Heidegger presciently diagnosed the current crisis in higher education. Contemporary theorists like Bill Readings extend and update Heidegger's critique, documenting the increasing instrumentalization, professionalization, vocationalization, corporatization, and technologization of the modern university, the dissolution of its unifying and guiding ideals, and, consequently, the growing hyper-specialization and ruinous fragmentation of its departments. Unlike Heidegger, however, these critics do not recognize such disturbing trends as interlocking symptoms of an underlying ontological problem and so they provide no positive vision for the future of (...) higher education. By understanding our educational crisis 'ontohistorically', Heidegger is able to develop an alternative, ontological conception of education which he hopes will help bring about a renaissance of the university. In a provocative reading of Plato's famous 'allegory of the cave', Heidegger excavates and appropriates the original Western educational ideal of Platonic paideia, outlining the pedagogy of an ontological education capable of directly challenging the 'technological understanding of being' he holds responsible for our contemporary educational crisis. This notion of ontological education can best be understood as a philosophical perfectionism, a re-essentialization of the currently empty ideal of educational 'excellence' by which Heidegger believes we can reconnect teaching to research and, ultimately, reunify and revitalize the university itself. (shrink)

It is commonly supposed that acting and judging ought to rest on a community-wide, binding definition of what is right and respectable, that is, a substantial consensus. Such consensus is thought possible only when we engage shared values and criteria, when we use knowledge and abilities appropriated through education. On this view, education deals with the reproduction of consensus and, hence, with the passing on of traditions and norms. On my view, we need to question the framework in which the (...) debate over social erosion takes place. I take a cue from remarks of Hannah Arendt and question the presupposition that acting and judging in a right way requires both common values and the appropriation of what we call ‘knowledge’ of criteria and principles. I do not suggest that ‘knowledge’ has nothing to do with acting and judging. Rather, I wish to draw attention to thinking as a condition for acting and judging. Here, thinking has nothing to do with knowledge or with appropriation. Rather, it has to do with living-together with somebody. Educa-tion for thinking is, then, a ‘public thinking’ which leads out of the serf and into communal responsibility. On this treatment, the educator is to be a ‘faithful guardian’ of this calling out into responsibility. (shrink)

The characterisation of Derrida’s politics as a seeking for the “lesser violence” has become an almost paradigmatic interpretation. Yet the phrase _la moindre violence_ appears only in the early essay “Violence and Metaphysics” and its meaning is not as straightforward as might initially seem. I will argue that it is a mistake to take this expression to summarise the political import of this essay let alone of deconstruction more generally. What Derrida repeatedly concerns himself on that occasion is not “the (...) lesser violence” but “worse violence” and “the worst violence,” terms that appears several times. This will be seen to be as a prefiguring of how, from the early 1980s on, following engagements with Plato and Lyotard, Derrida repeatedly names and elaborates “the worst” as that which we should seek to avoid. In order to uncover the politics of deconstruction, I will examine what Derrida has to say about “the worst” as well as what is said in the secondary literature, for it is also a term around which a number of unfortunate misinterpretations have arisen. In conclusion, it will be remarked that with the late coinage of the term _aimance_ Derrida makes clear his close proximity to the ethics of Levinas and his affirmation of an aspiration to nonviolence in the relationship with the other. (shrink)

This paper demonstrates that when the concept of ethicalpolitical responsibility is taken in its modern sense as a decision or outcome based on the protocols of reason, responsibility is neither simply possible nor simply impossible. Paradoxically, it appeals to a demand that it cannot fulfil; responsibility is thus (im)possible. Moreover, insofar as a deconstructive demonstration of this aporia is itself a response to reason’s own demand, deconstruction cannot be characterized as simply responsible or irresponsible. Rather, deconstruction inscribes itself as the (...) interior limit of the order of ethics, of responsibility, as such. Deconstruction is thus characterized best as an (ir)responsible interrogation of the very principle of reason to which political philosophers such as Habermas appeal when they invoke responsibility. To this extent deconstruction enacts the strange responsibility of interrogating critically precisely what is deemed ‘just’. Key Words: critique • deconstruction • Derrida • Enlightenment • ethics • Habermas • justice • modernity • reason • responsibility. (shrink)

