Results for 'Clotilde Torregrossa'

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Clotilde Torregrossa
University of St. Andrews
  1.  24
    Remember the Medium! Film, Medium Specificity, and Response-Dependence.Clotilde Torregrossa - 2020 - Dissertation, University of St. Andrews
    Medium specificity is a theory, or rather a cluster of arguments, in aesthetics that rests on the idea that media are the physical material that makes up artworks, and that this material contains specific and unique features capable of 1) differentiating media from one another, and 2) determining the aesthetic potential and goals of each medium. As such, medium specificity is essential for aestheticians interested in matters of aesthetic ontology and value. However, as Noël Carroll has vehemently and convincingly argued, (...)
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  2.  38
    Clotilde Calabi, Passioni e ragioni. Un itinerario nella filosofia della psicologia,. [REVIEW]Sergio Volodia Marcello Cremaschi - 1997 - Rivista di Filosofia Neo-Scolastica 89 (4):690-691..
    A review of Calabi's work on the emotions. The author chooses to remain neutral with respect to the theoretical options currently adopted in the philosophy of mind: reductionism and functionalism. This choice makes it easier to stress the intentional dimension of emotions and to shed light on the bodily dimension of the emotional life.
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  3.  48
    Mirrors, Windows and Paintings.Calabi Clotilde, Huemer Wolfgang & Santambrogio Marco - forthcoming - Estetika.
    What do we see in a mirror? There is an ongoing debate whether mirrors present us with images of objects or whether we see, through the mirror, the objects themselves. Roberto Casati has recently argued that there is a categorical difference between images and mirror-reflections. His argument depends on the observation that mirrors, but not paintings, are sensitive to changes in the observer’s prospective. In our paper we scrutinize Casati’s argument and present a modal argument that shows that it cannot (...)
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