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Aesthetic knowledge

Philosophical Studies 179 (8):2507-2535 (2022)

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  1. Consciousness is Sublime.Takuya Niikawa - forthcoming - Ergo: An Open Access Journal of Philosophy.
    Does consciousness have non-instrumental aesthetic value? This paper answers this question affirmatively by arguing that consciousness is sublime. The argument consists of three premises. (1) An awe experience of an object provides prima facie justification to believe that the object is sublime. (2) I have an awe experience about consciousness through introspecting three features of consciousness, namely the mystery of consciousness, the connection between consciousness and well-being, and the phenomenological complexity of consciousness. (3) There is no good defeater of the (...)
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  • Replies to Leite, Shaw, and Campbell.Eric Marcus - 2024 - Philosophy and Phenomenological Research 108 (3):858-868.
    Philosophy and Phenomenological Research, EarlyView.
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  • Knowing what you Want.Eric Marcus - forthcoming - In Lucy Campbell (ed.), Forms of Knowledge. Oxford.
    How do you know what you want? Philosophers have lately developed sophisticated accounts of the practical and doxastic knowledge that are rooted in the point of view of the subject. Our ability to just say what we are doing or what we believe—that is, to say so authoritatively, but not on the basis of observation or evidence—is an aspect of our ability to reason about the good and the true. However, no analogous route to orectic self-knowledge is feasible. Knowledge of (...)
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  • Aesthetic Peerhood and the Significance of Aesthetic Peer Disagreement.Quentin Pharr & Clotilde Torregrossa - 2024 - Southern Journal of Philosophy:1-20.
    Both aestheticians and social epistemologists are concerned with disagreement. However, in large part, their literature has yet to overlap substantially in terms of discussing whether there are viable conceptions of aesthetic peerhood and what the significance of aesthetic peer disagreement might be as a result. This article aims to address this gap. Taking cues from both the aesthetics and social epistemological literature, it develops several conceptions of aesthetic peerhood that are not only constituted by various forms of cognitive peerhood and (...)
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  • Disinterested Pleasure and Beauty: Perspectives from Kantian and Contemporary Aesthetics.Larissa Berger (ed.) - 2023 - Boston: De Gruyter.
    The conception of disinterested pleasure is not only central to Kant’s theory of beauty but also highly influential in contemporary philosophical discourse about beauty. However, it remains unclear, what exactly disinterested pleasure is and what role it plays in experiences of beauty. This volume sheds new light on the conception of disinterested pleasure from the perspectives of both Kant scholarship and contemporary aesthetics. In the first part, the focus is on Kant’s theory of beauty as grounded on the conception of (...)
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  • Aesthetic Judgment.Nick Zangwill - 1995 - In Edward N. Zalta (ed.), Stanford Encyclopedia of Philosophy. Stanford University.
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  • What Does Pleasure Want?Uku Tooming - forthcoming - Phenomenology and the Cognitive Sciences:1-17.
    Some philosophers and psychologists share an assumption that pleasure is by nature such that when an experience is pleasurable, an agent is motivated to continue having that experience. In this paper, I dispute this assumption. First, I point out how it does not make sense of the wanting-liking distinction in motivational neuroscience. Second, I present as a counterexample what I call’dynamic pleasure’ which does not motivate retaining one’s focus on the object of original experience but motivates an exploration of other (...)
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  • The Aesthetic Enkratic Principle.Irene Martínez Marín - 2023 - British Journal of Aesthetics 63 (2):251–268.
    There is a dimension of rationality, known as structural rationality, according to which a paradigmatic example of what it means to be rational is not to be akratic. Although some philosophers claim that aesthetics falls within the scope of rationality, a non-akrasia constraint prohibiting certain combinations of attitudes is yet to be developed in this domain. This essay is concerned with the question of whether such a requirement is plausible and, if so, whether it is an actual requirement of aesthetic (...)
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  • (1 other version)Must Reasons Be Either Theoretical or Practical? Aesthetic Criticism and Appreciative Reasons.Keren Gorodeisky - 2022 - Australasian Journal of Philosophy 100 (2):313-329.
    ABSTRACT A long debate in aesthetics concerns the reasoned nature of criticism. The main questions in the debate ask whether criticism is based on reasons, whether critics communicate reasons for their audience’s responses, and, if so, how to understand these critical reasons. I argue that a great obstacle to making any progress in this debate is the deeply engrained assumption, shared by all sides of the debate, that reasons can only be either theoretical reasons or practical reasons. My aims are (...)
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