Baez and Boyle provide evidence that educational research is inherently political and shapes how we look at the world, what research questions we ask, and what counts as a valid answer. They show how those who hold powerful governmental and academic positions advocate for and limit funding to research that is positivistic and elevates the natural sciences above all other forms of science. Such an approach not only marginalizes other forms of science but also slights ethical questions of good and (...) right action. Moreover, this narrow view of science guides what research the government, foundations, and corporations fund, what academic journals are held up as most prestigious, which research is published, and what .. (shrink)

Kittler was among the first to invite Derrida to lectures in Germany, and to translate Derrida’s texts into German. Yet a cursory tally in his references does not always do justice to what Kittler’s media theory owes to deconstruction. Discourse Networks credits Derrida with a mere ‘rediscovery’ of grammatology, although Wellbery’s foreword labors mightily to identify the deconstructive traits in Kittler’s work. Gramophone, Film, Typewriter reduces The Post Card’s complex networks to an allegation that ‘voice remains the other of typescripts' (...) – as if Kittler had not in fact taken a much more subtle evaluation of hearing oneself speak from Derrida. What happens to the writability and citability of texts if they are sorted into such neat binary distinctions of logical or poetic orientation? What, to Kittler, is the quotability and readability of the body of work titled Derrida? (shrink)

In his published lectures Civilizations: Nostalgia and Utopia, Daya Krishna criticizes postmodern thought and especially the writings of Jacques Derrida. By outlining similarities between the two, I would claim that, indeed, it was Daya Krishna’s unexpected proximity to Derrida’s ‘deconstruction’ project that triggered his scathing critique of the latter. Moreover, Daya Krishna’s response to Derrida reveals an ongoing inner conflict in his own thinking. On the one hand, he provides us with a harsh critique of Derrida the ‘postmodern’; on the (...) other hand, he concedes that the ‘modern’ notion of knowledge has been totally transformed, and the ‘deconstruction’ of its old formulations was the major catalyst that provoked and directed his own philosophical enterprise in the last years of his life, reformulating knowledges. Reconstructing in this way, the dialogue which never happened might prove beneficial, not only for understanding the distinctive works of its participants, but also for carrying their writings and us one step further towards a productive, ‘relevant’ philosophical discourse in the twenty-first century. (shrink)

At the heart of the relationship between philosophy and poetry, and of the philosophical and the literary tout court, is the relationship between poetry and prose. In the increasingly influential work of Giorgio Agamben, whose impact continues to grow across a wide range of disciplines, the relationship between philosophy and poetry, poetry and prose, receives renewed attention and significance. Situating Agamben's philosophical, poetic prose in relation to the legacy of the prose poem from Charles Baudelaire through Walter Benjamin and Rosmarie (...) Waldrop, ?Philosophy, Poetry, Parataxis? explores the implications of what Agamben calls ?whatever being? or ?whatever singularity? for our understanding of the potentialities inherent in the relationship between contemporary writing practices and what Agamben calls The Coming Community. In contributing to the development of innovative, alternative forms of textuality at once ?philosophical? and ?poetic,? contemporary writers such as Agamben and Waldrop share an understanding of the informing role of parataxis in inflecting philosophy and poetry, poetry and prose, toward what we might call an aesthetics and politics of apposition. (shrink)

In this article I explore some points of convergence between Habermas and Derrida that revolve around the intersection of ethical and epistemological issues in dialogue. After some preliminary remarks on how dialogue and language are viewed by Habermas and Derrida as standpoints for departing from the philosophy of consciousness and from logocentric metaphysics, I cite the main points of a classroom dialogue in order to illustrate the way in which the ideas of Habermas and Derrida are sometimes received as well (...) as the actual relevance of ethical and epistemic concerns within educational settings. I claim that such concerns cannot be sidestepped without cost and that they can be approached by combining rather than rigidly separating Habermas and Derrida. Beyond the consolidated polemics, emancipatory politics and Enlightenment priorities of truth and justice bring Habermasian reconstruction and Derridean deconstruction closer than it is typically assumed. Attention to such a convergence can enrich the teaching material of higher education courses which usually comprises either Habermasian or Derridean texts but rarely both. It can also stave off some of the risks involved in some versions of constructivism as they occur in school practice. (shrink)

