Cosmological hybridization, a process in which spiritual paradises are bound together, is highly active in American religious culture. Beginning with an early Christianized version of the Buddha, this religious Creolization gathered speed after WWII and peaked during the Vietnam War, leading to a complex spiritual revolution in which transcendence became an all important orientation. This revolution set the scene for the emergence of a non-relational transpersonal psychology in which Americanized nondualism gained ascendency. It is argued here that popular New Age (...) transpersonalism traps the spirit, breeding a self-serving, Selfas-everything form of spiritual narcissism. Given that some are calling the New Age the religion of global capitalism, a more relational spirituality may be a vital intervention into transpersonalism‘s self-centeredness and a salve for a world in Creolization. (shrink)

Micrographs obtained using different instrumental techniques are presented with the purpose of demonstrating their artistic qualities. The quality of uniformity currently dominates the aesthetic assessment in scientific practice and is discussed in relation to the classical appreciation of the interplay between symmetry and asymmetry in arts. It is argued that scientific and artistic qualities have converged and inspired each other throughout millennia. With scientific discoveries and inventions enriching the world of communication, broadening the space for artistic creativity and making artistic (...) products more accessible than ever, science inevitably influences artistic creativity. On the other hand, the importance of aesthetic principles in guiding scientific conduct has been appreciated by some of the most creative scientific minds. Science and arts can be thus considered as parallel rails of a single railroad track. Only when precisely coordinated is the passing of the train of human knowledge enabled. The presented micrographs, occupying the central part of this discourse, are displayed with the purpose of showing the rich aesthetic character of even the most ordinary scientific images. The inherent aesthetic nature of scientific imagery and the artistic nature of scientific conduct have thus been offered as the conclusion. (shrink)

In 1929, John Dewey said that “the problem of restoring integration and cooperation between man's beliefs about the world in which he lives and his beliefs about the values and purposes that should direct his conduct is the deepest problem of human life.” Using this as its theme, this article begins with an examination of Gilbert Harman's reasons for denying the existence of moral facts. It then presents an alternative account of the relationship between science and ethics, making use of (...) the writings of Dewey and Henry David Thoreau. For both Dewey and Thoreau, the dichotomy between a scientific approach to the world and an ethical approach to the world is a false one. The article explores the reasons for believing that the dichotomy is a false one, agreeing with Thoreau that there “is no exclusively moral law—there is no exclusively physical law.”. (shrink)

Recently, 'ecocritics' have tried to show how literature might help us weather the global environmental crisis both emotionally and intellectually. Their arguments have been based, in part, on the assumption that despite its obvious strengths natural science has well-defined intellectual and ethical 'limits', and that environmental values are (therefore) best articulated by concerned humanists more in touch with the imagination. This essay addresses some of the problems faced by green humanists in their uneasy, mistrustful relationship with natural science, using passages (...) from Thoreau as touchstone texts and juxtaposing those passages with remarks made by Bachelard, Coleridge, Stevens, Nietzsche, and Kant. (shrink)

For many of our contemporaries, there is no more pressing issue than the acute ecological challenges facing the planet. Environmental degradation has reached a tipping point, but how have we fallen into such a predicament? At a deeper level, this critical situation can be seen as a mirror that reflects the spiritual crisis gripping the soul of humanity today. This commenced with the secularizing impetus of the Enlightenment project, which has led to a diminished understanding of the human psyche and (...) the cosmos itself. The anomaly of modern Western psychology is that it stems from the same desacralized and reductionistic outlook. By contrast, a deep-seated connection between sentient beings, the environment, and the Spirit has been recognized in all other times and places, throughout humanity’s traditional civilizations. By a resurrection of a “science of the soul” via a rehabilitated sacred cosmology, the spiritual roots of the ecological crisis can be restored and seen in a proper light. This essay examines the metaphysical dimension of the environmental crisis. The framework employed for this study is the “transpersonal” perspective of the perennial psychology—an application of the insights found in the world’s great wisdom traditions. The objective of the study is to propose a more holistic approach to understanding the essential relationship between our humanity and the natural environment—in all of its boundless and complex variety—seen as a manifestation of divine reality. (shrink)

