- The Artist and the Bengalese Finch.Stephen Davies - 2016 - Review of Philosophy and Psychology 7 (4):715-720.details
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Heidegger and the romantics: the literary invention of meaning.Pol Vandevelde - 2012 - New York: Routledge.details
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Art and Ethics: Formalism, in James Harold (ed.) The Oxford Handbook of Ethics and Art.Michalle Gal (ed.) - 2023 - London: Oxford University Press.details
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Hybrid Truths and Emotion in Film.Robert J. Yanal - 2010 - Midwest Studies in Philosophy 34 (1):180-189.details
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Superficiality and Representation: Adding Aesthetics to “Knowledge without Truth”.Gonzalo Vaillo - 2021 - Open Philosophy 4 (1):36-57.details
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A rhetoric of inauthenticity: critical object images in Woolf’s Victorian scenes.Margaret J.-M. Sönmez - 2022 - Semiotica 2022 (247):167-200.details
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The usefulness of 'aesthetic education'.Alan Simpson - 1985 - Journal of Philosophy of Education 19 (2):273–280.details
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Art, artists, and perception: A model for premotor contributions to perceptual analysis and form recognition.William Seeley & Aaron Kozbelt - 2008 - Philosophical Psychology 21 (2):149 – 171.details
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The Classical Trinity and Kant's Aesthetic Formalism.Jennifer A. McMahon - 2010 - Critical Horizons 11 (3):419-441.details
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The Artistic Expression of Feeling.Gary Kemp - 2020 - Philosophia 49 (1):315-332.details
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The aesthetics of Utopia: Creation, creativity and a critical theory of design.Richard Howells - 2014 - Thesis Eleven 123 (1):41-61.details
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The aesthetic stance - on the conditions and consequences of becoming a beholder.Maria Brincker - 2015 - In Alfonsina Scarinzi (ed.), Aesthetics and the Embodied Mind: Beyond Art Theory and the Cartesian Mind-Body Dichotomy. Springer. pp. 117-138.details
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Conceptual art.Elisabeth Schellekens - 2010 - Stanford Encyclopedia of Philosophy.details
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Reality, Fiction, and Make-Believe in Kendall Walton.Emanuele Arielli - 2021 - In Krešimir Purgar (ed.), The Palgrave Handbook of Image Studies. pp. 363-377.details
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Arthur Danto's philosophy of art.Michael Gerald Lafferty - unknowndetails
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The Space of Reception: Framing Autonomy and Collaboration.Jennifer A. McMahon & Carol A. Gilchrist - 2017 - In Brad Buckley & John Conomos (eds.), Who Runs the Artworld: Money, Power and Ethics. Faringdon, UK: Libri Publishing. pp. 201-212.details
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