This paper examines the relation or, more precisely, tension between postmodern deconstruction and ethics by elaborating upon the ethico-political dimensions of deconstructionism. It embarks on a critical assessment of postmodern discourse on ethics in view of its political implications by analyzing Jacques Derrida''s and Richard Rorty''s arguments with an assumption that their positions represent a certain logic in the postmodern discourse on ethics. Postmodern ethics is based on incredulity with regard to traditional metanarratives, and it defines ethics in terms of (...) sensitivity or responsibility to otherness and difference. Its proponents believe that the negation of modern metanarratives opens a way to the Other which has been marginalized and suppressed both in thought and in social practice. Derrida and Rorty represent this position with their emphasis on the ethical nature of deconstruction and the need to elaborate new languages for ethics. Despite postmodern appeal to ethics of this sort, however, postmodern thinking shows its limits in dealing with most ethical-political matters in the contemporary world. The postmodern approach to ethics, being restricted within the perspective of the individual, does not provide any determinate framework for deciding how to adjudicate conflicting ethical claims or how to link the unconditional affirmation of emancipatory ideals, enlightened social criticism, and democratic accountability in determinate political terms. In the main, this paper contends that philosophical deconstruction and responsibility to otherness undermine each other in the public sphere. (shrink)

The aim of this article is to analyze the current crisis of higher education and to propose a new model to counter the threat this crisis poses to the arts and humanities. The crisis of the university is presented through a comparison with two earlier crises: the first occurring in the seventeenth century and the second in the early nineteenth century. I argue that as an institution and a culture the mission of the university is to uphold the value of (...) autonomy, a term I borrow from Cornelius Castoriadis, and to actively cultivate the autonomy of its students and teachers. (shrink)

This essay seeks to finalize a personal conception of the method of philosophizing. It aims to argue that works of philosophy are to be considered as well-informed expressions of belief. It does this by first introducing the topic, considering the broad views of the analytic, continental, and pragmatic traditions, and then presenting an exposition of passages on the topic. Finally, a novel contribution is presented in consideration of those passages before ending in concluding remarks.

Chance, in the sense of the incalculable, the indeterminable, names the limit of every estimation of the truth. Whereas traditional philosophical discourses aspire to transcend this limit, deconstruction affirms on the contrary its necessity; not as a higher principle that relativizes truth and renders all our calculations futile, as is commonly suggested by flippant appropriations of Derrida’s work, but as a structural property within every event and every concept, every mark. Rather than a mere impediment to the pursuit of truth (...) then, the incalculable forms a necessary correlative of the pursuit itself. Deconstruction effectively attests to and exemplifies the dependence of every philosophical discourse on its irreducible, inherent limitation. With reference to numerous commentaries on Derrida’s work, Chapter 1 shows that the unconditional indeterminability of a deconstructive, methodological identity is indissociable from deconstruction’s critical import. And as Chapter 2 verifies in turn, focusing now primarily on Derrida’s lecture ‘My Chances/Mes Chances’ and the performative aspects of his writing, deconstruction’s appeal to the accidental and the idiomatic is not a call to irresponsibility and a turning away from theory; it is what ensures its remarkable theoretical consistency. Through close readings of Aristotle, Freud, Richard Rorty and William James, Chapter 3 demonstrates that any attempt to regulate chance cannot help but put chance to work instead. Not even fiction can arrest its contaminating force. Reading Derrida alongside Edgar Allan Poe, Chapter 4 posits that the commonsensical conception of chance as a deviation from the truth is bound up with an uncritical notion of literary writing as sheer untruthfulness, and hence as the site of pure chance. The constitutive pervasiveness of chance bears out, in the first place and above all, the instability of the limit that separates fiction from non-fiction, truth from non-truth. (shrink)