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  1. Hobbes’s model of refraction and derivation of the sine law.Hao Dong - 2021 - Archive for History of Exact Sciences 75 (3):323-348.
    This paper aims both to tackle the technical issue of deciphering Hobbes’s derivation of the sine law of refraction and to throw some light to the broader issue of Hobbes’s mechanical philosophy. I start by recapitulating the polemics between Hobbes and Descartes concerning Descartes’ optics. I argue that, first, Hobbes’s criticisms do expose certain shortcomings of Descartes’ optics which presupposes a twofold distinction between real motion and inclination to motion, and between motion itself and determination of motion; second, Hobbes’s optical (...)
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  • Newton’s De gravitatione: a review and reassessment.J. A. Ruffner - 2012 - Archive for History of Exact Sciences 66 (3):241-264.
    The widely accepted supposition that Newton’s De gravitatione was written in 1684/5 just before composing the Principia is examined. The basis for this determination has serious difficulties starting with the failure to examine the numerical estimates for the resistance of aether. The estimated range is not nearly nil as claimed but comparable with air at or near the earth’s surface. Moreover, the evidence provided most likely stems from experiments by Boyle, Hooke, and others in the 1660s and does not use (...)
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  • Saving Newton's Text: Documents, Readers, and the Ways of the World.Robert Palter - 1986 - Studies in History and Philosophy of Science Part A 18 (4):385.
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  • Is Seventeenth Century Physics Indebted to the Stoics?Peter Barker & Bernard R. Goldstein - 1984 - Centaurus 27 (2):148-164.
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  • Qualitative novelty in seventeenth-century science: Hydrostatics from Stevin to Pascal.Alan F. Chalmers - 2015 - Studies in History and Philosophy of Science Part A 51:1-10.
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  • The Analogy between Light and Sound in the History of Optics from the ancient Greeks to Isaac Newton. Part 2†.Olivier Darrigol - 2010 - Centaurus 52 (3):206-257.
    Analogies between hearing and seeing already existed in ancient Greek theories of perception. The present paper follows the evolution of such analogies until the rise of 17th century optics, with due regard to the diversity of their origins and nature but with particular emphasis on their bearing on the physical concepts of light and sound. Whereas the old Greek analogies were only side effects of the unifying concepts of perception, the analogies of the 17th century played an important role in (...)
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