The advent of logical positivism contributed to the sharp definitional demarcation between what we consider mythical (mythos) and what we take to be a true account (logos). This essay attempts to go back to one of the sources of such a supposed distinction. By analyzing the Gorgias, I will show that even Plato did not make such a distinction. In fact, Plato even constructed a theory of justice that made use of myth as its medium. The Platonic Myth in the (...) Gorgias was used as true logos in order to justify Socrates’ use of the myth as the paradigm of a life that is philosophical in contrast to that of his accusers who espoused mere sophistry. By using the concept of historia in relation with the concept of mythos, Plato regarded the futuristic afterlife in the myth as a sufficient condition to live a just life. This sufficient condition exemplified by the Myth in the Gorgias is a measuring rod by which we can compare our present system of justice. (shrink)

The inclusion of De astrologia in the Lucianic corpus has been disputed for centuries since it appears to defend astrological practices that Lucian elsewhere undercuts. This paper argues for Lucian’s authorship by illustrating its masterful subversion of a captatio benevolentiae and subtle rejection of Stoic astrological practices. The narrator begins the text by blaming phony astrologers and their erroneous predictions for inciting others to “denounce the stars and hate astrology” (ἄστρων τε κατηγοροῦσιν καὶ αὐτὴν ἀστρολογίην μισέουσιν, 2). The narrator assures (...) readers that he, the knowledgeable astrologer, will correct for the “stupidity and laziness” (ἀμαθίῃ καὶ ῥαθυμίῃ, ibid.) that bring about false predictions. The narrator’s credibility quickly decays when he attempts to recast Orpheus, Bellerophon, Icarus, Daedalus, and a host of other mythological figures as Greek astrologers. Lucian’s audience would expect such far-fetched interpretations of myth from the stereotypical Stoic philosopher, a character lampooned elsewhere in the Lucianic corpus. (shrink)

In this article, I analyze the role of Heracles' famous body in the representation of madness and its aftermath in Euripides' Heracles. Unlike studies of Trachiniae, interpretations of Heracles have neglected the hero's body in Euripides. This reading examines the eruption of that body midway through the tragedy as a part of Heracles that is daemonic and strange, but also integral to his identity. Central to my reading is the figure of the symptom, through which madness materializes onstage. Symptoms were (...) contested sites of interpretation in the late fifth century, supporting both conventional narratives about human suffering and new stories advanced by contemporary medicine and ethics. In exploring the imaginative possibilities of these new stories, I do not privilege a “secular” over a “divine” reading. Rather I aim to offer a model of interaction between medicine and tragedy that sees the cross-breeding of worldviews as productive of innovative drama. (shrink)

The role of analogy appears in surprisingly different areas of the first Critique. On the one hand, Kant considered the concept to have a specific enough meaning to entitle the principle concerned with causation an analogy; on the other hand we can find Kant referring to analogy in various parts of the Transcendental Dialectic in a seemingly different manner. Whereas in the Transcendental Analytic, Kant takes some time to provide a detailed (if not clear) account of the meaning of the (...) term ‘analogy’ and his reasons for his employment of it, in the Transcendental Dialectic on the other hand, Kant’s employment of the term seems far less technical. It would seem on the face of it, that Kant has two senses of ‘analogy’: one technical sense reserved for those constitutive principles of the understanding as laid out in the Analytic, and another casual and commonplace use of the term. This picture, although it contains elements of truth, is ultimately misleading. I argue for three claims in this paper. Firstly, I suggest that there can be found in the first Critique a unified conception of analogy. Secondly, I argue that Kant self-consciously differentiated his employment of analogy from the employment that can be found in many early modern philosophers, e.g. Locke. Thirdly, I will tentatively suggest that this interpretation of analogy can aid us in addressing certain contentious areas of transcendental idealism, most notably the account of causation. (shrink)

Kant’s chapter “On the Typic of the Pure Practical Power of Judgement” is one of the most obscure passages of the Critique of Practical Reason and it has often been regarded as a mere appendix. However, it deals with a fundamental question, namely, how can the pure practical law be applied to particular cases. In this paper, I would like to make an original contribution towards a better understanding of this chapter by comparing it to the Schematism chapter on the (...) basis of their analogical relation and suggesting how the reference to a sensus communis could help in solving the aim of the Typic chapter. (shrink)