Culture can be defined as “group typical behaviour patterns shared by members of a community that rely on socially learned and transmitted information”. Once thought to be a distinguishing characteristic of humans relative to other animals it is now generally accepted to exist more widely, with especially abundant evidence in non-human primates, cetaceans, and birds. More recently, cumulative cultural evolution has taken on this distinguishing role. CCE, it is argued, allows humans, uniquely, to ratchet up the complexity or efficiency of (...) cultural traits over time. This “ratchet effect” gives the capacity to accumulate beneficial modifications over time beyond the capacities of a single individual. Mesoudi and Thornton define a core set of criteria for identifying CCE in humans and non-human animals that places emphasis on some performance measure of traits increasing over time. They suggest this emphasis is also pertinent to cultural products in the aesthetic domain, but is this the case? Music, art and dance evolve over time, but can we say they gain beneficial modifications that increase their aesthetic value? Here we bring together perspectives from philosophy, musicology and biology to build a conceptual analysis of this question. We summarise current thinking on cumulative culture and aesthetics across fields to determine how aesthetic culture fits into the concept of CCE. We argue that this concept is problematic to reconcile with dominant views of aesthetics in philosophical analysis and struggles to characterise aesthetic cultures that evolve over time. We suggest that a tension arises from fundamental differences between cultural evolution in aesthetic and technological domains. Furthermore, this tension contributes to current debates between reconstructive and preservative theories of cultural evolution. (shrink)

There has been the recurrent suspicion that community, harmony, cohesion, and similar relational goods as understood in the African ethical tradition threaten to occlude difference. Often, it has been Western defenders of liberty who have raised the concern that these characteristically sub-Saharan values fail to account adequately for individuality, although some contemporary African thinkers have expressed the same concern. In this chapter, I provide a certain understanding of the sub-Saharan value of communal relationship and demonstrate that it entails a substantial (...) allowance for difference. I aim to show that African thinkers need not appeal to, say, characteristically Euro-American values of authenticity or autonomy to make sense of why individuals should not be pressured to conform to a group’s norms regarding sex and gender. A key illustration involves homosexuality. (shrink)

Climate change education (CCE) and environmental education (EE) seek ways for us humans to keep inhabiting Earth. We present a thought experiment adopting the perspective of Earth-settlers, aiming to illuminate the planetary mass of technology. By elaborating Hannah Arendt’s notion of ‘earth alienation’ and Bruno Latour’s notion of technology as ‘missing mass’, we suggest that, in the current Anthropocene era, our relation to technology should be a crucial theme of CCE and EE. We further suspect that sustainable development (SD) and (...) the education promoting it (ESD) are problematic, because the green growth proposed is inextricably linked to the unattainable goal of decoupling growth from environmental impact. We therefore suggest education for post-sustainability (EPS) that critically re-evaluates the connections between technology and sustainability. But can educators critically question technology, since educational institutions seem to be unconditionally committed to promoting technological progress? While tracing this professional dilemma, we call for educational responsibility and autonomy to question technology when it is at odds with sustainability. To this end, we outline technological literacy that introduces the arts of (a) seeing technology, (b) living with technology, and (c) delegating or sustainably assimilating technology. (shrink)

