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  1. Philosophy and Memory Traces: Descartes to Connectionism.John Sutton - 1998 - New York: Cambridge University Press.
    Philosophy and Memory Traces defends two theories of autobiographical memory. One is a bewildering historical view of memories as dynamic patterns in fleeting animal spirits, nervous fluids which rummaged through the pores of brain and body. The other is new connectionism, in which memories are 'stored' only superpositionally, and reconstructed rather than reproduced. Both models, argues John Sutton, depart from static archival metaphors by employing distributed representation, which brings interference and confusion between memory traces. Both raise urgent issues about control (...)
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  • Godly Men and Mechanical Philosophers: Souls and Spirits in Restoration Natural Philosophy.Simon Schaffer - 1987 - Science in Context 1 (1):53-85.
    The ArgumentRecent historiography of the Scientific Revolution has challenged the assumption that the achievements of seventeenth-century natural philosophy can easily be described as the ‘mechanization of the world-picture.’ That assumption licensed a story which took mechanization as self-evidently progressive and so in no need of further historical analysis. The clock-work world was triumphant and inevitably so. However, a close examination of one key group of natural philosophers working in England during the 1670s shows that their program necessarily incorporated souls and (...)
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  • The Analogy between Light and Sound in the History of Optics from the Ancient Greeks to Isaac Newton. Part 1.Olivier Darrigol - 2010 - Centaurus 52 (2):117-155.
    Analogies between hearing and seeing already existed in ancient Greek theories of perception. The present paper follows the evolution of such analogies until the rise of 17th century optics, with due regard to the diversity of their origins and nature but with particular emphasis on their bearing on the physical concepts of light and sound. Whereas the old Greek analogies were only side effects of the unifying concepts of perception, the analogies of the 17th century played an important role in (...)
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  • Robert Hooke's Trinity College 'Musick Scripts', his music theory and the role of music in his cosmology.J. C. Kassler & D. R. Oldroyd - 1983 - Annals of Science 40 (6):559-595.
    (1983). Robert Hooke's Trinity College ‘Musick Scripts’, his music theory and the role of music in his cosmology. Annals of Science: Vol. 40, No. 6, pp. 559-595.
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  • Newton and music: From the microcosm to the macrocosm.Penelope Gouk - 1986 - International Studies in the Philosophy of Science 1 (1):36 – 59.
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  • Material doubts: Hooke, artisan culture and the exchange of information in 1670s London.Rob Iliffe - 1995 - British Journal for the History of Science 28 (3):285-318.
    In this paper I analyse some resources for the history of manipulative skill and the acquisition of knowledge. I focus on a decade in the life of the ‘ingenious’ Robert Hooke, whose social identity epitomized the mechanically minded individual existing on the interface between gentleman natural philosophers, instrument makers and skilled craftsmen in late seventeenth-century London. The argument here is not concerned with the notion that Hooke had a unique talent for working with material objects, and indeed my purpose is (...)
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  • Performance practice: music, medicine and natural philosophy in Interregnum Oxford.Penelope Gouk - 1996 - British Journal for the History of Science 29 (3):257-288.
    A generation or so ago, scholarly discussion about the creation of new scientific knowledge in seventeenth-century England was often framed in terms of the respective contributions of scholars and practitioners, the effects of their training and background, the relative importance of the universities compared with London, and of the role of external and internal factors, and so forth. These discourses have now largely been put aside in favour of those emphasizing spatial metaphors and models, which are recognized as powerful conceptual (...)
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  • Mechanism and activity in the scientific revolution: The case of Robert Hooke.Mark E. Ehrlich - 1995 - Annals of Science 52 (2):127-151.
    Recent ‘revisionist’ studies of the Scientific Revolution have utilized Robert Hooke as an example of a mechanical philosopher who incorporated active principles in his world system. This paper carefully examines Hooke's natural philosophy in order to determine the extent to which he employed active agents in his work. Thorough investigation reveals that although Hooke sometimes refrained from offering causal explanations of the phenomena he studied, there is no solid evidence that he believed active principles were at work in nature. Rather, (...)
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