Through an examination of his remarks on Genesis, chapters 2–3, I will demonstrate that Spinoza’s argument for sexual inequality is not only an aberration,but a symmetrical inversion of a view he propounds, albeit implicitly, in his Ethics. In particular, “the black page” of his Political Treatise ignores, along with the intellectual capacities of women, the immeasurable benefits of affectionate partnership between a man and a woman that he extols in his retelling of the Genesis narrative. If the doctrine of the (...) black page maintains that it is the dependency of wives upon their husbands that explains their weakness and justifies their exclusion from formal roles in politics, his unusual narrative of the Fall illustrates that it is precisely Adam's lack of appreciation of his need for his wife that accounts for his imbecility. (shrink)

This paper examines Spinoza's remarks on women in the Political Treatise in the context of his views in the Ethics about human community and similitude. Although these remarks appear to exclude women from democratic participation on the basis of essential incapacities, I aim to show that Spinoza intended these remarks not as true statements, but as prompts for critical consideration of the place of women in the progressive democratic polity. In common with other scholars, I argue that women, in Spinoza's (...) system, are deprived of freedom and political participation not by their essential natures, but by their social and historical circumstances. I differ from other scholars, however, in basing this conclusion on the different critical functions of the Political Treatise and the Ethics. Following that critical comparison, I consider Spinoza's views on the `natural right' of women and their equal capacity for political participation in terms of his arguments for the compositional similarity of men and women. Finally, I argue that Spinoza offers an explanation for women's actual disempowerment through his account of economic dependence within marriage. (shrink)

In this article, I trace lines of materialist pedagogies in the history of women workers’ education following feminist interpretations of Spinoza’s assemblage of joyful affects. More particularly, I focus on the notions of laetitia [joy], gaudium [gladness] and hilaritas [cheerfulness] as entanglements of joy and trace their expression in practices and discourses inscribed in archival documents that I have reassembled around the theme of women workers’ education. My reading of Ethics follows a range of feminist thinkers that have engaged with (...) Spinoza’s ‘ethics of joy’ in education and beyond. The article draws on extensive archival work with personal auto/biographical documents and public essays of women workers/educators/writers in Paris and New York that span the period between 1830 and 1950. What I argue is that it is the experience of creative and radical education that has created a platform for workers to re-imagine themselves in the world with others. (shrink)