The aim of this article is to establish—and explore—James Baldwin’s significance for educational theory. Through a close reading of ‘Everybody’s Protest Novel’, I show that Baldwin’s thinking is an important precursor to the work of Stanley Cavell and Cora Diamond, and is relevant to a number of problems that are educationally significant, in particular problems of race and racism.

Ralph Ellison offers crucial insight into the meaning of conscientious citizenship in American democracy. In doing so, he follows his nineteenth-century Transcendentalist forebears--Emerson, Thoreau, and Whitman--who have become key figures in contemporary efforts to theorize liberal democratic character. At the center of Emersonian ethics is the idea of " awakening." " Awakening " is the Emersonians' name for honest and courageous confrontation with reality. Ellison broadens the Emersonians' vision by insisting that one cannot be "well awake" in America without confronting (...) the ways historical white supremacy shapes one's identity and chances in life. Political theorists who draw inspiration from the Emersonians in theorizing democratic individuality need to pay attention to Ellison--for he demonstrates that one cannot achieve democratic individuality without awakening to race. (shrink)

Stefan Ramaekers and Joris Vlieghe’s ‘Infants, childhood and language in Agamben and Cavell: education as transformation’ is an insightful discussion of an important facet of educational experience. In the article, they consider a Fred Astaire dance sequence from the 1953 Vincente Minnelli film, The Band Wagon, in combination with a remarkable article about this same sequence by Stanley Cavell. On the strength of this, they develop an interesting line of thought regarding the experience of language, exploring connections between the ideas (...) of Cavell and Agamben. Rich and thought-provoking though their discussion is, I find that it deflects attention from the most important aspects of the film sequence and the literature that has developed in response – specifically regarding questions of race and praise. The present discussion attempts to address these matters. (shrink)

Philosophy & Social Criticism, Volume 48, Issue 6, Page 860-881, July 2022. This article aims to rewrite Emerson’s moral perfectionism – his anti-foundationalist pursuit of an always more perfect state of self and society – onto his moral and intellectual participation in the abolitionist movement. I argue that Cavell artificially separated Emerson’s moral perfectionism from his extensive, decades-long abolitionism. The source of Cavell’s oversight is his participation in the long-standing norm of dichotomizing Emerson’s work into the theoretical ‘essays’ and the (...) ‘anti-slavery writings’ or the philosophical and the polemical. Recent scholars of Emerson have questioned and even dismissed this dichotomy, however, while recentring Emerson’s politics in his oeuvre as a whole. They find much to praise, and also plenty to criticize, in Emerson’s abolitionist writings. I follow and extend that scholarly trend here and introduce what I call Emerson’s abolitionist perfectionism as an expansion of Cavell’s influential work on moral perfectionism. (shrink)