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Philosophy and Melancholy: Benjamin's Early Reflections on Theater and Language

Stanford, California: Stanford University Press (2013)

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  1. “To be human, nonetheless, remains a decision”: Humanism as decisionism in contemporary critical political theory.Diego H. Rossello - 2017 - Contemporary Political Theory 16 (4):439-458.
    This article suggests that humanism is a decisionism in contemporary critical political theory. Despite obvious and multiple differences, leading critical theorists like Giorgio Agamben, Slavoj Žižek, Eric Santner, and Jürgen Habermas, among others, share an investment in stabilizing the human being as a ground of the political. This stabilization of the human should concern political theorists, as this article argues, because it uncritically reproduces conceptual affinities between the notion of the human being and sovereign authority. By investing in the stability (...)
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  • The Experience of Modernity. Shock and Melancholy in Walter Benjamin.Natalia Taccetta - 2019 - Las Torres de Lucca. International Journal of Political Philosophy 8 (15):107-133.
    If modernity involves a view through which it is possible to read the uninterrupted historical continuity of social utopia and the harmony of class and the progress of the 19th century, it is fundamental to explore what is the other face of this fantasy of progress that places the individual in modernity in a situation of depression and debt, inasmuch as those promises are never fully fulfilled. Walter Benjamin builds his idea of history rethinking this legacy. He imagines the way (...)
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  • Presentation as indirection, indirection as schooling: The two aspects of Benjamin’s scholastic method.Ori Rotlevy - 2016 - Continental Philosophy Review 50 (4):493-516.
    Why does Walter Benjamin claim “indirection” to be the proper method for philosophical contemplation and writing? Why is this method—embodied, according to Benjamin, in the convoluted form of scholastic treatises and in their use of citations—fundamental for understanding his Origin of German Trauerspiel as suggesting an alternative to most strands of modern philosophy? The explicit and well-studied function of this method is for the presentation of what cannot be represented in language, of what cannot be intended or approached in thinking. (...)
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  • Walter Benjamin.Peter Osborne - forthcoming - Stanford Encyclopedia of Philosophy.
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