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  1. Homo Aestheticus: Where Art Comes from and why.Ellen Dissanayake - 1995
    "Dissanayake argues that art was central to human evolutionary adaptation and that the aesthetic faculty is a basic psychological component of every human being. In her view, art is intimately linked to the origins of religious practices and to ceremonies of birth, death, transition, and transcendence. Drawing on her years in Sri Lanka, Nigeria, and Papua New Guinea, she gives examples of painting, song, dance, and drama as behaviors that enable participants to grasp and reinforce what is important to their (...)
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  • (1 other version)The Spandrels of San Marco and the Panglossian Paradigm: A Critique of the Adaptationist Programme.S. J. Gould & R. C. Lewontin - 1994 - In Elliott Sober (ed.), Conceptual Issues in Evolutionary Biology. The Mit Press. Bradford Books. pp. 73-90.
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  • (8 other versions)The descent of man, and selection in relation to sex.Charles Darwin - 1871 - New York: Plume. Edited by Carl Zimmer.
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  • Biophilia.Edward O. Wilson (ed.) - 2009 - Harvard University Press.
    Biophilia is Edward O. Wilson's most personal book, an evocation of his own response to nature and an eloquent statement of the conservation ethic. Wilson argues that our natural affinity for life―biophilia―is the very essence of our humanity and binds us to all other living species.
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  • What Is Art for?Ellen Dissanayake - 1989 - Journal of Aesthetics and Art Criticism 47 (4):392-393.
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  • Human facial beauty.Randy Thornhill & Steven W. Gangestad - 1993 - Human Nature 4 (3):237-269.
    It is hypothesized that human faces judged to be attractive by people possess two features—averageness and symmetry—that promoted adaptive mate selection in human evolutionary history by way of production of offspring with parasite resistance. Facial composites made by combining individual faces are judged to be attractive, and more attractive than the majority of individual faces. The composites possess both symmetry and averageness of features. Facial averageness may reflect high individual protein heterozygosity and thus an array of proteins to which parasites (...)
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  • Aesthetic experience and human evolution.Ellen Dissanayake - 1982 - Journal of Aesthetics and Art Criticism 41 (2):145-155.
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  • Art as a human behavior: Toward an ethological view of art.Ellen Dissanayake - 1980 - Journal of Aesthetics and Art Criticism 38 (4):397-406.
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  • (1 other version)Meetings.[author unknown] - 1990 - Annals of Pure and Applied Logic 46 (3):300.
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  • Magic, Science and Religion.Bronislaw Malinowski & Robert Redfield - 1949 - Philosophy and Phenomenological Research 10 (2):298-300.
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