- Beyond Resemblance.Gabriel Greenberg - 2013 - Philosophical Review 122 (2):215-287.details
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Marxism, Art and the Histories of Latin America: An Interview with David Craven.Angela Dimitrakaki - 2012 - Historical Materialism 20 (3):116-134.details
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Objective Similarity and Mental Representation.Alistair M. C. Isaac - 2013 - Australasian Journal of Philosophy 91 (4):683-704.details
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La Perception Du Mouvement Dans L'Image Picturale.Geneviève Crabbé-Declève & Marie-Claude Jean-De Koninck - 1974 - Journal of Phenomenological Psychology 4 (2):425-444.details
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What Is the Object of Art?Andrew Benjamin - 2023 - Journal of Aesthetics and Phenomenology 9 (1):1-15.details
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How designers work - making sense of authentic cognitive activities.Henrik Gedenryd - 1998 - Dissertation, Lund Universitydetails
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Inferring Master Painters' Esthetic Biases from the Statistics of Portraits.Hassan Aleem, Ivan Correa-Herran & Norberto M. Grzywacz - 2017 - Frontiers in Human Neuroscience 11.details
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Vom „Chaos der Farben“ zum blot. Konzepte von Bilderfindung und Gedächtnis bei Alexander Cozens und Samuel van Hoogstraten.Miriam Volmert - 2012 - Flusser Studies 14 (1).details
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Asimetrije jezika in vida. Uvod v filozofijo umetnosti.Miško Šuvaković - 1996 - Filozofski Vestnik 17 (2).details
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The Triadic Roots of Human Cognition: “Mind” Is the Ability to go Beyond Dyadic Associations.Norman D. Cook - 2018 - Frontiers in Psychology 9:293649.details
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Substitution by Image: The Very Idea.Jakub Stejskal - 2019 - Journal of Aesthetics and Art Criticism 77 (1):55-66.details
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Crying Hegel in Art History.Ian Verstegen - 2016 - Journal of Critical Realism 15 (2):107-121.details
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Mirrors and Misleading Appearances.Vivian Mizrahi - 2019 - Australasian Journal of Philosophy 97 (2):354-367.details
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“Pani z pieskiem” (“Lady with Pooch”): Ludwik Fleck’s uses of images in his epistemological works.Kamola Jadwiga - 2016 - Transversal: International Journal for the Historiography of Science 1:79-87.details
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(1 other version)For the Love of Art: Artistic Values and Appreciative Virtue.Matthew Kieran - 2012 - Royal Institute of Philosophy Supplement 71:13-31.details
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Communication advantages of line drawings.Roberto Casati & Alessandro Pignocchi - unknowndetails
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The Emergence of a Visual Language for Geological Science 1760—1840.Martin J. S. Rudwick - 1976 - History of Science 14 (3):149-195.details
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Artworks as dichotomous objects: implications for the scientific study of aesthetic experience.Robert Pepperell - 2015 - Frontiers in Human Neuroscience 9:146700.details
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Listening to the Shepard-Risset Glissando: the Relationship between Emotional Response, Disruption of Equilibrium, and Personality.Eveline Vernooij, Angelo Orcalli, Franco Fabbro & Cristiano Crescentini - 2016 - Frontiers in Psychology 7.details
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Seeing-In as Aspect Perception.Fabian Dorsch - 2016 - In Gary Kemp & Gabriele M. Mras (eds.), Wollheim, Wittgenstein, and Pictorial Representation: Seeing-as and Seeing-In. New York: Routledge.details
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Book Reviews. [REVIEW]Lee Wilkins, Ai Zhang, Elizabeth A. Skewes, Steve LeBeau & Lindsay Becker - 2006 - Journal of Mass Media Ethics 21 (2-3):229-241.details
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Explaining depiction : recent debates in the philosophy of pictorial representation.Chi Kei Leung - unknowndetails
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Educating the design stance: Issues of coherence and transgression.Norman H. Freeman & Melissa L. Allen - 2013 - Behavioral and Brain Sciences 36 (2):141 - 142.details
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Introduction: Varieties of Iconicity.Valeria Giardino & Gabriel Greenberg - 2015 - Review of Philosophy and Psychology 6 (1):1-25.details
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European Thinking and the Study of World Art from a Natural Perspective.Ancuta Mortu - 2018 - Espes 7 (2):43-50.details
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The Role of Historians of Science in Contemporary Society.Joseph Agassi - 2014 - Acta Baltica Historiae Et Philosophiae Scientiarum 2 (2):5-19.details
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The Unassimilable Image.Tim O'Riley - 2016 - Flusser Studies 22 (1).details
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