Like philosophy itself, Dune explores everything from politics to art to life to reality, but above all, the novels ponder the mysteries of mind. Voyaging through psychic expanses, Frank Herbert hits upon some of the same insights discovered by indigenous people from the Americas. Many of these ideas are repeated in mainstream American and European philosophical traditions like pragmatism and existential phenomenology. These outlooks share a regard for mind as ecological, which is more or less to say that minds extend (...) beyond the brain into the rest of the body and the surrounding environment. -/- The cross-cultural strands in Dune tie closely to Herbert’s life and interests. An outdoorsman born in the Pacific West, he had an abiding bond with a friend from the Quileute tribe, Howie Hansen. Herbert advocated for aboriginal rights and crafted well-intentioned if slightly stereotypical tales about indigenous characters, partly based on his visits with Northwest tribes. Carl Jung (1875-1961), whose idea of collective consciousness echoes aboriginal views, was among Herbert’s European influences. So was existential phenomenology, especially as developed by Martin Heidegger (1889-1976). The names of characters in one of Herbert’s novels—The Santaroga Barrier—in fact coincide with terms that Heidegger used to articulate how emotionally colored coping with our environment defines our existence. Many indigenous philosophers have treated phenomenology and its American cousin pragmatism in approving ways. Indeed, the ideas of North America’s first inhabitants seem to have been absorbed by pragmatists and even earlier by transcendentalists like Ralph Waldo Emerson (1803-1882) and Henry David Thoreau (1817-1862). -/- These different philosophies all advance a place-based psychology. Anne Waters, herself of mixed tribal heritage, generalizes the mindset of her people this way: “American Indian consciousness, and hence American Indian identity is … interdependent with our land base.” Lee Hester, a Choctaw thinker, adds that practices—not mere beliefs—are most important for native thought. American transcendentalists and pragmatists, as well as European phenomenologists, similarly see hands-on practices and environmental interactions as the core of experience. Extending this a little, they sometimes suggest experience isn’t individual but instead cultural. “Culture” is here understood as interactions within communities that define our worlds and experiences, as when we talk about the “French experience,” “culture” or “world,” or the “experience of parenthood.” This theme also shows up in indigenous thought. -/- Exploring the Dune universe, we find everything from land-based concepts of personal identity, to the idea of sharpening the mind through hands-on training, to collective notions of experience in cooperative tribes or through the genetic memory of central characters. The stories explore fate versus free will in cosmic contexts, introducing views from indigenous thought and the pragmatic philosophy of William James (1842-1910). Different forms of spiritualism mingle to shape minds and cultural mixtures around the globe, and the same occurs in the Dune series. The customs and personalities of characters fuse elements from Buddhism, Christianity, Hinduism, Judaism, Taoism, and especially Islam. The series not only highlights that religion shapes psychology, but also that faith connects to place, especially paralleling Judeo-Christian-Islamic desert faiths. In capturing these points, the Dune novels show that “our values, our lifestyles and even the ways we think and feel have been strongly influenced by our locations in history and geography. The study of the human mind is fundamentally the study of place.”. (shrink)

This paper focuses upon "bebop" as a distinctively urban movement for the purpose of contributing to the articulation of a distinctively urban aesthetics. The author examines both how the music was taken up in such cities as New York, Los Angeles, Kansas City, St. Louis, and Chicago, and in turn how an urban sensibility was expressed in this particular movement.

This chapter contains sections titled: History, Historicism, and Context Impartialism and Universalism Within the Limits of Reason Alone You Can't See Nothing from Nowhere Sociopoiesis: Justice Means Competition Is Cooperation Reverence from the Inside Out References.

Auster contributed an extract from Moon Palace to the collection “Edward Hopper and the American Imagination,” and it is clear that Hopper’s images of alienated individuals have had a profound resonance for him. This paper employs two main ideas to compare them. First, a pivotal moment in American literature: the hotel room drama watched by Coverdale in Hawthorne’s Blithedale Romance. Secondly, Aby Warburg’s concept of the “pathos formula” in art, which bypasses the problematic issue of influence, choosing instead to posit (...) sets of inherited cultural memories. It therefore allows discussion of the re-emergence of Hawthorne’s puritan tropes of paranoid specularity and transcendence in the work of Hopper and Auster. (shrink)

