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  1. Iconic Prosody in Story Reading.Marcus Perlman, Nathaniel Clark & Marlene Johansson Falck - 2015 - Cognitive Science 39 (6):1348-1368.
    Recent experiments have shown that people iconically modulate their prosody corresponding with the meaning of their utterance. This article reports findings from a story reading task that expands the investigation of iconic prosody to abstract meanings in addition to concrete ones. Participants read stories that contrasted along concrete and abstract semantic dimensions of speed and size. Participants read fast stories at a faster rate than slow stories, and big stories with a lower pitch than small stories. The effect of speed (...)
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  • When do speakers take into account common ground?William S. Horton & Boaz Keysar - 1996 - Cognition 59 (1):91-117.
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  • A theory of lexical access in speech production.Willem J. M. Levelt, Ardi Roelofs & Antje S. Meyer - 1999 - Behavioral and Brain Sciences 22 (1):1-38.
    Preparing words in speech production is normally a fast and accurate process. We generate them two or three per second in fluent conversation; and overtly naming a clear picture of an object can easily be initiated within 600 msec after picture onset. The underlying process, however, is exceedingly complex. The theory reviewed in this target article analyzes this process as staged and feedforward. After a first stage of conceptual preparation, word generation proceeds through lexical selection, morphological and phonological encoding, phonetic (...)
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  • Using uh and um in spontaneous speaking.H. Clark - 2002 - Cognition 84 (1):73-111.
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  • Rhythmic alternation and the optional complementiser in English: New evidence of phonological influence on grammatical encoding.Ming-Wei Lee & Julie Gibbons - 2007 - Cognition 105 (2):446-456.
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  • Language production and serial order: A functional analysis and a model.Gary S. Dell, Lisa K. Burger & William R. Svec - 1997 - Psychological Review 104 (1):123-147.
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  • Disfluencies, language comprehension, and Tree Adjoining Grammars.Fernanda Ferreira, Ellen F. Lau & Karl G. D. Bailey - 2004 - Cognitive Science 28 (5):721-749.
    Disfluencies include editing terms such as uh and um as well as repeats and revisions. Little is known about how disfluencies are processed, and there has been next to no research focused on the way that disfluencies affect structure-building operations during comprehension. We review major findings from both computational linguistics and psycholinguistics, and then we summarize the results of our own work which centers on how the parser behaves when it encounters a disfluency. We describe some new research showing that (...)
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  • The Temporal Prediction of Stress in Speech and Its Relation to Musical Beat Perception.Eleonora J. Beier & Fernanda Ferreira - 2018 - Frontiers in Psychology 9.
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  • Squeezing through the Now-or-Never bottleneck: Reconnecting language processing, acquisition, change, and structure.Nick Chater & Morten H. Christiansen - 2016 - Behavioral and Brain Sciences 39:e91.
    If human language must be squeezed through a narrow cognitive bottleneck, what are the implications for language processing, acquisition, change, and structure? In our target article, we suggested that the implications are far-reaching and form the basis of an integrated account of many apparently unconnected aspects of language and language processing, as well as suggesting revision of many existing theoretical accounts. With some exceptions, commentators were generally supportive both of the existence of the bottleneck and its potential implications. Many commentators (...)
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  • Effects of metric hierarchy and rhyme predictability on word duration in The Cat in the Hat.Mara Breen - 2018 - Cognition 174 (C):71-81.
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  • Musical grouping as prosodic implementation.Jonah Katz - 2023 - Linguistics and Philosophy 46 (4):959-988.
    This paper reviews evidence concerning the nature of grouping in music and language and their interactions with other linguistic and musical systems. I present brief typological surveys of the relationship between constituency and acoustic parameters in language and music, drawing from a wide variety of languages and musical genres. The two domains both involve correspondence between auditory discontinuities and group boundaries, reflecting the Gestalt principles of proximity and similarity, as well as a nested, hierarchical organization of constituents. Typically, computational-level theories (...)
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  • Pause acceptability indicates word-internal structure in Wubuy.Rikke L. Bundgaard-Nielsen & Brett J. Baker - 2020 - Cognition 198:104167.
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  • When prosody fails to cue syntactic structure: 9-month-olds' sensitivity to phonological versus syntactic phrases.LouAnn Gerken, Peter W. Jusczyk & Denise R. Mandel - 1994 - Cognition 51 (3):237-265.
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  • Listeners’ comprehension of uptalk in spontaneous speech.John M. Tomlinson & Jean E. Fox Tree - 2011 - Cognition 119 (1):58-69.
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  • Lexical access in aphasic and nonaphasic speakers.Gary S. Dell, Myrna F. Schwartz, Nadine Martin, Eleanor M. Saffran & Deborah A. Gagnon - 1997 - Psychological Review 104 (4):801-838.
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