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  1. Trust and the appreciation of art.Daniel Abrahams & Gary Kemp - 2021 - Ratio 35 (2):133-145.
    Does trust play a significant role in the appreciation of art? If so, how does it operate? We argue that it does, and that the mechanics of trust operate both at a general and a particular level. After outlining the general notion of ‘art-trust’—the notion sketched is consistent with most notions of trust on the market—and considering certain objections to the model proposed, we consider specific examples to show in some detail that the experience of works of art, and the (...)
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  2. The Artistic Expression of Feeling.Gary Kemp - 2020 - Philosophia 49 (1):315-332.
    In the past 60 years or so, the philosophical subject of artistic expression has generally been handled as an inquiry into the artistic expression of emotion. In my view this has led to a distortion of the relevant territory, to the artistic expression of feeling’s too often being overlooked. I explicate the emotion-feeling distinction in modern terms, and urge that the expression of feeling is too central to be waived off as outside the proper philosophical subject of artistic expression. Restricting (...)
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  3. Editors' Introduction.Frederique Janssen-Lauret & Gary Kemp - 2014 - In Frederique Janssen-Lauret & Gary Kemp (eds.), Quine and His Place in History. New York: Palgrave. pp. 1-7.
    Editors' introduction which discusses Quine's place in the history of analytic philosophy and the content of the papers collected in this volume.
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  4. Pushing Wittgenstein and Quine Closer Together.Gary Kemp - 2014 - Journal for the History of Analytical Philosophy 2 (10).
    As against the view represented here by Peter Hacker and John Canfield, I urge that the philosophies of Quine and Wittgenstein can be reconciled. Both replace the orthodox view of language as resting on reference: Quine with the notion of linguistic disposition, Wittgenstein with the notions of grammar and forms of life. I argue that Wittgenstein's insistence, in the rule-following discussion, that at bottom these are matters of practice, of ‘what we do’, is not only compatible in a rough sort (...)
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