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Dynamic Models of Body Schematic Processes

In Helena de Preester & Veroniek Knockaert (eds.), Body image and body schema. John Benjamins (2005)

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  1. Pre-Reflective Self-Consciousness.Dorothée Legrand - 2007 - Janus Head 9 (2):493-519.
    Empirical and experiential investigations allow the distinction between observational and non-observational forms of subjective bodily experiences. From a first-person perspective, the biological body can be (1) an "opaque body" taken as an intentional object of observational consciousness, (2) a "performative body" pre-reflectively experienced as a subject/agent, (3) a "transparent body" pre-reflectively experienced as the bodily mode of givenness of objects in the external world, or (4) an "invisible body" absent from experience. It is proposed that pre-reflective bodily experiences rely on (...)
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  • Merleau-Ponty's Phenomenological Itinerary From Body Schema to Situated Knowledge.Stephen H. Watson - 2007 - Janus Head 9 (2):525-550.
    This paper addresses a number of issues concerning both the status of phenomenology in the work of one of its classical expositors, Maurice Merleau-Ponty, and the general relation between theoretical models and evidence in phenomenological accounts. In so doing, I will attempt to explain Merleau-Ponty's departure from classical transcendental accounts in Husserl's thought and why Merleau-Ponty increasingly elaborated on them through aesthetic rationality. The result is a phenomenology that no longer understands itself as foundational and no longer understands itself in (...)
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  • Embodying the Mind and Representing the Body.Adrian John Tetteh Alsmith & Frédérique Vignemont - 2012 - Review of Philosophy and Psychology 3 (1):1-13.
    Does the existence of body representations undermine the explanatory role of the body? Or do certain types of representation depend so closely upon the body that their involvement in a cognitive task implicates the body itself? In the introduction of this special issue we explore lines of tension and complement that might hold between the notions of embodiment and body representations, which remain too often neglected or obscure. To do so, we distinguish two conceptions of embodiment that either put weight (...)
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  • (2 other versions)Learning Jazz Language by Aural Imitation: A Usage-Based Communicative Jazz Theory (Part 1).Mattias Solli, Erling Aksdal & John Pål Inderberg - 2021 - The Journal of Aesthetic Education 55 (4):82-122.
    How can imitation lead to free musical expression? This article explores the role of auditory imitation in jazz. Even though many renowned jazz musicians have assessed the method of imitating recorded music, no systematic study has hitherto explored how the method prepares for aural jazz improvisation. The article picks up an assumption presented by Berliner (1994), suggesting that learning jazz by aural imitation is “just like” learning a mother tongue. The article studies three potential stages in the method, comparing with (...)
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  • Extending Existential Feeling Through Sensory Substitution.Jussi A. Saarinen - 2023 - Synthese 201 (2):1-24.
    In current philosophy of mind, there is lively debate over whether emotions, moods, and other affects can extend to comprise elements beyond one’s organismic boundaries. At the same time, there has been growing interest in the nature and significance of so-called existential feelings, which, as the term suggests, are feelings of one’s overall being in the world. In this article, I bring these two strands of investigation together to ask: Can the material underpinnings of existential feelings extend beyond one’s skull (...)
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  • Making imagination even more embodied: imagination, constraint and epistemic relevance.Zuzanna Rucińska & Shaun Gallagher - 2021 - Synthese 199 (3-4):8143-8170.
    This paper considers the epistemic role that embodiment plays in imagining. We focus on two aspects of embodied cognition understood in its strong sense: explicit motoric processes related to performance, and neuronal processes rooted in bodily and action processes, and describe their role in imagining. The paper argues that these two aspects of strongly embodied cognition can play distinctive and positive roles in constraining imagining, thereby complementing Amy Kind's argument for the epistemic relevance of imagination "under constraints" and Magdalena Balcerak (...)
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  • Practices of remembering a movement in the dance studio: evidence for (a radicalized version of) the REC framework in the domain of memory.Carla Carmona - 2020 - Synthese 199 (1-2):3611-3643.
    This paper provides evidence for a radically enactive, embodied account of remembering. By looking closely at highly context-dependent instances of memorizing and recalling dance material, I aim at shedding light on the workings of memory. Challenging the view that cognition fundamentally entails contentful mental representation, the examples I discuss attest the existence of non-representational instances of memory, accommodating episodic memory. That being so, this paper also makes room for content-involving forms of remembering. As a result, it supports the duplex vision (...)
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  • ‘Bodies (that) matter’: the role of habit formation for identity.Maren Wehrle - 2021 - Phenomenology and the Cognitive Sciences 20 (2):365-386.
    This paper will interpret Judith Butler’s theory of performativity and materialization as a theory of identity, and so put it into dialogue with a phenomenological account of habit formation. The goal is to argue that identity is developed already at a bodily level and that this takes place via the processes of habit formation. The constitution of subjectivity, in other words, requires at the most basic level some kind of bodily performativity. What follows intends to draw out the concept of (...)
