a word and its referential object.

Borrowing conceptual tools from Bergson, this essay asks after the shift in the temporality of life from Merleau‐Ponty's Phénoménologie de la perception to his later works. Although the Phénoménologie conceives life in terms of the field of presence of bodily action, later texts point to a life of invisible and immemorial dimensionality. By reconsidering Bergson, but also thereby revising his reading of Husserl, Merleau‐Ponty develops a nonserial theory of time in the later works, one that acknowledges the verticality and irreducibility (...) of the past. Life in the flesh relies on unconsciousness or forgetting, on an invisibility that structures its passage. (shrink)

I argue that Husserl’s transcendental account of the role of the lived body in sense-making is a precursor to Alva Noë’s recent work on the enactive, embodied mind, specifically his notion of “sensorimotor knowledge” as a form of embodied sense-making that avoids representationalism and intellectualism. Derrida’s deconstructive account of meaning—developed largely through a critique of Husserl—relies on the claim that meaning is structured through the complication of the “interiority” of consciousness by an “outside,” and thus might be thought to lend (...) itself to theories of mind such as Noë’s that emphasize the ways in which sense-making occurs outside the head. But while Derrida’s notion of “contamination” rightly points to an indeterminateness of meaning in an outside, extended, concrete lived world, he ultimately reduces meaning to a structure of signification. This casts indeterminateness in terms of absence, ignoring the presence of non-linguistic phenomena of embodied sense-making central to both the contemporary enactivist program and to the later Husserl, who is able to account for the indeterminateness of meaning in lived experience through his distinction between sense and more exact linguistic meaning. Husserl’s transcendental theory of meaning also allows for a substantive contribution to sense-making from the side of the perceived object—an aspect missing from Noë’s account. Thus, in contrast to Derrida and to Noë, Husserl accounts for sense-making in terms of both the lived body and the lived world. (shrink)

Responding to Guattari’s call for a ‘mutation of mentality’, the article explores unconventional horse-assisted leadership learning as promising ways of embodied learning to be affected and response-able. By drawing on and continuing the work of Guattari and posthuman feminist scholars, we aim to show that studying the affective pedagogics of opening up the senses and learning to be affected is of vital importance. We analyse a posthuman auto-ethnography of developing capabilities to live and breathe together that allow us to relate (...) in alternative ways. Experiments with affective pedagogy are conducted as they affect bodies through indeterminate and liminal contact zones and use aesthetics to evoke transformation in senses and thoughts, care and response. Since they are both domesticated and non-human, horses are promising companions in this endeavour of entrainment. However, these sensorial experiments also call for an ethics of cutting connections and, not least, of permitting refusals of refusals. (shrink)

This paper has a twofold objective. First, it engages with the interrelation of time, space, and matter in Kant, Heidegger, and Derrida and questions whether and how this interrelation effects the possibility of self-relation. In Kant and the Problem of Metaphysics Heidegger suggests that the very structure of subjectivity is constituted by what he calls the ‘pure self-affection’ of time and thus the possibility of self-relation is intimately bound up with the temporalizing of time. In his 1964–65 seminar, Heidegger: the (...) Question of Being and History, Derrida translates this pure affection of time into the more generic term ‘auto-affection,’ which will remain a pivotal reference point for his deconstruction of the metaphysical privileging of time as presence. Derrida shows how the (im)possibility of auto-affection is bound up not only with time but also with space, or rather with the ‘spacing of time’ that he also refers to as ‘the trace.’ Second, the paper moves across the frontiers of philosophy and physics posing anew the question concerning the interrelations of temporality, spatiality, and materiality. With reference to what in general relativity is called ‘the curvature of spacetime,’ the efficacy of materiality in the movement of auto-affection is called into question. (shrink)

(2011). ‘What Is, Is More than It Is’: Adorno and Heidegger on the Priority of Possibility. International Journal of Philosophical Studies: Vol. 19, No. 1, pp. 31-57. doi: 10.1080/09672559.2011.539357.

