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  1. (1 other version)Vital anti-mathematicism and the ontology of the emerging life sciences: from Mandeville to Diderot.Charles T. Wolfe - 2017 - Synthese:1-22.
    Intellectual history still quite commonly distinguishes between the episode we know as the Scientific Revolution, and its successor era, the Enlightenment, in terms of the calculatory and quantifying zeal of the former—the age of mechanics—and the rather scientifically lackadaisical mood of the latter, more concerned with freedom, public space and aesthetics. It is possible to challenge this distinction in a variety of ways, but the approach I examine here, in which the focus on an emerging scientific field or cluster of (...)
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  • Can Matter Mark the Hours? Eighteenth-Century Vitalist Materialism and Functional Properties.Timo Kaitaro - 2008 - Science in Context 21 (4):581-592.
    ArgumentEighteenth-century Montpellerian vitalism and contemporaneous French “vitalist” materialism, exemplified by the medical and biological materialism of La Mettrie and Diderot, differ in some essential aspects from some later forms of vitalism that tended to postulate immaterial vital principles or forces. This article examines the arguments defending the existence of vital properties in living organisms presented in the context of eighteenth-century French materialism. These arguments had recourse to technological metaphors and analogies, mainly clockworks, in order to claim that just as machines (...)
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  • Rotten Corpses, A Disembowelled Woman, A Flayed Man. Images of the Body from the End of the 17th to the Beginning of the 19th Century. Florentine Wax Models in the First-hand Accounts of Visitors. [REVIEW]Francesco Ceglidea - 2006 - Perspectives on Science 14 (4):417-456.
    This article analyses some of the anatomical waxes in the Museo della Specola in Florence. Executed in at least two different periods in the history of Florentine wax modelling , they project culturally determined images of the body which are analysed from a historico-semiotic perspective. "Rotten corpses," a "disembowelled woman" and a "flayed man" emerge as salient figures in the collection and reveal the close tie between anatomical representations and aesthetics, social relations and religious scruples, in other words, the culture (...)
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  • Rotten Corpses, A Disembowelled Woman, A Flayed Man. Images of the Body from the End of the 17th to the Beginning of the 19th Century. Florentine Wax Models in the First-hand Accounts of Visitors. [REVIEW]Francesco de Ceglia - 2006 - Perspectives on Science 14 (4):417-456.
    . This article analyses some of the anatomical waxes in the Museo della Specola in Florence. Executed in at least two different periods in the history of Florentine wax modelling, they project culturally determined images of the body which are analysed from a historico-semiotic perspective. “Rotten corpses,” a “disembowelled woman” and a “flayed man” emerge as salient figures in the collection and reveal the close tie between anatomical representations and aesthetics, social relations and religious scruples, in other words, the culture (...)
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  • Personal Identity and Self-Interpretation & Natural Right and Natural Emotions.Gabor Boros, Judit Szalai & Oliver Toth (eds.) - 2020 - Budapest: Eötvös University Press.
    Collection of papers presented at the 2nd and 3rd Budapest Seminar in Early Modern Philosophy.
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  • Voltaire, Diderot Y la historia de rusia en el siglo XVIII.Adrián Ratto - 2021 - Eidos: Revista de Filosofía de la Universidad Del Norte 36:316-340.
    RESUMEN En las primeras páginas de la Histoire de l'empire de Russie sous Pierre le Grand, publicada entre 1759 y 1763, Voltaire presenta una serie de reflexiones acerca del método que se debería seguir al escribir un trabajo histórico y de las características que debería tener un historiador ideal. El objetivo de este trabajo es evaluar en qué medida el texto se ajusta a la metodología que Voltaire se propone seguir. Se intenta mostrar que el autor se aleja por momentos (...)
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  • El lugar del filósofo en la ciudad. La figura de Sócrates en los escritos de Diderot.Adrián Ratto - 2018 - Contrastes: Revista Internacional de Filosofía 23 (2).
    El objetivo de este trabajo es demostrar que el lugar que ocupa la figura de Sócrates en la obra de Diderot es problemático, ambivalente. Ciertas actitudes y escritos de Diderot llevaron a sus coetáneos a trazar un paralelismo entre éste y el filósofo ateniense, sin embargo este artículo revela que el editor de la Encyclopédie se alejó de la figura de Sócrates en diferentes ocasiones. Esto arroja algunas luces, por otra parte, acerca de la posición que Diderot mantuvo en sus (...)
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  • Voltaire contra el ateísmo y contra sí mismo.Gustavo Adrián Ratto - 2017 - Endoxa 39:101.
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