The aim of the article is to intervene in debates about the digital and, in particular, framings that imagine the digital in terms of epochal shifts or as redefining life. Instead, drawing on recent developments in digital methods, we explore the lively, productive and performative qualities of the digital by attending to the specificities of digital devices and how they interact, and sometimes compete, with older devices and their capacity to mobilize and materialize social and other relations. In doing so, (...) our aim is to explore the implications of digital devices and data for reassembling social science methods or what we call the social science apparatuses that assemble digital devices and data to ‘know’ the social and other relations. Building on recent work at CRESC on the social life of methods, we recommend a genealogical approach that is alive to the ways in which digital devices are simultaneously shaped by social worlds, and can in turn become agents that shape those worlds. This calls for attending to the specificities of digital devices themselves, how they are varied and composed of diverse socio-technical arrangements, and are enrolled in the creation of new knowledge spaces, institutions and actors. Rather than exploring what large-scale changes can be revealed and understood through the digital, we argue for explorations of how digital devices themselves are materially implicated in the production and performance of contemporary sociality. To that end we offer the following nine propositions about the implications of digital data and devices and argue that these demand rethinking the theoretical assumptions of social science methods: transactional actors; heterogeneity; visualization; continuous time; whole populations; granularity; expertise; mobile and mobilizing; and non-coherence. (shrink)

This article uses the work of Friedrich Kittler to address the ways in which media technologies underpin and structure the basis of ‘human’ existence and understanding. Kittler’s ‘media materialism’ is explored through four main influences: the information theory of Claude Shannon and Warren Weaver, the media analysis of Marshall McLuhan, the psychoanalytic theory of Jacques Lacan, and Michel Foucault’s work on power and discourse. These figures are used, in turn, to draw into question the materiality of information technology, and, following (...) this, to develop a post-human approach to media analysis. The final section of this article considers the challenges such an approach poses to the humanistic bias of mainstream sociology and media studies. (shrink)

While Max Weber is commonly treated as a social theorist or a theorist of social stratification, relatively little attention has been paid to the theory of the social that is developed in his work. In view of this, this article turns to Weber’s most explicit theorization of the social: the section of Economy and Society entitled ‘Class, Status, Party’. In this work, Weber treats class as a non-social form, in contrast to status groups and parties, which are seen to emerge (...) through communal or associative modes of socialization. Given this, it is argued that it is a mistake to reduce ‘Class, Status, Party’ to an argument about social stratification. Rather, this work is a general theorization of the social in relation to the spheres of economics and politics. Read in this way, Weber’s work is presented as a possible resource for rejuvenating social theory that goes beyond study of class or ‘societal’ structures, and which privileges analysis of social relationships (including those that go beyond nation-state boundaries) in the competition for social and political power. (shrink)

This paper explores the distinctive features of the critical agenda associated with the ‘Social Life of Methods’. I argue that although this perspective can be associated with the increasing interest, often associated with scholars in Science and Technology Studies, to reflect on how methods can become objects of inquiry, it also needs to be rooted in the current crisis of positivist methods. I identify the challenge for positivism in terms of the decreasing ability of its procedures to effectively organize increasingly (...) ‘lively’ sources of standardized data, which can now be assembled using aesthetic registers. In developing this argument, I dispute the idea that this development is due to historical shifts linked to the way that methodological devices are playing an increasingly significant role in contemporary social life, which might be argued by writers such as Thrift or Castells. I also argue that by opening up issues of method to the aesthetic, we also recast the relationship between theory and method, pointing to the exhaustion of a certain kind of cultural theory within the social sciences. I contextualize these issues by considering how methods are implicated in the intellectual differentiation between scientific and humanities expertise. Rather than conceiving the ‘Social Life of Methods’ in terms of the rise of instrumentalist modes of governance, it is preferable to place it within the dialectic of transparency and the relationship between the implicit and explicit. These issues are addressed through introducing the papers in the special issue. (shrink)

