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  1. Watching and feeling ballet: neuroscience and semiotics of bodily movement.Sergei Kruk - 2022 - Semiotica 2022 (248):351-374.
    Neuroscience has established several brain pathways that process visual information. Distinct neural circuits analyze body appearance and movement providing information about the person’s cognitive and emotional states. The activity of the pathways depends on the salience of visual stimuli for the organism in the given circumstances. Since ballet performances are not among the crucial events for the viewer’s organism, not all viewers perceive and interpret bodily signs that express the mental state of the dancer. Treatment of the dancer as close (...)
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  • The Development of Shared Liking of Representational but not Abstract Art in Primary School Children and Their Justifications for Liking.Paul Rodway, Julie Kirkham, Astrid Schepman, Jordana Lambert & Anastasia Locke - 2016 - Frontiers in Human Neuroscience 10.
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  • The Effect of Art Expertise on Eye Fixation-Related Potentials During Aesthetic Judgment Task in Focal and Ambient Modes.Agnieszka Fudali-Czyż, Piotr Francuz & Paweł Augustynowicz - 2018 - Frontiers in Psychology 9.
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  • Empathy-Related Responses to Depicted People in Art Works.Ladislav Kesner & Jiří Horáček - 2017 - Frontiers in Psychology 8.
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  • Inferring Master Painters' Esthetic Biases from the Statistics of Portraits.Hassan Aleem, Ivan Correa-Herran & Norberto M. Grzywacz - 2017 - Frontiers in Human Neuroscience 11.
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  • Abstracting Dance: Detaching Ourselves from the Habitual Perception of the Moving Body.Vered Aviv - 2017 - Frontiers in Psychology 8.
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