The article focuses on the socially transforming aspect of American pragmatism. In particular, the article highlights the relevance and significance of Ralph Emerson’s transcendentalism and self-reliance for the information society. The key problem of the information society is defined as the general distrust about the truth. The culture of criticism displaces trust in others as seekers of the truth and, ultimately, eliminates self-trust.Based on Ralph Emerson’s essays and William James’ “Pragmatism”, the article distinguishes between two conceptions of truth: optimistic and (...) pessimistic. The first one is grounded on the pragmatist understanding of truth as the “theory that works”. The truth in the pragmatist understanding is not an ultimate and finished truth but the truth in making. Therefore, the truth is subject to amendments. However, this does not mean that uncompleted truth is not true, since it can already work and help us with our self-understanding and orientation in the world. Contrary to this, informational society is the society of spectatorship and criticism, left without the power of individuals to distinguish personally between true and false and take responsibility for such decisions. Informational society, in general, perceives truth as something absolute, unreachable and at the same time impossible to exist.The article considers Emerson’s idea of Man Thinking and the concept of Oversoul, addressing the problem of an autonomous individual in its relation to society and truth. Personality, being central for Emerson, cannot be understood separately at the same time, since an individual is a part of Nature and Society. In addition, in Emerson’s transcendental terminology, personality is the embodiment of the Oversoul of humanity while Oversoul in the world can act only through the actions of persons. Therefore, true self-reliance cannot be separated from the aspirations of an individual to reach Man Thinking through truth, and personally implement it in life. In such a way, self-reliance is also the basis for inter-subjective trust.Manuscript received 25.04.2020. (shrink)

The new scientific cosmology which has emerged over the past forty years seems to be forcing philosophers and theologians alike to rethink the traditional theistic conception of God in which God is pictured as a First Cause designer of the universe in favor of what Joseph Campbell more mystically calls an immanent ground of being, transcendent of conceptualization. The central thrust of these reflections is that we encounter that immanent ground of being through the experience of wonder and awe. Since (...) actual experience is involved, then a phenomenological description of exactly what it is in the new cosmology (and the universe) which induces such wonder is possible. The basic thesis is that we experience wonder in the face of the remarkable and transcendent (beyond finite predicates and understanding) coming-into-being of nature over twelve to fifteen billion years. Wonder is the human reaction to and appreciation for the astounding fact that nature and all of its parts actually are. It is; we are; such is the ineffable beyond in our midst. (shrink)

Original reading of Heidegger suggesting what his project could mean for building an ethical way of life now and in the future.

One of the major themes of discussion in the art and especially the literature of the 18th and 19th centuries was the body rather than the soul. In the beginning this seemed to be the case mostly because of the natural processes related to the transforming events of maturation and death of the human body and mind. However, towards the end of the 18th century and well into the 19th century, a certain shift took place from the common perspective on (...) the body to a rather scientific literary approach. Our attempt is to notice and make the necessary connections between the concepts of nature (both human and external/physical nature) and the innovative technologies implemented in the then society, with a later reference to the new accidental and commercial facets of death felt as destruction of nature especially in the work of the American Romantic writers Ralph Waldo Emerson and Henry David Thoreau. Being aware that they are highly spoken of in view of their transcendentalism as a particular philosophy dealing with the bond between man and nature, we will slowly come to terms with this type of concerns and connect them to the conflicting reality of industrialization as a sudden and repressive phenomenon within the society of men. Finally our point is that this very phenomenon caused the two writers to make a historical detour and use their formation as naturalist thinkers in order to make sense of their century’s deaths and diseases. This is to say that even from a Romantic perspective, the concern for the body is surprisingly concrete, while these writers’ transcendentalist concerns for the soul are prolix though without substance. (shrink)