Growing interest has been shown toward humanism in the 21st century after decades of critique and rejection. Posthumanism and transhumanism have redefined the topic primarily through developments in technology and by focusing on relations of interconnectedness between humans and the environment. A different concern with ‘being human’ can be found in the writings of Zygmunt Bauman and Ernst Bloch. The leitmotif of Bauman’s sociology and of Bloch’s utopian philosophy is their assertion that humans have the distinct capacity to transcend necessity (...) and inevitability. Their works share the concern for a good society that would ameliorate social fragmentation and disintegration. Following this, the article seeks to theorize the meaning of humanism in the contemporary era. Taking up Bauman’s notion of interregnum, the article will argue that the contemporary importance of humanism is social in the sense of redeeming the currently casualized human condition, i.e. diminished life-chances, inequality and alienation. Interregnum marks a historical epoch where the old order has decayed, but the new one is not yet present. In interregnum, or in what Bloch calls Mischzeit, humanism is about a human being-in-the-world which contains the possibility to do better. (shrink)

La idea de una Europa cosmopolita se define en contraposición a, por un lado, una 'Europa nacional' y, por otro, a una 'Europa global' en la que una Europa internacionalista dirigida por la UE juega un papel fundamental en el mundo. El concepto de Europa cosmopolita constituye una denominación más precisa de la forma de europeización que está surgiendo como una realidad intermedia y emergente entre la Europa nacional y la Europa global. Así pues, se puede imaginar la identidad europea (...) como una identidad cosmopolita basada en una lógica cultural de autotransformación en lugar de una identidad supranacional o una identidad oficial de la UE que se encuentra inmersa en una relación de tensión con las identidades nacionales. Como identidad cosmopolita, la identidad europea es una forma de autoentendimiento postnacional que se expresa a sí misma dentro del marco de las identidades nacionales e incluso más allá de ellas.The idea of a cosmopolitan Europe is defined against a 'national Europe', on the one side and on the other, 'global Europe' where an internationalist EU led Europe plays a major role in the world. A cosmopolitan Europe is a more accurate designation of the emerging form of Europeanization as a mediated and emergent reality of the national and the global. It is possible to conceive of European identity as a cosmopolitan identity based on a cultural logic of self-transformation rather than as a supranational identity or an official EU identity that is in a relation of tension with national identities. As a cosmopolitan identity, European identity is a form of post-natlonal self-understanding that expresses itself within, as much as beyond, national identities. (shrink)

This article takes the fiftieth anniversary of the death of American sociologist C. Wright Mills as a cue to revisit his legacy but also the value of sociology today. It argues that the enduring relevance of Mills’ work is his cultivation of a sociological sensibility, which is both an attentive and sensuous craft and also a moral and political project. The article returns to some of the key aspects of Mills’ life and work, and focuses, in particular, on his influential (...) book The Sociological Imagination. Revisiting the opening and closing chapters of this book – entitled ‘The Promise’ and ‘On Intellectual Craftsmanship’ – this article argues that the contemporary social imagination needs to offer its students the capacity to open out to the world through a heightened sensory attentiveness, which in turn makes possible a different kind of social imaginary. In this way Mills’ gift to the future is a sociological sensibility furnished by its tradition, but one also that is constantly re-tuned to the circumstances and problems of the present. (shrink)

This review article assesses the core arguments of Quinn Slobodian’s Crack-Up Capitalism. In this book, Slobodian identifies and analyses territorial forms that are central to the creation of capitalist zones of exception that, to a large extent, sit outside the reach of political democracy: ‘islands’, ‘phyles’, and ‘franchise nations’. This article argues that Slobodian’s analysis of these territorial forms – which have been designed to enable the extraction, accumulation and protection of capital to the benefit of the super-rich – is (...) a valuable addition to the existing literature on neoliberalism and libertarianism. However, further conceptual and theoretical work is needed to connect these territorial forms to existing analyses of capitalism, sovereignty and exception that address long-standing historical and political tensions between capitalism and democracy. (shrink)

Legislators and Interpreters (1987), Modernity and the Holocaust (1989) and Modernity and Ambivalence (1991) are the foundational trilogy on which Zygmunt Bauman developed much of his later work (from postmodernity to liquid modernity and from “the Jew” to “the Stranger”). This article is a unique engagement with the trilogy and with the metaphorical thinking which relates the trilogy to Bauman's later work in the first two decades of the twenty-first century. The article is divided into three parts focusing broadly on (...) Warsaw, Leeds, and Jerusalem as contextual “windows” for Bauman's Jewishness under the sign of totalitarianism, exile, and globalism. This is the first account of Bauman's Jewishness in relation to his extraordinary life and work and includes, for the first time, his little known “Jewish” essays which are placed next to his more general theories of modernity. (shrink)