This article examines two problems: the role of argument in philosophy, vis-àÏs other philosophical activities; and the nature of argument in philosophy, vis-à-vis argument in other fields. The examination proceeds by reference to the notion of dialectic, which is regarded by some as offering an alternative to argument, and by reference to Hegel's Preface to the Phenomenology of Spirit, which explicitly discusses these very issues. The latter is reconstructed as the argument that philosophy is dialectical in part because it is (...) pluralistic, conceptual, concrete, self-reflective, spiritual, systematic, negative, and self-referential, and in part because it sublimates the opposition between truth and falsity, method and result, change and permanence, form and content, and subject and predicate. (shrink)

The present essay aims to throw light on the study of dialectical thinking from a cultural-historical perspective. Different forms of dialectic are articulated as ideal types, including the Greek dialectic, the Hegelian dialectic, the contemporary German negative dialectic, the Chinese dialectic, and the Indian negative dialectic. These influential cultural products in the history of the East and the West, articulated as ideal types, serve as constellations that could facilitate further empirical studies on dialectical thinking. An understanding of the complexity of (...) these constellations reveals the pitfalls of investigating dialectical thinking without an appropriate conceptualization of the research target. With the ideal types of dialectic as "figure," and Vygotsky's thesis of the cultural-historical origin of higher psychological processes as "ground," we explore possibilities for further lines of inquiry on dialectical thinking. Adhering to the Scribnerian multilevel scheme that reconstructs Vygotsky's thesis, and returning to the core ideas of Vygotsky himself, we discover new, meaningful questions about the study of dialectical thinking. In the research area of "culture and cognition," consideration of a cultural-historical perspective appears to be both necessary and promising. (shrink)

My aim is to reconstruct the basic steps and the fundamental idea of Kant’s transcendental deduction of categories as well as Hegel’s interpretation and reframing of Kant’s idea. Hegel’s reading is crucial for two reasons: first, for fixing the basic form of the Kant­ian argument and secondly, for understanding its metaphilosophical relevance. For Hegel, philosophical proof has a specific nature, which distinguishes it from scientific proof and brings it closer to a juridical one. In this perspective the transcendental deduction, which (...) is universally considered one of the most difficult chapters in the history of philosophy, reveals itself as the genuine clarification of specifically philosophical proof. I first present the idea of Kant’s transcendental deduction in the Critique of Pure Reason as well as its Hegelian reading in the Science of Logic and reformulation as the very method of philosophy in the Philo­sophy of Right. I show what in the Kantian argumentation constituted the basis for Hegel’s own interpretation and transformation. In so doing, I highlight a ‘red thread’ between the two ideas of the transcendental deduction. I conclude by proposing a formal account of Kant’s and Hegel’s ideas and by summing up the main metaphilosophical insights we can gain from Kant’s idea and its Hegelian interpretation. (shrink)

Résumé Dans cet article, je défends la signification contemporaine de la pensée de Hegel sur la subjectivité et la dialectique en impliquant Georg Wilhelm Friedrich Hegel et Hans-Georg Gadamer dans un dialogue, puis en clarifiant les caractéristiques de l'esprit et du concept. La théorie de la subjectivité de Hegel et sa pensée sur la dialectique font face à de nombreuses critiques. L'un de ces critiques est Gadamer ; cependant, la philosophie de Gadamer est, en fait, assez proche de celle de (...) Hegel. Je prends la relation Hegel-Gadamer comme une illustration de la pertinence et de l'influence de Hegel. Je démontre ensuite l'importance contemporaine de Hegel en analysant les caractéristiques de l'esprit et du concept. Enfin, je propose que l'esprit absolu et le concept de Hegel restent significatifs. (shrink)

Marx in _Economic and Philosophic Manuscripts _(1844)_ _states that the discovery of the essence of Labor is the major achievement of Hegel in _Phenomenology of Spirit_. He, however, claims in the same pages that Hegel's understanding is one-sided and abstract since he just knows the positive side of labor. This paper seeks to show that Marx in his early writings establishes labor (praxis) as the philosophical foundation which sublates (aufheben) Hegel's speculative philosophy. In this regard, we first articulate Hegel's metaphysical (...) understanding of labor in 'Master and Slave' section of _Phenomenology_ and show how this concept plays a pivotal role in filling the gap between subject and object. We, then, try to show how Marx, by basing on Hegel's dialectical logic, criticizes Hegel's one-sided articulation and synthesizes Praxis as the fundamental connection of subject and object. (shrink)

