This book provides the first detailed account of Gramsci's work in the context of current critical and socio-cultural debates. Renate Holub argues that Gramsci was ahead of his time in offering a theory of art, politics and cultural production. Gramsci's achievement is discussed particularly in relation to the Frankfurt School (Adorno, Horkheimer, Benjamin, Bloch, Habermas), to Brecht's theoretical writings and to thinkers in the phenomenological tradition especially Merleau-Ponty. She argues for Gramsci's continuing relevance at a time of retreat from Marxist (...) positions on the postmodern left. Antonio Gramsci is distinguished by its range of philosophical grasp, its depth of specialized historical scholarship, and its keen sense of Gramsci's position as a crucial figure in the politics of contemporary cultural theory. (shrink)

I reviewThe Philosophy of Praxisby Andrew Feenberg, firstly, presenting a critical yet sympathetic summary of Feenberg’s argument, developed via Marx, Lukács and Marcuse. Despite sharing Adorno’s and Marcuse’s dismissal of proletarian revolution, he finds aspects of Marx and particularly Lukács compelling. Upon this synthesis he builds his own philosophy. Secondly, I argue that Feenberg’s treatment of Lukács’s 1920s work is unparalleled and may counter the systematic distortion to which it has been subject. He defends Lukács’s ontology with respect to nature (...) and his politics, countering the charge of authoritarianism. Finally, I suggest that Feenberg tends to elide the analysis of the state and politics in Marx and Lukács, and that this distorts his understanding of the latter. I suggest a Hegelian interpretation of Lukács’s concept of mediation by way of parallel withThe Phenomenology of Spirit. I conclude by suggesting the implications of this disagreement. (shrink)

The underlying assumption of Lukács’ History and Class Consciousness is that “history” can be understood as a unified and meaningful meta-narrative, which can be read along the lines of a realist novel. Although the future is not guaranteed, the present contains “objective possibilities” which can be identified and realized through activist intervention in the world by those who are destined to “make” history, the proletariat. In the intervening century since the Russian Revolution, it has become impossible to read “history” as (...) a singular, triumphalist story leading to human emancipation or identify any one group as its subjective agent. To salvage the revolutionary potential of Lukács’ work, it has been read instead in terms of “fidelity to the Event” by such latter-day Leninists as Alain Badiou and Slavoj Žižek. But their recourse to a meta-historical notion of pre-figuration and future realization is itself no less beholden to a literary or rhetorical device, that of figura, which was traced by Erich Auerbach in originally religious terms. (shrink)

This article examines different intellectual-historical approaches to the work of Georg Lukács, arguing that a methodology similar to that of the Cambridge School is, curiously, that most in line with Lukács’s own approach. I begin with some general methodological comments on intellectual history, before showing that a proper appreciation of the discourses within which Lukács was situated is essential to understanding both the specifics and the overall project of History and Class Consciousness. Finally, I argue that situating thinkers like Lukács (...) properly within their time does not reduce them to museum pieces; rather, by seeking to capture the alterity of the past without reducing it to familiarity, we may de-reify our own world-views. (shrink)