This article argues that only a developmental approach-one that views Derrida's 1967 work on Husserl, La Voix et la phénomène, in light of Derrida's three earlier encounters with Husserl's work and recognizes significant differences among them-is able to resolve the bitter controversy that has lately surrounded Derrida's Husserl interpretation. After first reviewing the impasse reached in these debates, the need for "a new hermeneutics of deconstruction" is set out, and, then, the reasons why strong development has been rejected internal to (...) Derrida's corpus are discussed. After this, in a discussion of interest with respect to Husserl's own late teachings, as well as Derrida's standpoint, this article focuses on Derrida's 1962 "Introduction to Husserl's Origin." Against the prevailing interpretation, an argument is made showing that Derrida is much closer to Husserl's own positions than has been suspected, most importantly, in section VII of the "Introduction" where the theme of writing is first introduced. Thanks to this, that significant development in Derrida's thought does take place between 1962 and 1967 is demonstrated-and the present piece concludes by providing a brief sketch of the development of deconstruction overall as it came about through Derrida's repeated encounters with Husserlian phenomenology in the years 1954–67. (shrink)

Although many still see Derrida as a thinker opposed to a unified systematic meaning, there has recently been growing recognition that Derrida, in his later years, suggested that his work is not averse to formalisation. In support of this view, this paper points out that, in 1990, Derrida himself told us that his first work of 1954 reveals a “law” which impels his career, and that some responses had arisen even there. Some benefits of adopting such a common pole are (...) set out, and an interrelated “system” developed to relate the law of 1954 to the later responses, in order to help find a common, systematic base for Derrida’s oeuvre. The need to accommodate approaches which are wary of a systematic approach is nevertheless acknowledged, and possible ways of reconciling the diverse readings of Derrida’s intent and collaboratively furthering the formalisation of Derrida’s oeuvre for posterity are outlined in closing. Indo-Pacific Journal of Phenomenology, Volume 10, Edition 2, October 2010: 43-60. (shrink)

Derrida's work encompasses dynamic spatial dimensions to understanding as a pervasive theme, including the search for a ‘new psychoanalytic graphology’ in Writing and Difference. This preoccupation with a spatial text for repression also occurs later in Archive Fever. Building on Derrida, this paper seeks to develop key aspects of a new dynamic psychoanalytic graphology through diametric and concentric interactive spatial relation. These spatial movements emerge from a radical reconstruction of a neglected aspect of structural anthropologist Lévi-Strauss’ work on spatial relations (...) prior to myth. This psychoanalytic graphology is argued to silently pervade Freud's own direct accounts of repression. This graphological domain is developed through diametric and concentric spatial movements across common concerns of Derrida and Freud such as inversions, interruption and restoration, regarding traces in the unconscious. A spatial text is uncovered for diverse features of Freudian repression, including ambivalence in obsessional neurosis and psychosis, splitting of the ego and repetition compulsion. This psychoanalytic graphology challenges the construction of a restricted subjectivity based on repressive diametric spatial relations. It goes beyond Freud's logocentric repression, resonant with Derrida's more radical call for a wider spatio-temporal understanding of structures of differential relation, prior to causality and myth. (shrink)

Comment penser la possibilité pour une conscience de faire le mal, de commettre une faute qu’elle sait répréhensible ? Reconnaissant à la fois la longue tradition qui avant lui s’est intéressée à ce problème éternel pour la philosophie et la théologie, Ricœur ressent le besoin de revenir sur cette question en même temps qu’il juge nécessaire de donner à sa démarche phénoménologique un tournant herméneutique. Afin de comprendre ce choix, nous proposons ici une synthèse critique de La symbolique du Mal, (...) second tome du cycle de la Philosophie de la volonté de Ricœur ; y seront exposées les principales composantes de sa démarche ainsi que les grands moments de ses conclusions. Nous espérons par notre travail montrer pourquoi le problème du mal, plus particulièrement l’expérience de la faute, empêche de penser une subjectivité pleine, maîtrisée et transparente à elle-même. Pour cette raison, l’herméneutique semble s’imposer comme démarche pour appréhender le sujet brisé par la faute, et pour comprendre la juste valeur des symboles par lesquels cette expérience a été exprimée. (shrink)