This paper argues that Hegel's depiction of knowledge, as presented in the Encyclopaedia philosophy of subjective Spirit, is founded on what he deems to be the practical interests of self-consciousness. More specifically, it highlights the significance of the will in Hegel's understanding of the cognitive process. I begin with a survey of the relation between category-formation and the notion of self-determining freedom in the Logic , and therewith draw attention to the unity of thinking and willing in the Concept. I (...) then indicate how Hegel's philosophy of subjective Spirit should be read as the applied logic of the Concept, according to which the socially constituted self-conscious I seeks to realise its claims to freedom through its theoretical cognitions of objects. As part of what could be called Hegel's integrative theory of the faculties, I finally argue that the will underscores both the determinate character of our theoretical cognitions and the reflexivity of knowledge in general. On this score, I maintain that Hegel, whose relation to Kant and Fichte I also consider, is of the view that it is with reference to willing that we can account for the self-referential nature of reason in toto as the actualised unity of theoretical-practical subjectivity. (shrink)

Nietzsche writes about the common temptation to take the capacity for consciousness as constituting the “kernel of man; what is abiding, eternal, ultimate, and most original in him. One takes consciousness for a determinate magnitude. One denies it growth and intermittences. One takes it for the ‘unity of the organism’.” The very description of the nature of this unified organism is indicative of reasons one might wish to believe in it. It is “abiding” and “eternal.” Nothing in the world poses (...) a threat to its existence or survival. This temptation and Hegel's complicated response to it are the subject of this essay. In particular I will investigate the accuracy of Adorno's claims that Hegel is untrue to his own insights into the dialectical nature of the self, and that Hegel's self-betrayal is due to the the fact that “like Kant and the entire philosophical tradition including Plato, Hegel is a partisan of unity.”. (shrink)

In the young Henrik Ibsen's intellectual quarters, abroad as well as in his native Norway, Hegelianism was very much the philosophical systemde rigueur. Hegel's student Marcus Jacob Monrad taught phenomenology and aesthetics at the University of Christiania throughout the 1850s, and promoted a wider Hegelian way of thinking through frequent book reviews and newspaper articles. In Italy, soon to be his home away from home, Ibsen socialised with the art-historian Lorentz Dietrichson, whose views on the history of art were outspokenly (...) Hegelian. Ibsen was also in touch with the Hegelian circle gathering around the painter I. C. Dahl at the Academy of Art in Dresden. While Ibsen rarely engages in explicit philosophical discussion, he makes a significant exception when responding to the Danish translation of John Stuart Mill'sUtilitarianism. He admits that he has no professional expertise in this area but continues to observe that, insofar as ‘there are writers [like Mill] who lay down the law about philosophy without any knowledge of Hegel or German thought in general,’ it seems to him that ‘anything is allowed.’ To think philosophically without Hegel appears to Ibsen as tantamount to thinking without a reference point or standard. (shrink)

This paper explores the meaning of interpretation in the works of Hans-Georg Gadamer and Glenn Gould, the Canadian pianist and intellectual. As a performing art, music illustrates the cognitive and practical dimensions of interpretation. While emphasizing the pre-interpreted character of musical reception and performance, both authors point to the fact that difference, alterity, and negativity lie at the heart of creative interpretation, cultivation and self-knowledge. The notion of ecstasy, understood as a type of self-forgetfulness that represents a radical form of (...) encounter with alterity, provides the basis for a conception of subjectivity as grounded on linguistic, historical and cultural conditions, albeit not reducible to them. I maintain that the notion of ecstatic subjects is a powerful alternative to both the self-centred notion of subjectivity and its anti-humanistic counterpart in accounting for human agency. (shrink)

While it has long been commonplace to advert to thePhenomenology of Spirit's peculiar prosaic form, there has been no sustained, thematic attempt to understand the relationship between that form—as a continuous, quasi-fictional narrative—and the work's philosophical content. I argue that some of what has been felt to be outlandish about the form may be better accounted for by reading it as connected to purposeful literary decisions, decisions in turn exhibiting philosophical claims about the new mode of modern self-understanding that the (...) argument is concerned with advancing. Extending Allen Speight's suggestions that Hegel sees literature as closely connected to his theory of agency, I argue that thePhenomenology's narrative should be understood as itself specifically and deliberately novelesque. I focus on three points that help clarify the book's form as not simply in keeping with, but as expressing aspects of its content: (1) the narrative structure of consciousness (as a unified, unfolding activity through which Hegel explores the notion of actuality), (2) the theatricalizing counterpoint between the ‘in itself’ and ‘for itself’ (as a dramatic device that Hegel connects to the social underpinnings of consciousness), and (3) the role of confession and forgiveness in the argument (as a theme that Schlegel had singled out as essential to the novel, and that Hegel repurposes both to criticize and to overcome Romanticism). I do not say that thePhenomenologyis itself a novel, but that construing some of its formal features and gestures as evoking the genre of the novel can help us to see more of what is philosophically at stake in them, and therefore in the work as a whole. (shrink)