This article surveys the state of the art in the field of semantic universals. We examine potential semantic universals in three areas: (i) the lexicon, (ii) semantic “glue” (functional morphemes and composition principles), and (iii) pragmatics. At the level of the lexicon, we find remarkably few convincing semantic universals. At the level of functional morphemes and composition principles, we discuss a number of promising constraints, most of which require further empirical testing and/or refinement. In the realm of pragmatics, we predict (...) that Gricean mechanisms are universal, but suggest that the precise nature of presuppositions may be subject to cross-linguistic variation. Finally, we follow E.L. Keenan in concluding that the overarching universal of effability or translatability between languages cannot be upheld in its strongest form. A recurring theme throughout this survey is how much work still remains to be done in the relatively young field of cross-linguistic formal semantics. (shrink)

The paper develops a novel account of the nature and genesis of some philosophical problems, which motivates an unfamiliar form of philosophical criticism that was pioneered by the later Wittgenstein. To develop the account, the paper analyses two thematically linked sets of problems, namely problems about linguistic understanding: a set of problems Wittgenstein discusses in a core part of his Philosophical Investigations, and the ‘problem of linguistic creativity’ that is central to current philosophy of language. The paper argues that these (...) problems are generated by tacit and unwarranted presuppositions at odds with warranted beliefs the philosophers raising the problems reflectively hold at the same time. For a rigorous conceptualisation of this phenomenon, the paper develops the notion of a ‘philosophical picture’ first proposed by Wittgenstein, and specifies the particular class of philosophical problems that may be raised due to adherence to such pictures. The results motivate a new form of philosophical criticism: the systematic exposure of relevant philosophical pictures, and efforts to overcome their tacit influence on philosophical reflection. (shrink)