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  1. Modesty's Inoffensive Self-Presentation.Derick Hughes - 2024 - Philosophical Psychology 37:1-23.
    Philosophers often characterize modesty as a disposition that primarily or exclusively involves individual attitudes about one’s worth in relation to others. Borrowing from William James, I offer an interpersonal view of modesty that requires an emotional disposition sensitive to causing others offense based upon one’s self-presentation. On this view, modesty is a trait with the following three necessary features: (1) the modest person, A, endorses a norm of self-presentation M, (2) A is justified in believing that another person, B, endorses (...)
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  • It’s What’s on the Inside that Counts... Or is It? Virtue and the Psychological Criteria of Modesty.Sara Weaver, Mathieu Doucet & John Turri - 2017 - Review of Philosophy and Psychology 8 (3):653-669.
    Philosophers who have written on modesty have largely agreed that it is a virtue, and that it therefore has an important psychological component. Mere modest behavior, it is often argued, is actually false modesty if it is generated by the wrong kind of mental state. The philosophical debate about modesty has largely focused on the question of which kind of mental state—cognitive, motivational, or evaluative—best captures the virtue of modesty. We therefore conducted a series of experiments to see which philosophical (...)
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  • La moralidad de la apariencia: Buenas maneras e inclusión social en David Hume.Juan Samuel Santos Castro - 2016 - Universitas Philosophica 33 (66):265-292.
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  • Being Proud and Feeling Proud: Character, Emotion, and the Moral Psychology of Personal Ideals.Jeremy Fischer - 2012 - Journal of Value Inquiry 46 (2):209-222.
    Much of the philosophical attention directed to pride focuses on the normative puzzle of determining how pride can be both a central vice and a central virtue. But there is another puzzle, a descriptive puzzle, of determining how the emotion of pride and the character trait of pride relate to each other. A solution is offered to the descriptive puzzle that builds upon the accounts of Hume and Gabriele Taylor, but avoids the pitfalls of those accounts. In particular, the emotion (...)
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