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Schopenhauer

Harmondsworth,: Penguin Books (1963)

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  1. Schopenhauer on religious pessimism.Dennis Vanden Auweele - 2015 - International Journal for Philosophy of Religion 78 (1):53-71.
    Schopenhauer’s bifurcation between optimistic and pessimistic religions is made, so I argue here, by means of five criteria: to perceive of existence as punishment, to believe that salvation is not attained through ‘works’, to preach compassion so as to lead towards ascetics, to manifest an aura of mystery around religious doctrines and to, at some deep level, admit to the allegorical nature of religious creeds. By clearly showing what makes up the ‘pessimism’ of a ‘pessimistic religion’, Schopenhauer’s own philosophical pessimism (...)
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  • (2 other versions)Knowledge and Selflessness: Schopenhauer and the Paradox of Reflection.Bernard Reginster - 2008 - European Journal of Philosophy 16 (2):251-272.
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  • Schopenhauer's Soteriology: Beyond Pessimism and Optimism.Timothy Paul Birtles - 2024 - Dissertation, The University of Southampton
    This thesis is primarily an attempt at solving some issues in Schopenhauer’s theory of salvation. My aim is to provide ways in which Schopenhauer’s soteriology could work. It is a partially reconstructive project in that I will be bringing to the forefront some of Schopenhauer’s assertions at the expense of others. My aim is to show that we are able to provide a much more cohesive and satisfying reading of Schopenhauer’s philosophical project if we let go of some of the (...)
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  • (2 other versions)Schopenhauer on Aesthetic Understanding and the Values of Art.Bart Vandenabeele - 2008 - European Journal of Philosophy 16 (2):194-210.
    The article explores German philosopher Arthur Schopenhauer's view on aesthetics and the values of art. It contends that some important aspects of Schopenhauer's discussion of tragedy indicate that the theory that the value of art is deductible to the aesthetic pleasure it affords is inadequate. Moreover, it claims that Schopenhauer attaches great importance to the distinction between concept and idea. It also asserts that Schopenhauer's account of aesthetic experience is inspired by Plato's ideas.
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  • (3 other versions)Compassion and solidarity with sufferers: The metaphysics of mitleid.David E. Cartwright - 2008 - European Journal of Philosophy 16 (2):292-310.
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  • The world as representation: Schopenhauer's arguments for transcendental idealism.Douglas James McDermid - 2003 - British Journal for the History of Philosophy 11 (1):57 – 87.
    (2003). The World as Representation: Schopenhauer's Arguments for Transcendental Idealism. British Journal for the History of Philosophy: Vol. 11, No. 1, pp. 57-87.
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