It has not been sufficiently emphasized that there existed two kinds of modification theory of colours, Aristotle's modification theory and Descartes-Hook's modification theory. This seems to have caused some confusion in the interpretation of the optical controversy between Newton and Hooke in 1672. The aim of the present paper is to prove that these two kinds of modification theory really coexisted, and on that basis to present a new interpretation of the optical controversy of 1672. The characteristics and the historical (...) role of each of these theories will be described. Newton's colour theory was formed under the influence of Aristotle's modification theory, which had been disseminated through the work of an English Gassendist, Walter Charleton. Newton's optical theories were created not only under the influence of Descartes, as we have been often told, but also under the conspicuous influence of corpuscular philosophers. (shrink)

While Newton tried to make his telescope into a proof of the supremacy of his theory of colours over older theories, his instrument was welcomed as a way to shorten telescopes, not as a way to solve the problem of chromatic aberration. This paper argues that the image published together with the report on Newton’s telescope in Philosophical Transactions (1672) encouraged this reception. The differences between this visualization and other images of Newton’s telescope, especially that published in Opticks (1704), are (...) discussed. This paper shows that the image in Opticks adopted characteristics of a Cartesian program of visualization of machines and instruments which complemented a rhetoric which attributed primacy to theory over practice. The differences between the images in Philosophical Transactions and Opticks are also considered within the broader institutional context of Newton’s attitude towards the Royal Society. (shrink)