Este ensaio examina a explicação de Husserl sobre o que afinal acontece quando ocorre a compreensão. Os tópicos de sua Primeira Investigação Lógica são familiares ao ponto de serem menosprezadas: distinções essenciais envolvendo atos conferidores de significação e preenchedores de significação e seus conteúdos, caracterizações dos atos conferidores de significação, a flutuação dos significados das palavras e a idealidade das unidades de significação, e os conteúdos fenomenológico e ideal das vivências de significação. Uma vez feitas as distinções essenciais, a investigação (...) abre um caminho direto. Ela conduz dos atos psiquicamente reais de significação e seus conteúdos subjetivamente flutuantes às significações logicamente ideais e seus conteúdos objetivamente constantes. Dado que aparentemente a estratégia de Husserl para lidar com expressões essencialmente ocasionais e suas significações aparentemente flutuantes pode funcionar para a Lógica pura, com sua necessidade de rigor de identidade e determinação de sentido, mas não, entretanto, para o discurso ordinário, parece que a Primeira Investigação Lógica não pode prover uma explicação sobre a compreensão. Contudo, este ensaio tenta mostrar que Husserl apresenta uma hermenêutica fundamental na Primeira Investigação Lógica e que ela se volta da linguística para a ontologia, ou de ‘meras palavras’ para as ‘coisas elas mesmas’. (shrink)

In Critics of pure reason the notion of affection appears at first in the "Transcendental Aesthetic" and is unfolded on the notion of self-affection in the "Transcendental Analytic". Husserl, in manuscripts written from 1918, presents some developments of these Kantian notions. If by affection Kant explains that something can be given to the subject from the sensibility, that is, something that affects oneself from the external and the internal sense, however, Husserl extends the analysis of affection toward a broad spectrum (...) of underlying phenomena, such as volitive acts, imaginative acts, drives and affects. Husserl also analyzes from a phenomenological point of view the Kantian implicit condition that, if anything is given to the subject in the internal consciousness of time, the relationship to itself must be thought as a temporal process. I intend to show that Husserl’s analysis of affection and its modulations unveil possible theoretical directions departing from Kant, but in this step, involving a change of focus on the transcendental field, more specifically on the transcendental foundation of temporality. (shrink)

This article argues that Foucault's 1964 paper “La folie, l'absence d'œuvre” ought to be understood as a response to Derrida's 1963 paper “Cogito et histoire de la folie”. I clarify the chronology of the exchange between these two thinkers and follow commentators Bennington and Flynn in emphasising themes other than the status of madness in Descartes. I undertake a thematic investigation of Foucault's 1961 characterisation of madness as the absence of an œuvre and the role of this characterisation in Derrida's (...) 1963 paper. Then I turn to an investigation of Foucault's substantial change in position on these key themes with his 1964 paper. I argue that Foucault seeks to minimise the initial importance he attributed to his characterisation of madness as the absence of an œuvre, altering his understanding of the relation between madness and language as well as shifting the event that silences madness from Descartes to Freud. Derrida's reconsideration of Foucault's Folie et déraison in 1991 treats Freud as the new locus of the exchange. This is an implicit recognition by Derrida of Foucault's “La folie, l'absence d'œuvre” and confirmation of its place within the exchange. (shrink)

Following one of Jacques Derrida’s early questions — namely, How is writing involved in speech? — this essay reconsiders the role of the tongue and the sense of taste in the oral phenomena of speaking and saying. The contact the tongue makes with the mouth or teeth is just as much a materialization of language as what is commonly called “writing.” The tongue acts as a pen and the mouth, as a blank page (or palimpsest). Mouthed writing is accompanied by (...) sense experiences. There are various selftastes to the tastes of speaking, the tastes of words, or, even, the tastes of thoughts. Freud’s notes on speaking in one’s sleep, telepathy, the mystic writing-pad, and memory are revisited and supplemented with the writings of Hélène Cixous on the taste of words, telephoning, saying-to-oneself, and forgetting. The auto-affection of tasting-oneself-speakwriting is offered as an alternative to the metaphysical presumptions Derrida implicates in Husserl’s understanding of speech based on the auto-affection of hearing-oneself-speak. As such, writing (haunted by the trace of death) and speech (invested with living presence) is now confronted with the selftastes of speakwriting with one’s stylangue in and on the mouth as the scene of writing (ever accompanied by tastes of life-death). (shrink)