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  1. What is Bhāvanā?Andrew Ollett - 2013 - Journal of Indian Philosophy 41 (3):221-262.
    Bhāvanā, “bringing into being,” is one of Mīmāṃsā’s hallmark concepts. It connects text and action in a single structure of meaning. This conjunction was crucially important to Mīmāṃsā’s own interpretive enterprise, and functioned— controversially but influentially—in a broader theory of language. The goal of this paper is to outline bhāvanā’s major contours as it is developed by Kumārilabhaṭṭa and some his followers (Maṇḍanamiśra, Pārthasārathimiśra, Someśvarabhaṭṭa, Khaṇḍadeva, and Āpadeva) and to examine some of the arguments they marshaled in support of it. (...)
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  • Aesthetics of navigational performance in hypertext.Parthasarathi Banerjee - 2004 - AI and Society 18 (4):297-309.
    A hypertext learner navigates with a instinctive feeling for a knowledge. The learner does not know her queries, although she has a feeling for them. A learner’s navigation appears as complete upon the emergence of an aesthetic pleasure, called rasa. The order of arrival or the associational logic and even the temporal order are not relevant to this emergence. The completeness of aesthetics is important. The learner does not look for the intention of the writer, neither does she look for (...)
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  • Remarks on compassion and altruism in the pratyabhijñā philosophy.Isabelle Ratié - 2009 - Journal of Indian Philosophy 37 (4):349-366.
    According to Utpaladeva and Abhinavagupta, a subject who has freed himself from the bondage of individuality is necessarily compassionate, and his action, necessarily altruistic. This article explores the paradoxical aspects of this statement; for not only does it seem contradictory with the Pratyabhijñā’s non-dualism (how can compassion and altruism have any meaning if the various subjects are in fact a single, all-encompassing Self?)—it also implies a subtle shift in meaning as regards the very notion of compassion ( karuṇā, kr̥pā ), (...)
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  • A sketch of blissful actions and democracy based upon rasa.Parthasarathi Banerjee - 2007 - AI and Society 21 (1-2):93-120.
    Contemporary democracy has given primacy to thought. Building up institutions on thought and reasoned discourse excludes out human actions derived not from thought that one thinks. Ordinary life is visited by emotion and passion. Such actions of unknown origin are captured best in the drama. Indian theory and practice of drama and the poetics offer communion between the performer and the viewer. Blissful relish of the actions and the dialogues lift up the banal actions from the ordinary to a state (...)
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