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  1. Does Art Bring Us Together? An Empirical Approach to the Evolutionary Aesthetics of Ellen Dissanayake.Brady Fullerton - 2020 - Biological Theory 15 (4):188-195.
    Over the last several decades Ellen Dissanayake has developed an evolutionary theory of art that views all art as having evolved for the function of promoting group cohesion. This theory is not without its critics, yet it has received little empirical attention. In this article I propose a more modest formulation of Dissanayake’s hypothesis and proceed to test it using a cross-cultural analysis. I rely on the ethnographic databases of the electronic Human Relations Area Files as well as the Standard (...)
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  • Verse form.John Constable - 1997 - Human Nature 8 (2):171-203.
    This paper presents a pilot study in the "epidemiological" program for cultural research put forward by Dan Sperber. Theory is offered to argue that verse form is so disabling that its worldwide distribution must be explained by functions other than the broad communicative, or ideological, power traditionally attributed to it. The theoretical case is confirmed by numerical data showing that in matched texts of English prose and verse the latter contain words of a lower mean length (measured in syllables). Candidate (...)
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  • Co‐occurrence of Ostensive Communication and Generalizable Knowledge in Forager Storytelling.Michelle Scalise Sugiyama - 2021 - Human Nature 32 (1):279-300.
    Teaching is hypothesized to be a species-typical behavior in humans that contributed to the emergence of cumulative culture. Several within-culture studies indicate that foragers depend heavily on social learning to acquire practical skills and knowledge, but it is unknown whether teaching is universal across forager populations. Teaching can be defined ethologically as the modification of behavior by an expert in the presence of a novice, such that the expert incurs a cost and the novice acquires skills/knowledge more efficiently or that (...)
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