ABSTRACTThe Necessity of Origins is the thesis that, necessarily, if a material object wholly originates from some particular material, then it could not have wholly originated from any significantly non-overlapping material. Several philosophers have argued for this thesis using as a premise a principle that we call ‘Single Origin Necessity’. However, we argue that Single Origin Necessity is false. So any arguments for The Necessity of Origins that rely on Single Origin Necessity are unsound. We also argue that the Necessity (...) of Origins itself is false. Our arguments rely on a thesis in the ontology of art that we find plausible: Multi-Work Materialism. It is the thesis that works of art that have multiple concrete manifestations are co-located with those manifestations. (shrink)

The dogma that the propositional logic of metaphysical modality is S5 is rebutted. The author exposes fallacies in standard arguments supporting S5, arguing that propositional metaphysical modal logic is weaker even than both S4 and B, and is instead the minimal and weak metaphysical-modal logic T.

This paper is about two puzzles, or two versions of a single puzzle, which deserve to be called paradoxes, and develops some apparatus in terms of which the apparently conflicting principles which generate the puzzles can be rendered consistent. However, the apparatus itself is somewhat controversial: the puzzles are modal ones, and the resolution to be advocated requires the adoption of a counterpart theoretic semantics of essentially the kind proposed by David Lewis, which in turn requires qualified rejection of certain (...) modal theses about identity which are valid in S5. (shrink)