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  • Rethinking Nature: Phenomenology and a Non-reductionist Cognitive Science.Shaun Gallagher - 2018 - Australasian Philosophical Review 2 (2):125-137.
    Resistance to the idea that phenomenology can be relevant to cognitive scientific explanation has faced two objections advanced, respectively, from both sides of the issue: from the scientific perspective it has been suggested that phenomenology, understood as an account of first-person experience, is ultimately reducible to cognitive neuroscientific explanation; and from a phenomenological perspective it has been argued that phenomenology cannot be naturalized. In this context it makes sense to consider that the notion of scientific reduction is linked to a (...)
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  • Being a body and having a body. The twofold temporality of embodied intentionality.Maren Wehrle - 2020 - Phenomenology and the Cognitive Sciences 19 (3):499-521.
    The body is both the subject and object of intentionality: qua Leib, it experiences worldly things and qua Körper, it is experienced as a thing in the world. This phenomenological differentiation forms the basis for Helmuth Plessner’s anthropological theory of the mediated or eccentric nature of human embodiment, that is, simultaneously we both are a body and have a body. Here, I want to focus on the extent to which this double aspect of embodiment relates to our experience of temporality. (...)
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  • Thinking-is-moving: dance, agency, and a radically enactive mind. [REVIEW]Michele Merritt - 2015 - Phenomenology and the Cognitive Sciences 14 (1):95-110.
    Recently, in cognitive science, the enactivist account of cognition has been gaining ground, due in part to studies of movement in conjunction with thought. The idea, as Noë , has put it, that “cognition is not something happening inside us or to us, but it’s something we do, something we achieve,” is increasingly supported by research on joint attention, movement coordination, and gesture. Not surprisingly, therefore, enactivists have also begun to look at “movement specialists”—dancers—for both scientific and phenomenological accounts of (...)
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  • The Deep Bodily Roots of Emotion.Albert A. Johnstone - 2012 - Husserl Studies 28 (3):179-200.
    This article explores emotions and their relationship to ‘somatic responses’, i.e., one’s automatic responses to sensations of pain, cold, warmth, sudden intensity. To this end, it undertakes a Husserlian phenomenological analysis of the first-hand experience of eight basic emotions, briefly exploring their essential aspects: their holistic nature, their identifying dynamic transformation of the lived body, their two-layered intentionality, their involuntary initiation and voluntary espousal. The fact that the involuntary tensional shifts initiating emotions are irreplicatable voluntarily, is taken to show that (...)
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  • (1 other version)From filters to fillers: an active inference approach to body image distortion in the selfie era.Simon C. Tremblay, Safae Essafi Tremblay & Pierre Poirier - 2020 - AI and Society (1):1-16.
    Advances in artificial intelligence, as well as its increased presence in everyday life, have brought the emergence of many new phenomena, including an intriguing appearance of what seems to be a variant of body dysmorphic disorder, coined “Snapchat dysmorphia”. Body dysmorphic disorder is a DSM-5 psychiatric disorder defined as a preoccupation with one or more perceived defects or flaws in physical appearance that are not observable or appear slight to others. Snapchat dysmorphia is fueled by automated selfie filters that reflect (...)
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  • Merleau-Ponty on Embodied Subjectivity from the Perspective of Subject-Object Circularity.Jan Halák - 2016 - Acta Universtitatis Carolinae Kinanthropologica 52 (2):26-40.
    The phenomenological point of view of the body is usually appreciated for having introduced the notion of the ‘lived’ body. We cannot merely analyze and explain the body as one of the elements of the world of objects. We must also describe it, for example, as the center of our perspective on the world, the place where our sensing is ‘localized’, the agens which directly executes our intentions. However, in Husserl, the idea of the body as lived primarily complements his (...)
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  • Augmented reality and ubiquitous computing: the hidden potentialities of augmented reality.Nicola Liberati - 2016 - AI and Society 31 (1):17-28.
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  • Animation: The fundamental, essential, and properly descriptive concept. [REVIEW]Maxine Sheets-Johnstone - 2009 - Continental Philosophy Review 42 (3):375-400.
    As its title indicates, this article shows animation to be the fundamental, essential, and properly descriptive concept to understandings of animate life. A critical and constructive path is taken toward an illumination of these threefold dimensions of animation. The article is critical in its attention to a central linguistic formulation in cognitive neuroscience, namely, enaction ; it is constructive in setting forth an analysis of affectivity as exemplar of a staple of animate life, elucidating its biological and existential foundations in (...)
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  • Emotions and Digital Technologies.Nicola Liberati - 2019 - Humana Mente 12 (36).
    Digital technologies are pervasively used, and they are becoming part of our everyday actions by being designed to be connected to every aspect of our private life like emotions. However, it is not very clear how they are going to change who we are through their tight intertwinement. Especially in relation to emotions, it is not clear at all what happens when they become digitalized and visualized through these digital devices. Usually, the research focusses on the effect on the privacy (...)