The clinical empiricism of Thomas Sydenham (1624–1689) and his definition of especie morbosae represented a substantial turn in the medicine of his time. This turn supposed the shift towards an ontological conception of diseases, from a qualitative to quantitative interpretation. Sydenham’s clinical proposal had a great influence on empiricism philosophical thinking, particularly in John Locke and his delimitation of knowledge. The dialogue between medicine and philosophy, set out by Sydenham-Locke, reactivates the problem of the clinical and theoretical foundations of medical (...) thought, as well as the limits of scientific knowledge. Similar to problem exposed in the Hippocratic treatise On ancient medicine, seventeenth-century medicine seeks its epistemological foundations and the solution to its difficulties in clinical experience, probability and analogy. The aim of this work is to show the Sydenham’s contribution to one of the great controversies between medicine and philosophy. (shrink)

The article develops and justifies, on the basis of the epistemological argumentation theory, two central pieces of the theory of evaluative argumentation interpretation: 1. criteria for recognizing argument types and 2. rules for adding reasons to create ideal arguments. Ad 1: The criteria for identifying argument types are a selection of essential elements from the definitions of the respective argument types. Ad 2: After presenting the general principles for adding reasons (benevolence, authenticity, immanence, optimization), heuristics are proposed for finding missing (...) reasons, for deductive arguments, e.g., semantic tableaux are suggested. (shrink)

Modern logicians have sought to unlock the modal secrets of Aristotle's Syllogistic by assuming a version of essentialism and treating it as a primitive within the semantics. These attempts ultimately distort Aristotle's ontology. None of these approaches make full use of tests found throughout Aristotle's corpus and ancient Greek philosophy. I base a system on Aristotle's tests for things that can never combine (polarity) and things that can never separate (inseparability). The resulting system not only reproduces Aristotle's recorded results for (...) the apodictic syllogistic in the Prior Analytics but it also generates rather than assumes Aristotle's distinctions among 'necessary', 'essential' and 'accidental'. By developing a system around tests that are in Aristotle and basic to ancient Greek philosophy, the system is linked to a history of practices, providing a platform for future work on the origins of logic. (shrink)

One of the hardest questions to answer for a (Neo)platonist is to what extent and how the changing and unreliable world of sense perception can itself be an object of scientific knowledge. My dissertation is a study of the answer given to that question by the Neoplatonist Proclus (Athens, 411-485) in his Commentary on Plato’s Timaeus. I present a new explanation of Proclus’ concept of nature and show that philosophy of nature consists of several related subdisciplines matching the ontological stratification (...) of nature. Moreover, I demonstrate that for Proclus philosophy of nature is a science, albeit a hypothetical one, which takes geometry as its methodological paradigm. I also offer an explanation of Proclus’ view of what is later called the mathematization of physics, i.e. the role of the substance of mathematics, as opposed to its method, in explaining the natural world. Finally, I discuss Proclus’ views of the discourse of philosophy of nature and its iconic character. (shrink)

Cet article se propose d’étudier les procédés platoniciens de l’exemple, de l’analogie et du paradigme, en insistant à la fois sur leur distinction et sur leur articulation mutuelle. En ce qui concerne l’exemple, il convient d’en distinguer un usage dianoétique, que Platon proscrit, d’un usage proprement dialectique, qu’il encourage et qui peut avoir deux fonctions différentes : faire comprendre une question ou une méthode et faire saisir une structure. L’analogie au sens strict développe cette deuxième fonction, en la complexifiant parfois (...) (notamment dans le Gorgias et la République) par une dimension « constructive ». Reste que le but de l’analogie, comme celui de l’exemple, est avant tout de faire saisir des rapports ; et dans la mesure où ces rapports sont purement intelligibles, l’analogie peut elle aussi être considérée comme un procédé dialectique. Enfin, le paradigme tel qu’il est utilisé dans le Sophiste et le Politique développe les traits précédents au sein d’un dispositif très élaboré, qui a pour but essentiel de faire saisir une méthode susceptible d’être appliquée à ce qui fait l’objet de l’examen. En ce sens, il s’agit d’un prolongement de l’un des usages dialectiques des exemples que l’on trouve dès les premiers Dialogues. La pensée paradigmatique de Platon manifeste ainsi une grande continuité, qui repose sur une conception fondamentale : la dialectique, en tant que science suprême qui étudie les Idées, ne peut être décrite de l’extérieur, mais seulement se pratiquer. Cette pratique se prépare, non pas en commençant par se tourner vers le sensible, comme on l’écrit parfois, mais en se tournant vers des cas tout aussi intelligibles – en tant que rapports ou ensembles de rapports, c’est‑à‑dire structures –, quoique « plus faciles », afin de rendre le dialecticien ultimement capable d’examiner n’importe quel sujet. (shrink)

This paper provides a new interpretation of Plato’s account of justice as psychic health in Republic IV. It argues that what has traditionally been considered to be one single analogy is actually a more complex line of reasoning that contains various medical analogies. These medical analogies are not only different in number but also in kind. I discuss each of them separately, while providing a response to various objections.

