In this paper, I offer a new interpretation of Margaret Cavendish’s remarks on beauty. According to it, Cavendish takes beauty to be a real, response-independent quality of objects. In this sense, Cavendish is an aesthetic realist. This position, which remains constant throughout her philosophical writings, contrasts with the non-realist views that were soon after to dominate philosophical reflections on matters of taste in the early modern period. It also, I argue, contrasts with the realism of Cavendish’s contemporary, Henry More. While (...) there are passages in Cavendish’s work that might seem to count against my reading—specifically, passages on disagreement in aesthetic judgement, on the power of beauty to elicit the passions, and on our inability to specify the nature of beauty—I show that, when situated against the background of Cavendish’s broader metaphysical and epistemological views, those passages in fact support the realist interpretation. (shrink)

I argue that it is rational and appropriate for atheists to give thanks to deep impersonal agents for the benefits they give to us. These agents include our evolving biosphere, the sun, and our finely-tuned universe. Atheists can give thanks to evolution by sacrificially burning works of art. They can give thanks to the sun by performing rituals in solar calendars. They can give thanks to our finely-tuned universe, and to existence itself, by doing science and philosophy. But these linguistic (...) types of thanks-giving are forms of non-theistic contemplative prayer. Since these behaviors resemble ancient pagan behaviors, it is fair to call them pagan. Atheistic paganism may be part of an emerging ecosystem of naturalistic religions. (shrink)

In my paper, I dispute Christian Hengstermann’s analysis of More’s philosophical system as a form of panentheistic panpsychism in which matter is alive by virtue of being the last emanation from God. I show that, in his mature period, More explicitly rejected such an emanationist doctrine and attributed the non-mechanical powers of matter to an outside immaterial principle, the Spirit of Nature. Ultimately, this leads to a system in which divine space, the Spirit of Nature and the spirit of God (...) are representations of various aspects of the divine essence, as it is at work in the world. On the other hand, matter is not part of this triadic structure and can only be said to be alive at the cost of a rather counterintuitive redefinition of the notion of “life”. (shrink)