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  • Individual vs. Team Sport Failure—Similarities, Differences, and Current Developments.V. Vanessa Wergin, Clifford J. Mallett & Jürgen Beckmann - 2022 - Frontiers in Psychology 13.
    The construct of “choking under pressure” is concerned with the phenomenon of unexpected, sudden, and significant declines in individual athletes’ performances in important situations and has received empirical attention in the field of sport psychology. Although a number of theories about the reasons for the occurrence of choking under pressure exist and several intervention approaches have been developed, underlying mechanisms of choking are still under debate and the effectiveness of existing interventions remains contested. These sudden performance declines also occur in (...)
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  • (1 other version)From filters to fillers: an active inference approach to body image distortion in the selfie era.Simon C. Tremblay, Safae Essafi Tremblay & Pierre Poirier - 2021 - AI and Society (1):33-48.
    Advances in artificial intelligence, as well as its increased presence in everyday life, have brought the emergence of many new phenomena, including an intriguing appearance of what seems to be a variant of body dysmorphic disorder, coined “Snapchat dysmorphia”. Body dysmorphic disorder is a DSM-5 psychiatric disorder defined as a preoccupation with one or more perceived defects or flaws in physical appearance that are not observable or appear slight to others. Snapchat dysmorphia is fueled by automated selfie filters that reflect (...)
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  • Embodying the mind and representing the body.Adrian John Tetteh Alsmith & Frédérique de Vignemont - 2012 - Review of Philosophy and Psychology 3 (1):1-13.
    Does the existence of body representations undermine the explanatory role of the body? Or do certain types of representation depend so closely upon the body that their involvement in a cognitive task implicates the body itself? In the introduction of this special issue we explore lines of tension and complement that might hold between the notions of embodiment and body representations, which remain too often neglected or obscure. To do so, we distinguish two conceptions of embodiment that either put weight (...)
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  • Two modes of being together: The levels of intersubjectivity and human relatedness in neuroscience and psychoanalytic thinking.Riccardo Williams & Cristina Trentini - 2022 - Frontiers in Human Neuroscience 16:981366.
    The notion of intersubjectivity has achieved a primary status in contemporary psychoanalytic debate, stimulating new theoretical proposals as well as controversies. This paper presents an overview of the main contributions on inter-subjectivity in the field of neurosciences. In humans as well as—probably—in other species, the ability for emotional resonance is guaranteed early in development. Based on this capacity, a primary sense of connectedness is established that can be defined inter-subjective in that it entails sharing affective states and intentions with caregivers. (...)
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  • (2 other versions)Learning Jazz Language by Aural Imitation: A Usage-Based Communicative Jazz Theory.Mattias Solli, Erling Aksdal & John Pål Inderberg - 2021 - Journal of Aesthetic Education 55 (4):82-122.
    How can imitation lead to free musical expression? This article explores the role of auditory imitation in jazz. Even though many renowned jazz musicians have assessed the method of imitating recorded music, no systematic study has hitherto explored how the method prepares for aural jazz improvisation. The article picks up an assumption presented by Berliner (1994), suggesting that learning jazz by aural imitation is “just like” learning a mother tongue. The article studies three potential stages in the method, comparing with (...)
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  • The meaning of the body schema in reaching maturity during late adolescence.Beata Mirucka - 2016 - Polish Psychological Bulletin 47 (1):149-158.
    The objective of the research presented in this paper was to investigate whether an association existed between the activation of the body schema and reaching adulthood among people in late adolescence. Three activities that are known to enjoy popularity among young people were analysed, namely: dancing, playing computer games that require motor involvement, and playing computer games of an educational and entertaining character. It was assumed that the chosen forms of activity correspond to three levels of activation of the body (...)
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  • From clumsy failure to skillful fluency: a phenomenological analysis of and Eastern solution to sport’s choking effect.Jesús Ilundáin-Agurruza - 2015 - Phenomenology and the Cognitive Sciences 14 (2):397-421.
    Excellent performance in sport involves specialized and refined skills within very narrow applications. Choking throws a wrench in the works of finely tuned performances. Functionally, and reduced to its simplest expression, choking is severe underperformance when engaging already mastered skills. Choking is a complex phenomenon with many intersecting facets: its dysfunctions result from the multifaceted interaction of cognitive and psychological processes, neurophysiological mechanisms, and phenomenological dynamics. This article develops a phenomenological model that, complementing empirical and theoretical research, helps understand and (...)
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  • How embodied is action language? Neurological evidence from motor diseases.Juan F. Cardona, Lucila Kargieman, Vladimiro Sinay, Oscar Gershanik, Carlos Gelormini, Lucia Amoruso, María Roca, David Pineda, Natalia Trujillo, Maëva Michon, Adolfo M. García, Daniela Szenkman, Tristán Bekinschtein, Facundo Manes & Agustín Ibáñez - 2014 - Cognition 131 (2):311-322.
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