This paper offers a new reading of Heraclitus fragment B90 (Diels-Kranz). It argues that we can enrich our understanding of the fragment by reading it, not as a primitive analogy, but as a skillful simile grounded both in the poetic tradition and in the cultural context that would have conditioned its significance for Heraclitus and his audience. Read in this way, B90’s evocation of a cosmos whose common measure parallels the common measure of the polis’ marketplace is not simply a (...) source of cosmological doctrine. It is also an epistemic challenge that threatens to undermine the very possibility of cosmology. (shrink)

Mon but est d’examiner en détail les arguments avancés par Vernant au début des années soixante du siècle dernier, quand il a caractérisé, selon une formule célèbre, la philosophie comme « fille de la Cité » (fille de la polis). Mon argument principal est que le concept d’isonomia, qui n’est central dans le débat politique athénien que depuis les dernières décennies du vie siècle, ne peut être aussi facilement utilisé pour rendre compte de la nouvelle conception de l’espace physique, qui (...) émerge à Milet au début de ce siècle. En tout cas, l’utilisation de modèles politiques dans la science grecque ancienne de la nature est un procédé conscient, comme je tente de le montrer en analysant certains textes célèbres comme le fragment 4 d’Alcméon et le fragment 1 d’Anaximandre. De plus, dans le cas d’Anaximandre on peut se demander si l’explanandum dans l’analogie était l’ordre du monde ou plutôt celui de la polis. (shrink)

From the older handbooks to the more recent scholarly literature, Gorgias's professions about his art are taken literally at their word: conjured up in all of these accounts is the image of a hearer irresistibly overwhelmed by Gorgias's apagogic and psychagogic persuasions. Gorgias's own description of his art, in effect, replaces our description of it. "His proofs... give the impression of ineluctability" . "Thus logos is almost an independent external power which forces the hearer to do its will" . "Incurably (...) deceptive," logos has an "enormous power" that acts upon opinion, which is "easy to change" . Surprisingly, the urge to describe or paraphrase Gorgias's art has caused commentators to overlook the very best witness of it that we have: its enactment, which is to say the performative value of Gorgias's writings, especially the speeches. For if Gorgias's literary remains do nothing else, they demonstrate how one can do things with words without being explicit about what is being done, even if this means contradicting, performatively, what is being said-as for instance in his statements, so unconvincingly made, about the ostensible aims of rhetoric. Was Gorgias persuasive in practice? Was persuasion even the goal? Is logos the solitary arbiter of reality that it is so often made out to be? Through close examination of Gorgias's Helen and parts of On Not-Being, I attempt to show that persuasion is manifestly not the goal of his arguments, which in the first instance are aporetic paradoxes that expose the difficulties of defining the nature of either language or reality, and which in the last instance are instruments of cultural demystification. The only deception at work in Gorgias's writings is that of the self-deception of their audience. It is this that gives these curiously revealing documents of fifth-century Greek culture their "dissuasive," not persuasive, character. (shrink)

This article utilizes Derrida's explorations of the archive in Archive Fever to debate the status of Greek myth as archive. It begins with out lining a conservative notion of the archive, particularly as it has been conceived by those whose object of study is myth. It ends with an interpretation of the myth of Cassandra that seeks to augment the archive, the archive that is now refigured in terms of metaphors of time and space. An archive has traditionally been considered (...) to be something to do with the past. In the case of myth, the archive is understood as the stories told by the ancient Greeks, which are separate from the cat egorization of those stories and explicit theories or ideas about them. This separation locates myth as something prior and organic, as the archive constituted as the object of study, and the interpretation as something secondary and derivative, a commentary on the archive, which is the thing that scholars do. But at what point does the past begin to be the past? Is Ovid's Metamorphoses part of the archive of Greek myth or a commentary upon it? What of Servius? Or Frazer? Or Freud? Or Bernal? Derrida's suggestion that the archive resides in the future perfect tense leads to a reformulation of the relationship between myth and interpretation, which relies what might be described as a typological model of knowledge. His question 'Where does the outside commence?' forces an examination of who has the right of appropria tion, an issue pertinent to the study of the history of the interpretation of myth. (shrink)

