This paper explores the influence of transpersonal thinking, including the mythological perspective of Joseph Campbell and the holotropic perspective of Stanislav Grof, on actor training using the neutral mask. An outline of training in the neutral mask is given, focusing on the approach of David Latham, as experienced by the author in his own training. Points of correspondence with the vision of Campbell and Grof, and their influence, are discriminated and discussed. These correspondences open up two areas of inquiry: the (...) transformative effect of the mask work when conducted in a transpersonally-oriented set, and the use of the neutral mask as an approach to the study of myth and archetype. Both are discussed, and some preliminary conclusions drawn based on experiences reported by student-actors and the author’s observations during his own research and his practice as actor and teacher. (shrink)

The aim of this paper is to tease out from the New Age religion and religious transpersonal psychology a more relational spirituality. Humanistic and transpersonal psychologies were important forces in the emergence of the social phenomenon of the New Age. New Age transpersonalism leans toward a restrictive non-relational spirituality because of its historical affirmation of individualism and transcendence. Relational spirituality, which is central to the emerging participatory paradigm, swims against strong and popular currents in New Age transpersonal thinking which tend (...) to see spirituality as an individual, personal, inner pursuit, often into Eastern/Oriental nondualism. Whatever the merits of impersonal Advaita Vedanta or Buddhism—and there are of course merits—these are categorically not relational spiritualities. (shrink)

Though the relation of spirituality to self has long been recognized in established spiritual and religious systems, serious scientific interest in spirituality and its relation to identity has only started to grow in the past 20 years. This paper overviews the literature on spirituality and identity. Particular attention is given to describing and critiquing conventional and transpersonal perspectives with emphasis given to empirically testable theories. Using MacDonald’s five dimensional model of spirituality, a structural model of spirituality is proposed as is (...) a model of spiritual identity formation. (shrink)

This paper is based on a piano piece commissioned by the British and Ireland School of Feminist Theology for its anniversary conference. It interrogates the situations in which the sections of the piece were created through the lens of conceptions of failure. It explores religious experience and identity in mental health contexts and the development of groups associated with Feminist Theology over the past 20 years. It examines the repression of the feminine, the place of anger in religion and therapy (...) and its relation to a theology of the crucifixion and the processes of forgiveness. It integrates poetry into its text and sets out the role of the arts in process theology. (shrink)