How does skill relate to dào 道, the ethically apt path and its performance? Two early Chinese ‘masters’ anthologies that make prominent use of craft metaphors imply profoundly contrasting answers to this question. For the Mòzǐ 墨子, a key to following dào is to set forth explicit models or standards for guiding and checking performance. By learning to consistently apply the right standards, we can develop the skill needed to follow the dào of the sage-kings reliably, just as a carpenter (...) uses a set square to produce square corners or a wheelwright uses a wing compass to fashion round wheels. Following dào—and thus the ethical life—is strongly analogous to the performance of skills. Like an artisan’s craft, dào has a fixed end that can be explicitly articulated. A sharply contrasting stance is implied by the renowned skill exemplar Páo Dīng the butcher in the Zhuāngzǐ 莊子. Praised for how his every movement in carving up cattle is perfectly attuned, yielding a display of skill matching that of an exquisite dance or musical performance, the butcher responds that what he actually cares about is dào, which is ‘advanced beyond skill’. Intriguingly, most of what Páo Dīng says in explaining this point pertains to how he developed his craft, performs his work, and overcomes new challenges. The implication is that the process of acquiring, performing, and extending skills exemplifies dào, yet there is something more to dào than skill. What is this something more? A skill is the ability to competently perform a task with a specified end. In the Zhuāngzǐ, a key difference between skill and dào, I will suggest, is that dào is unlike skill in having no fixed, predetermined ends. Dào is a general, open-ended process, one that is continually shifting and transforming. We can never fully master dào, nor even know exactly where it will lead, as the nature of dào is such that we must regularly find creative ways of extending it as we proceed along it. (shrink)