This dissertation explores Aristotle’s use of teleology as a principle of explanation, especially as it is used in the natural treatises. Its main purposes are, first, to determine the function, structure, and explanatory power of teleological explanations in four of Aristotle’s natural treatises, that is, in Physica (book II), De Anima, De Partibus Animalium (including the practice in books II-IV), and De Caelo (book II). Its second purpose is to confront these findings about Aristotle’s practice in the natural treatises with (...) the theoretical picture of the structure of teleological explanations gained from Aristotle’s theory of scientific demonstration. For this purpose a new interpretation of Analytica Posteriora II.11 is presented. This study thereby contributes to recent scholarship on the relation between Aristotle’s philosophy of science and his philosophy of nature, while at the same time adding to our knowledge of Aristotle’s notion of teleology in terms of its explanatory merits and limits. (shrink)

The paper provides an innovative interpretation of the treatise De Victu, showing that, though Heraclitean, Anaxagorean and Empedoclean borrowings in the work are certainly pervasive, the author also develops a sophisticated and multi-purpose explanatory framework, which, being based on an original conception of the nature of man, the cosmos and the relationship between the two, provides an effective foundation for the medical enterprise, allowing him to propose his dietetics as a ‘way of life’. At the core of this enterprise is (...) the relationship between microcosm and macrocosm: in virtue of this relationship, I submit, the cosmos becomes both an active factor to be taken into account for the maintenance of individual physical well-being and the normative standard to which a dietician and whoever cares about health must refer in order to live the healthiest possible life. (shrink)

This article seeks evidence of Herodotus's conception of his historical enterprise in the recurring scenes in which he portrays barbarian kings as inquirers and investigators. Through these scenes-involving most notably Psammetichus, Etearchus, Croesus, Cyrus, Cambyses, Darius, and Xerxes-the historian not only explores the character of autocrats, but also holds up a mirror to his own activity as inquirer. Once we recognize the metahistorical dimension of Herodotus's representation of inquiring kings, we can better understand the scenes in which these figures appear (...) and the historian who sees his own enterprise reflected or distorted in their efforts. I argue first that the tale of Darius's inquiry concerning the Paeonian wonder-woman is a paradigmatic Herodotean treatment of kingly inquiry in the way the historian both identifies with, and distances himself from, his kingly investigator. I then assess kingly research under three headings that reflect some of the many ways that Herodotean kings use and abuse investigation: Measurement and Self-Aggrandizement; Exploration and Conquest; Trial, Torture, and Test. Under the final rubric, kingly experiments are the focus, some involving human subjects , others involving the divine . Herodotus's extensive analysis of inquiring kings indicates that any earlier investigator-measurer, explorer, or experimenter-is a potential rival for him. If Herodotus is conscious that he is following in the footsteps of inquiring kings, however, his critique of their techniques and motives suggests that his inquiry is intellectually and ethically superior to theirs. Ultimately, then, Herodotus's exploration of regal investigation helps both to define and to lend authority to the historiê that he undertakes in the Histories. (shrink)

Cet article est consacré au fragment B23 d’Empédocle, où l’auteur met en relation la génération des espèces vivantes à partir des quatre éléments avec l’art pictural dont les productions résultent des divers mélanges d’un nombre limité de pigments. La première partie aborde la dimension heuristique de l’analogie dans le cadre du récit cosmologique, notamment la question de la correspondance entre comparans et comparandum. À l’intérieur de cette relation, un problème grammatical et théorique retient mon attention : alors que le sujet (...) et les verbes du fragment sont au pluriel, les procédés des peintres sont exprimés par des participes au duel. Ces duels ont souvent été interprétés comme des allusions aux deux puissances cosmiques d’Empédocle, l’Amour et la Haine. Prenant appui sur l’interprétation récente du cycle cosmique donnée par Oliver Primavesi, selon laquelle même dans la période où la Haine domine, l’Amour reste le principe de production des espèces mortelles, je propose d’interpréter les duels comme une allusion aux mains de Cypris, l’une des personnifications du pouvoir démiurgique de l’Amour. En ce sens, la lecture que je propose ici de l’analogie s’avère compatible avec les deux courants interprétatifs principaux de la zoogonie d’Empédocle (unique/double). Dans la deuxième partie de l’article, j’analyse l’écart réflexif que l’analogie des peintres introduit par rapport à deux formes de discours contemporaines d’Empédocle qui thématisent la question de la représentation : d’une part, la tradition lyrique, notamment Simonide et Pindare ; de l’autre, le poème philosophique de Parménide. (shrink)

