Volume 11, Issue 1, March 2019, Page 48-60.

In this paper, I first suggest that Nietzsche and James, two otherwise very different thinkers, both endorse the controversial constructivist view that human representational practices bring all material objects into existence. I then explore their views concerning why and how constructivism can play a vital role in helping us find reality and our lives valuable.

‘Post-truth’ has become a buzzword for numerous current crises: the fragmentation of the media landscape, the ongoing debate about ‘fake news’, the loss of trust in science, etc. Although these crises take place in society, it is claimed that the roots of post-truth can be traced back to the history of philosophy. Occasionally, it is asserted that Karl Popper’s critical rationalism gave rise to post-truth: His rejection of verificationism has limited truth claims in the realm of science. Given the absence (...) of infallible evidence and certainty, critical rationalism calls for challenging scientific authority. I argue that post-truth is compatible with critical rationalism from an epistemological point of view, considering that both positions are critical of certainty. However, in critical rationalism, fallibilism, responsibility, and the idea of criticism are combined, and in this respect, it offers a possible way to overcome the problems that are associated with post-truth. This treatment of the problems of post-truth results from the recognition of moral responsibility to take action on the basis of a hypothesis that remains open to revision. (shrink)

This article contends that the central principle of modern philosophy is obscured by a side-debate between two opposed camps that are united in accepting a deeper flawed premise. Consider the powerful critiques of Kantian philosophy offered by Quentin Meillassoux and Bruno Latour, respectively. These two thinkers criticize Kant for opposite reasons: Meillassoux because Kant collapses thought and world into a permanent “correlate” without isolated terms, and Latour because Kant tries to purify thought and world from each other rather than realizing (...) that they are always combined in “hybrid” form. What both critiques tacitly accept is the notion that “thought” and “world” are the two major poles of the universe. I claim that this stems from the post-Cartesian assumption that thought and world are the two basic kinds of things that exist. The name “onto-taxonomy” is introduced for this view. (shrink)

In a future highly technological society it will be possible to modify the personality using different kinds of technological tools. Consequently, we could become buyers and consumers of personality. As such, personality, which is a core aspect of the self, could turn into a commodity. This article intends to address the following questions: 1) How can new technologies modify personality? 2) Why might personality become a commodity? 3) What is wrong with turning personality into commodity?

This article makes visible some of the premises that underlie Rosi Braidotti’s use of (political) myth. Focusing on some well-known characteristics of postmodernity, as well as the development of a new philosophy of subjectivity, I account for the divergence between Simone de Beauvoir, who thought of myth as a severe hindrance to the subject-becoming of women, and postmodern feminists, such as Donna Haraway and Braidotti, who represent a more affirmative stance. Through pinning down both similarities and differences between Haraway and (...) Braidotti, I demonstrate that postmodern feminists might still promote mythmaking for dissimilar reasons. I argue that Braidotti, in contrast to Haraway, approaches myth from a horizon partly shaped by an anti-rationalist or ‘demonic’ philosophical tradition, whose chief representative is Friedrich Nietzsche. By studying the argument delivered by the latter in defence of myth, I extract a conceptual distinction between the ‘Apolline’ and the ‘Dionysiac’ aspects of mythmaking, by which it becomes possible to further qualify Braidotti’s philosophy of political myth. (shrink)

My intention in this paper is to contribute the debate on “realism” in order to raise a different sort of question: not whether ‘reality’ exists or does not exist, but rather what effects does the belief in this or that reality produce (as Peirce put it 150 years ago). I will turn to Eco’s later thought, and to his support for a form of ‘negative’ realism, and try to demonstrate how his appeal to Peirce’s distinction between Immediate and Dynamical Object (...) is affected by a common-sense interpretation of what ‘real’ amounts to. Peirce in fact distinguished between the “existence” of facts and their “reality.” The former implies a dynamic of blind force, a dynamical reaction. Yet, “reality consists in the future” (CP 8.284), in the public recognition of what it always will be, or we hope will be, in the long run (Peirce uses the word “mellonization”). In Eco’s work, though, the Being or the Real, seen as pure Something, is understood after the form of a Thing, above all External, which simply says many ‘No’s. Peirce’s pragmaticism leads us further on, concentrating on the concept of habit that is also detectable in Eco’s analysis. We could say that Peirce distinguishes brute existence hic et nunc from the persistence of habits. Acts and dispositions to act, and not facts (as opposed to interpretations) appear as real; and it is in this respect that I think we can find a promising line of research for better explaining Eco’s theory of realism. (shrink)

Some contemporary philosophers have called for a “new realism” in philosophical ontology. Hartmann’s works provide some of the richest resources upon which recent realists might draw for both inspiration and argument. In this brief exploration I touch on some key concepts and arguments from a few of the players in this “ontological turn,” including Meillassoux, Brassier, and Ferraris, and show how many of them were already clearly articulated in Hartmann’s works. I’ll also describe and comment on Hartmann’s arguments concerning the (...) “thing in itself,” which he considers a key “critical” concept of his new ontology. His treatment of this issue demonstrates the sophistication—and, perhaps, superiority—of Hartmann’s approach. (shrink)

With the concept of the open work, Umberto Eco addressed the poetics to which art turned with modernism. In the article the author analyzes the notion of the open work, the references relevant to this concept and the relations of this concept to similar concepts introduced by other scholars such as Roland Barthes. Scholars discussing the openness of art were deriving primarily from Paul Valéry, and they distanced themselves from the myth of the artist as a genius and from the (...) concept of art as a vehicle for communication to transmit the truth and instead emphasized the performative character of art. Art on this track aimed at poetic use of its own media. The author argues that Eco’s definition of the open work comprises different dimensions of openness, i.e. the semantic and formal openness of the works of art, as well as the notion addresses the perceptual openness of the world. The author examines how the concept of the openness of art placed stress on the relevance of interpretation instead of the author’s intention and how it was part of a broader debate on interpretation and weak thought. By establishing autonomous poetic situations and exploring the means of art, art began performing philosophical discussions about itself, wherein, as the author argues, the notion of the open work is linked to the notions of the end or the death of art and denotes the dissolution of art into philosophy. Other sorts of dissolution of art which mean the death of art regard the dissolution of art into culture in a broader sense and its subordination to propagandist or political goals, which means art loses its autonomy. Finally, the author questions participatory art as a potential contemporary successor of the open work and argues that this mode of art, though it actively involves the participant, remains semantically closed. (shrink)