The paper outlines several forms of ethical attitude to good life and good death in the Socratic literature of the fourth century BCE. A model for the Socratic discussions could be found in Herodotus’ story about the meeting between Croesus and Solon. Within their conversation, Solon shows the king of Lydia that death is a place from which the life of each man can be seen as the completed whole. In his Phaedo, Plato depicts Socrates’ last day before his death (...) in a similar spirit, as the completion of his beautiful life. However, there is no consensus regarding opinions on death among the Socratics. The final part of the paper outlines various meanings of death in the writings of the first generation of the Socratic authors, which arise from different attitudes that the individual philosophers hold regarding the soul as well as other topics. This part puts the principal emphasis on Aristippus, who is considered as the most controversial figure of the Socratic movement. Aristippus makes an interesting opposite to Plato concerning death, since he associates the philosopher’s endeavour for a good life solely with that which is here and now. (shrink)

For many of the ancient Greek philosophers, the ethical life was understood to be closely tied up with important notions like rational integrity, self-control, self-sufficiency, and so on. Because of this, feeling or passion (pathos), and in particular, pleasure, was viewed with suspicion. There was a general insistence on drawing up a sharp contrast between a life of virtue on the one hand and one of pleasure on the other. While virtue was regarded as rational and as integral to advancing (...) one’s well-being or happiness and safeguarding one’s autonomy, pleasure was viewed as largely irrational and as something that usually undermines a life of reason, self-control and self-sufficiency. I want to try to show that the hedonist Aristippus of Cyrene, a student and contemporary of Socrates, was unique in not drawing up such a sharp contrast. Aristippus, I argue, might be seen to be challenging the conception of passion and pleasure connected to loss of self-control and hubristic behavior. Not only do I try to show that pleasure according to Aristippus is much more comprehensive or inclusive than it is usually taken to be, but that a certain kind of control and self-possession actually play an important part in his conception of pleasure and in his hedonism as a whole. (shrink)

The ending of the Phaedo is one of the most powerful and memorable moments in the entire Platonic corpus. It is not simply the end of a single dialogue, but a depiction of the end of the life of the man (Socrates) who is a looming presence in nearly everything that Plato wrote. In this article I offer an in-depth analysis of the final scene of the Phaedo. I argue that Plato very carefully constructs the scene for the sake of (...) specific philosophical, dramatic, and political ends. Plato uses it to unify the Phaedo as a singular text, while also provoking us to reflect on the nature of our lives, our deaths, and the possibilities and limits of philosophy itself. (shrink)

Mucho se ha escrito acerca del significado de las últimas palabras de Sócrates en el Fedón: “Critón, debemos un gallo a Asclepio. Pues bien, ¡páguenselo! Y no se descuiden…”. En el presente trabajo nos proponemos retomar el enigma de la deuda con Asclepio a fin de rescatar cierto matiz político presente en él. Para ello, tras reseñar brevemente las principales interpretaciones que se han dado en el último siglo, nos detendremos en la concepción socrática del nacimiento y de la vida (...) en tanto fenómenos eminentemente políticos para, a partir de allí, repensar el statusde su muerte en esa misma clave. (shrink)

Este estudio reconstruye el juicio de Sócrates, especialmente, el caso levantado por los acusadores. La primera parte es una discusión sobre las fuentes que tenemos disponibles para reconstruir el juicio, especialmente el análisis de Jenofonte en Memorabilia. La segunda parte reconstruye el juicio basados en una nueva evaluación de las fuentes. La tercera parte discute los aspectos políticos del juicio, y argumenta que haber levantado acusaciones políticas contra Sócrates no era necesariamente una infracción a la amnistía del 403. Más aún, (...) un estudio prosopográfico del círculo social alrededor de Sócrates muestra que un alto número de sus “amigos” eran ciudadanos que se habían unido a la revolución oligárquica del 411 y del 404-403 y habían sido condenados por traición y/o impiedad. Finalmente, se presenta un diálogo pseudo-platónico entre Sócrates y Ánito en el que Sócrates tiene que admitir que la democracia es la mejor constitución posible. (shrink)

As is the case with his similarly polymorphous dialogue with Socrates, Friedrich Nietzsche's career-spanning engagement with the figure of Jesus is ambivalent in the extreme. In the writings of the last year of his active life however, this self-professed “antichrist” is unwavering in his commendation of the Nazarene’s character and posture vis a vis his martyrdom. Even more remarkable is the Antichrist’s heretofore-ignored tampering with the most famous death-scene in the Western tradition. This paper examines Nietzsche's bold manipulation of the (...) celebrated death-scenes of Jesus and Socrates, with particular attention paid to the possible relationship between his re-writing of the famed proceedings at Calvary, and his remarkably high regard for Jesus’ exit from the stage of life. (shrink)