Alors que l’analogie (qu’elle soit entendue au sens propre comme égalité de rapports ou au sens faible comme métaphore ou comparaison) est largement répandue dans la philosophie ancienne (chose évidente quand on lit les autres présocratiques, Platon et Aristote), Anaxagore ne fait usage d’aucun type d’analogie. Il met en revanche l’accent sur un autre type de relation que nous appellerons l’« homologie », terme par lequel nous entendons une relation d’identité entre deux choses. De plus, alors que l’analogie était habituellement (...) utilisée dans un but heuristique, nous verrons que l’homologie est à chaque fois révélée au moyen d’une inférence. Le but de cet article est d’essayer de montrer que ces deux faits sont liés et qu’Anaxagore a délibérément choisi de remplacer l’analogie par l’homologie afin de rendre manifeste, grâce à l’écriture, une loi universelle sous‑jacente aux phénomènes sensibles, à savoir l’irréductibilité du mélange universel, qui s’avère être un obstacle à l’activité de l’Intellect cosmique autant que sa condition de possibilité. (shrink)

This article considers the function and value of the mythos in Plato's Statesman. As first, I recall the context of the story and its function within the framework of diairetic inquiry about the definition of the real politician. Secondly, I point out that the formulation of the myth is based on a series of traditional stories to which a historical-reconstructive method is applied. I then highlight the ways of reasoning used by the characters in order to reconstruct a rational and (...) plausible account from the mythical tradition. Finally, I try to show that the story, even though it cannot reach the truth of the most stable objects of knowledge, displays a certain degree of plausibility, based on the internal coherence, on the respect of a series of principles admitted as true and, eventually, on its correspondence with the mythical tradition. (shrink)

This paper addresses the question of the relation between mortal and immortal time in the Iliad as it is represented by the physical act of falling. I begin by arguing that falling serves as a point of reference throughout the poem for a concept of time that is specifically human. It is well known that mortals fall at the moment of death in the poem, but it has not been recognized that the movement of the fall is also connected with (...) the time of birth, aging, and generation. In light of the significance of falling for mortals, I then go on to examine the problematic case of two particular immortals who fall in the Iliad. When Hephaestus tumbles down to earth from Olympus, and when Ares is knocked flat on the battlefield, both gods, I argue, also “fall into” human time. This complicates their status as ageless and eternal beings, and draws into question the different temporal registers at work in the narrative . The single action of falling brings together several key concepts in the poem which hinge on the issue of the separation between the mortal and immortal spheres in the Iliad. (shrink)

Contrary to the Aristotelian interpretation of Empedocles' views about cognition, according to which all cognition, like perception, is due to the compositional likeness between subject and object of cognition, this paper argues that when Empedocles says that we know one thing 'by' another (e.g. earth by earth or love by love), he is characterizing analogical reasoning, an intellectual activity quite different from perception (which is explained by the fit between effluences and pores). The paper also explores the idea that strife (...) and love describe, in addition to physical separation and composition, the mental activities of analyzing and composing. (shrink)

When the original Dutch version of this book was presented in 1971 to the University of Leiden as a thesis for the Doctorate in philosophy, I was prevented by the academic mores of that university from expressing my sincere thanks to three members of the Philosophical Faculty for their support of and interest in my pursuits. I take the liberty of doing so now, two and a half years later. First and foremost I want to thank Professor G. Nuchelmans warmly (...) for his expert guidance of my research. A number of my most im portant sources were brought to my attention by him. During the whole process of composing this book his criticism and encouragement were carried out in a truly academic spirit. He thereby provided working conditions that are a sine qua non for every author who is attempting to approach controversial matters in a scientific manner, conditions which, however, were not easily available at that time. In a later phase I also came into contact with Professors L. M. de Rijk and J. B. Ubbink, with both of whom I had highly stimulating discussions and exchanges of ideas. The present edition contains some entirely new sections, viz. 1-9, IV-29, V-9, V-20, VII-14 (iii), (iv), VII-17 (i), VIII-22, IX-17, IX-19, X-9 and XI-8. Section X-9 was inspired by a remark made by Professor A. (shrink)

