"I have a tree, which grows here in my close, / That mine own use invites me to cut down, / And shortly I must fell it" (Shakespeare 2001, 168)—Timon's lament, which in Shakespeare's rendition occurs shortly before its utterer's demise "upon the beached verge of the salt flood" (2001, 168) beyond the perimeter of Athens, is an indictment of the nature that Timon finds unable to escape. Having given away his wealth in misguided generosity to a host of parasitic (...) sycophants, Timon turns misanthropic when his "friends" reject his requests for help in kind to repay his debts, eventually exiling himself from the city with the intent of sustaining himself on nothing but water and roots. Yet he soon finds that removing .. (shrink)

Benjamin's fragment 'Capitalism as Religion', written in 1921, was only published several decades after his death. Its aim is to show that capitalism is a cultic religion, without mercy or truce, leading humanity to the 'house of despair'. It is an astonishing document, directly based on Max Weber's Protestant Ethic and the Spirit of Capitalism, but – in ways akin to Ernst Bloch or Erich Fromm – transforming Weber's 'value-free' analysis into a ferocious anticapitalist argument, probably inspired by Gustav Landauer's (...) romantic and libertarian socialism. This article analyses Benjamin's fragment and explores its relationship to Weber's thesis, as well as to the tradition of romantic anticapitalism. (shrink)

Este trabajo se propone analizar la relación entre teología y política en el pensamiento de Ernst Bloch y Walter Benjamin, particularmente en los inicios de la década del veinte, período en el que ambos encuentran en el mesianismo una respuesta política frente a la crisis que enfrentaba Alemania. El marco de discusión se plantea a partir de Thomas Münzer, teólogo de la revolución [1921] de Bloch, en vistas de cotejarlo con los escritos de Benjamin de la época. Se pondrá a (...) prueba la hipótesis de que sus reapropiaciones del mesianismo convergen en sus consideraciones sobre la historia, aunque no obturan sus diferencias en relación al sujeto histórico; éstas se traducen en distancias políticas que dan cuenta del escenario heterogéneo al interior de la izquierda alemana en el período 1920-1921. (shrink)

Cet article examine les liens entre, pour l’aspect technique, le plan séquence et le montage, et, pour l’aspect philosophico-historique, la vie quotidienne et la politique mondiale, du point de vue d’une profanation capable de désamorcer la puissance et avec une attention particulière portée à l’unique film expérimental de Pasolini : La sequenza del fiore di. Ce court métrage n’a pas seulement un statut spécial dans la filmographie de Pasolini, il marque aussi un tournant du tragique vers un ton comique/pessimiste de (...) son cinéma profanateur. Cet article révèle aussi une réception inattendue de Heidegger, par l’intermédiaire du marxisme heideggerien de Karel Kosik et d’une conception benjaminienne du profane fondée sur l’idée de bonheur. (shrink)

The lost opportunity is overwhelming, an exigence in the full sense—a recollection of that which can only remain forgotten. In the midst of the storm, what to do now? If this is the question with which Walter Benjamin began, in a poem published in 1910 under the pseudonym "Ardor," it is one over which he kept a solemn vigil, rarely letting it slip from view, even as the border closed in the months not long after he rendered Klee's 1920 painting, (...) Angelus Novus, into the emblem of a critique that seeks the "shard of weak messianic power" that comes to recognizability only in a history "filled full by now-time [Jetztzeit]" (2011, 22-23; 2003, 395). A hope then, a feeling that even as the storm from paradise blows .. (shrink)

This article focuses on two different styles of profanation in Spinoza and Badiou. Notwithstanding the significant differences between them, their shared desire for profanation testifies to an interesting convergence. I deal with this convergence in divergence as a case of disjunctive synthesis through a comparison of the different understandings of religion in Spinoza and Badiou’s truth procedures. It is commonly held that Spinoza operates with three understandings of religion. But I argue that Spinoza’s thought opens up the space for a (...) fourth understanding of ‘religion’. Then I discuss the formal similarity between Spinoza’s four religions and Badiou’s four truth procedures. I illustrate this discussion through two diagrams. I claim that Badiou’s truth procedures could be perceived as the Spinozist diagram’s re-entry into itself. (shrink)

El presente trabajo examina la reflexión de Walter Benjamin en torno a la categoría de “redención”, desarrollada principalmente en las tesis Sobre el concepto de historia. Para ello, en primer lugar llevaremos a cabo una reconstrucción de la crítica del “destino”, que Benjamin proyecta en los años veinte sobre el ámbito del derecho, la economía y, especialmente, la historia. La crítica a la lógica expiatoria del “destino” – elaborada en ensayos como Destino y carácter, Hacia la crítica de la violencia (...) o Capitalismo como religión – nos ofrecerá entonces una vía privilegiada para mostrar la estructura “dialéctica” de la redención, con la que Benjamin moviliza su anterior teoría del conocimiento contra la doctrina del progreso. (shrink)