How can the human speak in the shadow of the post-humanist critique? This essay arises out of a prolonged moment of doubt, a cognitive and affective confusion over the ontology and status of what goes under the name of “man.” Now, that confusion is of course nothing new. It has been inherent to the disciplinary inquiry within the humanities conducted under the aegis of philosophical positions broadly associated with post-structuralism over the last few decades. The early twenty-first century attempts on (...) the part of humanities scholars to turn to a more serious engagement with those hard sciences that deal with different human parts and particles – anatomy, neurology, genetics – have contributed even further to this uncertainty, as has the discovery that the typical signal points of the human such as language, tool use, culture, and emotions are to be found across the species barrier. Rather than aim at ascertaining the identity of the human/non-human animal, in all its biodigital configurations, what I am predominantly concerned with in this essay is discussing how this transformed understanding of the human can help us not only think better about ourselves and others who may or may not be like us, but also live better with others - machines, humans, and other animals. The emphasis in this investigation falls on the pragmatics of the “how” as much as on the nature of that “we.” My focus here is therefore primarily ethical rather than ontological. And yet the very inquiry into ways of living a good life must be accompanied by the assessment not only of who will do the living but also of who will be involved in the process of judging its goodness, and in structuring a theoretical discourse around our biological and political forms of existence. In a certain sense this essay is an attempt to return to the human “after the cyborg.” This attempt is underpinned by an intellectual and, dare I say it, personal imperative to find a way out of what I see as the posthumanist impasse of some strands of contemporary cultural theory, whereby the widespread acceptance of the notions of transhuman relationality, interspecies kinship, and machinic becoming by many humanities scholars seems to have diminished the need for a more rigorous interrogation of the singularity of trans-species and intra-species difference. It is thus armed with doubt and singularity as my analytical tools, coupled with the intransigent use of the “I” pronoun which simultaneously undermines and reasserts the humanist pretence of this piece of writing, that I set out to explore these issues. Obviously, there is also a possibility that this posthuman, all-too-human interrogation is just another exercise in narcissism, a desperate attempt to return to the self and hang on to a fantasy of human exceptionalism. In this context, Jacques Derrida’s query, “Is there animal narcissism?,” becomes something of an accusation, aimed perhaps at those of us who are still obsessed by Descartes’ question: “But as for me, who am I?.”. (shrink)

_Provides a critique of reason, demanding that we take greater responsibility for nature and other people._.

What is the origin of language? For Levinas, from Aristotle to von Humboldt, the tradition of Western metaphysics has understood language as a representation of reality, going beyond or transcending experience. In this way, language is a metaphor that substitutes for experience—and all language is originally metaphorical. Experience however, is essentially inexpressible—for it not only transcends language, but it does so because experience is always experience of the other, of that which remains infinitely other. And language reminds us of its (...) failure (a failure which Derrida sees, ironically, as a success) to express this other by maintaining a trace of the inexpressible in every expression—and metaphor is failure of expression par excellence. But what is the origin of this original failure? In fact, it can be found in the way in which language makes metaphors (which is the way in which it makes itself, transcends itself, substitutes for itself, becomes other than itself). For as Aristotle reminds us: metaphor-making (indeed, all language, every word and deed) is poiēsis—and the origin of poiēsis is improvisation. If we have, however, discovered the origin of language in improvisation—but what is that? (shrink)

This paper investigates the magnet as a classic “boundary object” of modern technoscientific culture. Equally at home in the nursery, dynamo, measuring instrument and navigational compass, its capricious performance nevertheless persistently eluded the powers of nineteenth century electromagnetic expertise in pursuit of the completely “permanent” magnet. Instead the untamed magnet’s resilient secularity required its makers to draw upon ancient techniques of chemical manipulation, heat treatment and maturation to render it eventually sufficiently stable in behaviour for orderly use in modern engineering. (...) The precise methods for accomplishing this quasi-permanence were typically protected by trade secrecy – until that is Marie Sklodowska Curie’s first research publication opened up this topic for rigorous comparative research in 1898. Nevertheless, over the next quarter century her work in this field was gradually eclipsed by heavily gendered citation practices, just as the futility of attempting to accomplish complete permanency in magnets was eventually established by Sydney Evershed in the 1920s. (shrink)

