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Platos Idee des Guten

Sankt Augustin: Academia Verlag (1984)

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  1. Philebus.Verity Harte - 2012 - In Associate Editors: Francisco Gonzalez Gerald A. Press (ed.), The Continuum Companion to Plato. Continuum International Publishing Group. pp. 81-83.
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  • Platos Idee des Guten.Rafael Ferber - 2015 - St. Augustin: Academia Verlag.
    At the centre of the monograph (1984, first edition) lies a detailed interpretation and critique of the idea of the Good in the Republic. The main thesis of the interpretation runs as follows: The idea of the Good functions as a third item between thinking and being. The main purpose of the monograph is to introduce the systematic problem of the third item via the historical problem of the idea of the Good. The second, enlarged edition (1989) gives a new (...)
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  • The Number Ten Reconsidered: Did the Pythagoreans Have an Account of the Dekad?Irina Deretić & Višnja Knežević - 2020 - Rhizomata 8 (1):37-58.
    We critically reconsider an old hypothesis of the role of the dekad in Pythagorean philosophy. Unlike Zhmud, we claim that: 1) the dekad did play a role in Philolaus’ astronomical system, and 2) Aristotle did not project Plato’s theory of the ten eidetic numbers onto the Pythagoreans. We claim that the dekad, as the τέλειος ἀριθμός, should be understood in Philolaus’ philosophy as completeness and the basis of counting in Greek – as in most other languages – in a decimal (...)
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  • The Good, the Bad, and the Ugly: Does Plato Make Room for Negative Forms in His Ontology?Necip Fikri Alican - 2017 - Cosmos and History 13 (3):154–191.
    Plato seems to countenance both positive and negative Forms, that is to say, both good and bad ones. He may not say so outright, but he invokes both and rejects neither. The apparent finality of this impression creates a lack of direct interest in the subject: Plato scholars do not give negative Forms much thought except as the prospect relates to something else they happen to be doing. Yet when they do give the matter any thought, typically for the sake (...)
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