- The role of expectation in the constitution of subjective musical experience.Elisa Negretto - unknowndetails
|
|
The Historical Ontology of Art.Rafael De Clercq - 2020 - Philosophical Quarterly 70 (279).details
|
|
Why can’t I change Bruckner’s Eighth Symphony?David Friedell - 2020 - Philosophical Studies 177 (3):805-824.details
|
|
Jazz and Musical Works: Hypnotized by the Wrong Model.John Andrew Fisher - 2018 - Journal of Aesthetics and Art Criticism 76 (2):151-162.details
|
|
Der musikalische Platonismus und das Problem des Sampling.Nicola Lüthi - 2012 - Swiss Philosophical Preprints.details
|
|
Types, Tokens, and Talk about Musical Works.Julian Dodd & Philip Letts - 2017 - Journal of Aesthetics and Art Criticism 75 (3):249-263.details
|
|
(1 other version)A pragmatic approach to the identity of works of art.Julie C. van Camp - 2006 - Journal of Speculative Philosophy 20 (1):42-55.details
|
|
Attempting art: an essay on intention-dependence.Michel-Antoine Xhignesse - 2017 - Dissertation, Mcgill Universitydetails
|
|
Is a kantian Musical Formalism Possible?Thomas J. Mulherin - 2016 - Journal of Aesthetics and Art Criticism 74 (1):35-46.details
|
|
Descriptivism and Its Discontents.David Davies - 2017 - Journal of Aesthetics and Art Criticism 75 (2):117-129.details
|
|
The Aesthetics of Electronic Dance Music, Part II: Dancers, DJs, Ontology and Aesthetics.Nick Wiltsher - 2016 - Philosophy Compass 11 (8):426-436.details
|
|
Gretchenfragen an den Naturalisten.Gerhard Vollmer - 2012 - Philosophia Naturalis 49 (2):239-291.details
|
|
“The Two Brothers”: Reconciling Perceptual-Cognitive and Statistical Models of Musical Evolution.Steven Jan - 2018 - Frontiers in Psychology 9.details
|
|
Sound and Notation: Comparative Study on Musical Ontology.So Jeong Park - 2017 - Dao: A Journal of Comparative Philosophy 16 (3):417-430.details
|
|
Historically Uninformed Views of Historically Informed Performance.Matteo Ravasio - 2019 - Journal of Aesthetics and Art Criticism 77 (2):193-205.details
|
|
The Emergence of Sound Art: Opening the Cages of Sound.Carmen Pardo - 2017 - Journal of Aesthetics and Art Criticism 75 (1):35-48.details
|
|
Every Performance Is a Stage: Musical Stage Theory as a Novel Account for the Ontology of Musical Works.Caterina Moruzzi - 2018 - Journal of Aesthetics and Art Criticism 76 (3):341-351.details
|
|
Aspectos musicales en la crítica deleuziana de la representación.Guadalupe Lucero - 2018 - Endoxa 41:258.details
|
|
Tres ratones ciegos: Goodman, McLuhan y Adorno sobre el arte de la música y del escuchar en la época de la transmisión global.Lydia Goehr - 2012 - Enrahonar: Quaderns de Filosofía 49:121-154.details
|
|
Works, recordings, performances : classical, rock, jazz.Andrew Kania - 2008 - In Mine Doğantan (ed.), Recorded music: philosophical and critical reflections. London: Middlesex University Press.details
|
|
Work(s) and (Non)production in Contemporary Movement Practices.Hetty Blades - 2016 - Performance Philosophy 2 (1):35-48.details
|
|