Arendt claimed that violence is not part of the political because it is instrumental. Her position has generated a vast corpus of scholarship, most of which falls into the context of the realist-liberal divide. Taking these discussions as a starting point, this essay engages with violence in Arendt’s work from a different perspective. Its interest lies not in Arendt’s theory of violence in the world, but in the function that violence performed in her work, namely, in the constitutive role of (...) violence in her thought. It argues that the concept of violence allowed Arendt to make important distinctions serving to catalyze the categories that constitute her political philosophy and, in particular, the categories of public and private. More specifically, it claims that the concept of violence in Arendt’s work is the a priori background against which both the public and private realms should be defined. (shrink)

Hannah Arendt famously argued that acts of violence are corrosive to a free and plural politics. However, the broader implications of her critique of violence are less well known. Reading her concept of violence comprehensively, with regard to (ostensibly non-political) labor and work as well as action, this article reveals its broader relevance for contemporary political thought: the political question of violence lies at the heart of our ecological crisis and is crucial for the social structure of labor domination. While (...) Arendtian politics is without normative guarantees, the conceptual distinction between instrumental violence and free politics is crucial, because it renders the political judgment of violence possible. In every realm of human activity, the refusal to acknowledge violence stunts our capacity to care for the world. (shrink)

This article addresses the ambivalent role of violence in liberation struggles by staging a mutually enriching dialogue between Hannah Arendt and Frantz Fanon. It challenges the binary distinction between justifiable resistance that allows for only short-term, instrumental use of violence, and unwarranted resistance where violence is intrinsically justified as a creative, organic life-force of the oppressed. Instead, it discusses the constitutive role of violence as a condition of possibility of politics – highlighting the impossibility of separating the bloody moments of (...) revolution from the constitution of the political community as a space of public freedom. The reconstructed debate on the relation between violence and freedom presents a fresh perspective on the justifiability and costs of violent resistance in circumstances of radical inequality and the extent to which liberation may remain an ongoing project to sustain the fragile achievement of freedom. (shrink)

Hanna Pitkin explains that Arendt’s defense of collective political action tends to reify and mystify an opposing concept Arendt calls ‘the Social’. Was Arendt actually right about the rise of ‘the Social’? Does the deep-set global mass entertainment culture tend to sap action even when it purportedly celebrates it? And what can viewing publics and counter-publics tell us about the meaning and reception of ‘the Social’, especially in this massively online era? This article surveys different ways of thinking about the (...) basic problem presented by American popular action cinema, and especially big-budget Hollywood action films, through an Arendtian lens. In presenting this overview, the article looks to reorient traditional philosophical concerns about screen violence and its censorship, and to offer a holistic reappraisal of ‘the Social’ and ‘action’ by placing democratic theory in closer dialogue with film studies. (shrink)