Big historians are attempting to construct a general holistic narrative of human origins enabling an approach to studying the emergence of complexity, the relation between evolutionary processes, and the modern context of human experience and actions. In this paper I attempt to explore the past and future of cosmic evolution within a big historical foundation characterized by physical, biological, and cultural eras of change. From this analysis I offer a model of the human future that includes an addition and/or reinterpretation (...) of technological singularity theory with a new theory of biocultural evolution focused on the potential birth of technological life: the theory of atechnogenesis. Furthermore, I explore the potential deep futures of technological life and extrapolate towards two hypothetical versions of an ‘Omega Civilization’: expansion and compression. (shrink)

The aim of this paper is to investigate how alternative land ethics of agricultural stakeholders may help explain recent land use changes. The paper first explores the historical development of the land ethic concept in the United States and how those ethics have impacted land use policy and use of private lands. Secondly, primary data gathered from semi-structured interviews of farmers, ranchers, and influential stakeholders are then analyzed using stakeholder analysis methods to identify major factors considered in land use decisions, (...) priorities of factors of each group, and to define relevant mental models describing each group’s view of the land ethic concept. Results show that these stakeholder groups prioritize land use factors qualitatively differently and possess strikingly different land ethics. It is concluded that shifts in stakeholder land ethics have contributed to recent land use changes. Lastly, we discuss how current agricultural policy sends mixed signals about preferred land use and the potential ramifications based on the different land ethics we’ve described. (shrink)

"Before the Voice of Reason is a phenomenological critique of reason grounded in our experience of the voices that already address us and summon us prior to the ...

Interpretations of Emerson's theme of self-reliance which generate charges that he understood neither evil nor virtue are inappropriate. A fairer reading should keep in mind the Neo-Platonism of Plotinus, which gave to Transcendentalism a dynamic emanation/return schema and to mankind a place of privilege in knowing and valuing Nature.

I adapt Robert Sinnerbrink's notion of cinematic poesis by arguing that Terrence Malick's The Thin Red Line constitutes an example of ecological cinematic poesis: a style of filmmaking that works in concert with the limits and potentialities of the filmmaking as a medium. This cinematic bearing emerges in a new way following Malick's return to Hollywood, where a combination of factors spur the emergence of a radical Emersonian practice of cinematic receptivity. I draw on oral histories, and the film itself, (...) to demonstrate how Malick's creative process consistently tends towards an ethos of poverty. To further pattern and illuminate the ecological stakes of this Emersonian stance, I draw on the complementary framework of second-order systems theory, and in particular, on Niklas Luhmann's concept of simultaneity. In so doing, I outline the layered nature of Malick's cinematic praxis – a doubled Emersonian receptivity which not only invites defamiliarizing depictions of warfare and the nonhuman, but also welcomes, and toys with, the otherness haunting technical images and human cognition. As such, The Thin Red Line, and its immediate counterparts, perform the ecological work of reframing the conditions of wonder, asking us to marvel not at what we have seen, but what we haven’t. (shrink)

The Kantian categorical imperative process of rational reflection and reasoned social discourse is theoretically capable of forming the moral environmental maxims applicable to business. This article argues that rational environmental discourse demands that business has an imperfect duty to develop relevant unbiased information, and perhaps to disseminate this information through participation in business-public coalitions. For the environmental problem, this “rationality” particularly concerns our obligations toward future generations and distant people while recognizing that they cannot participate in current discourse, and the (...) rules for gathering and assessing the evidence that should govern our environmental preservations and enhancements. Both these concerns demand certain scientific information requirements, as well as logical decision criteria that are perceived as stable across both overlapping generations, and affected peoples. The criteria for Rawls’ “considered moral judgments” are shown to apply to resolutions of these business-related ethical conundrums. In a way similar to Kant’s anthropological examinations of humanity’s antisocial behaviors, this article also examines various biases that inhibit this social reasoning. (shrink)