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Il taglio di sbieco. Su realtà, finzione e invenzione ne I falsari di Gide

In Anna Romani (ed.), Il riflesso della finzione. Saggi su filosofia e letteratura tra settecento e novecento. ETS. pp. 65-76 (2015)

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  1. Dei, umani e algoritmi. L'immagine dell'artista nell'era digitale.Fabio Fossa - 2020 - Odradek 5 (1):435-477.
    The aim of this paper is to discuss how the image of the artist has formed in Western culture and how digital art may shed light on some of its internal contradictions, if not perhaps even help us overcome them. Firstly, I take into consideration the Jewish and Christian tradition according to which the image of God as Creator may play the role of the archetypal artist, of whom the human artist is a sort of copy and imitator – an (...)
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