Human thinking is heterogeneous, and among its different forms, thinking in dyadic oppositions is associated with the concept of themata. Gerald Holton characterises themata as elements that lie beneath the structure and development of physical theories as well as of non-scientific thinking. Themata have different uses, such as a thematic concept, or a thematic component of the concept; a methodological (or epistemological) thema; and a propositional thema. Serge Moscovici has placed the concept of themata in the heart of his theory (...) of social representations which is based on ‘natural thinking’ and on forms of daily knowing, including common sense. In this article I shall explore some features of thematic concepts and of methodological themata in scientific theories and in common sense. More specifically, I shall refer to the significance of the methodological (or epistemological) thema the Self and Other(s) in common-sense thinking and in social practices. (shrink)

The goal of this paper is to explore, from a phenomenologically informed perspective, the phenomenon of the operative spatialization of human thinking, viewed in its relationship with the embodied human organism’s spatial experience. Operative spatialization in this context refers to the cognitive role and functioning of spatial schematizations and differentiations in human thinking. My particular focus is the domain of conceptualization. By drawing on Husserl’s discussion of the (linguistic) process of a sedimentation of meaning, I aim to show that spatialization (...) functions in a structurally ambivalent manner. On the one hand, spatialization predisposes and thus narrows the scope of human conceptual thought. On the other hand, spatialization establishes an implicit cognitive scaffold indispensable for the development and practice of human higher-order thinking. The structure and functioning of this scaffold, I argue, is intrinsically related to the spatial structure and dynamics of human embodiment. Synthesizing insights from phenomenological studies concerning the experiential constitution of space, and classic and recent research findings from fields such as cognitive linguistics and psychology concerning the cognitive dimension of image-schemas and gestural behavior, I argue that the living human body functions centrally as the sense-constitutive ‘site of conversion’ (Husserl) between concrete structures of spatial experience and abstract structures of conceptual thought. (shrink)

L’adjectif eoikos apparaît dans trois passages cruciaux de la pensée grecque (Xénophane, fr. B35 ; Parménide, fr. B8, 60 ; Platon, Timée, 29b3-c3), caractérisant une certaine « ressemblance » à la vérité qui se veut constitutive du discours du savant. En fait, le long de cet examen on découvre que les trois usages du terme ne peuvent pas être disposés le long d’une ligne continue, vu la difficulté de comprendre à quelle notion de vérité, sous quel point de vue, et (...) avec quel degré d’évidence, ce discours se veut « ressemblant » selon l’occasion. Dans le cas de Parménide, cet aspect passe même au second plan, puisqu’on assiste à la prédominance d’une autre connotation qui accompagne le terme eoikos à partir de l’usage homérique, à savoir celle de la « convenance » à un contexte communicatif. L’article cherche dans l’ensemble à éclairer les déplacements que subit la logique de la similitude (et des procédés analogiques qui s’y greffent) en passant par des cadres ontologiques et épistémologiques aussi différents que le sont ceux de Xénophane, Parménide et Platon. (shrink)

Resumen: El presente trabajo esbozará ciertos elementos para una interpretación global del proemio de Parménides, a partir del análisis de uno de sus elementos centrales: las doncellas hijas del sol. Tras examinar las acciones que éstas realizan dentro de la narración, y con el objetivo de defender una interpretación alegórica, se definirá la actividad alegórica arcaica mediante algunos ejemplos. Finalmente, se trazarán los cimientos para una revalorización crítica de la interpretación de sexto Empírico y se argumentará que la alegoría platónica (...) del carro alado como símbolo de la se halla motivada por la ambigüedad intrínseca del relato, ambigüedad que tiene por objeto mostrar la unidad real de los contrarios aparentes a través del símbolo de las doncellas hijas del sol.: This paper will outline several guiding principles concerning a comprehensive interpretation of Parmenides' proem through the analysis of one of its essential elements: the daughters of the Sun. After examining the actions they perform throughout the narrative and in order to defend an allegorical interpretation of them, some features of the archaic allegorical activity will be defined by the analysis of some examples. Finally, we will trace the foundations for a critical reappraisal of Sextus Empiricus' interpretation and we will argue that Plato's allegory of the "winged chariot" as a symbol of the ψυχή in the Phaedrus could well be closely recreating and evoking the Parmenidean myth of the proem. The hermeneutic disjunction may be motivated by the intrinsic ambiguity of the narration, an ambiguity intended to show the real unity of apparent opposites by using the symbol of the daughters of the Sun. (shrink)

The object of this paper is to look at the extent and nature of the uses of analogy during the ªrst century following the so-called scientiªc revolution. Using the research tool provided by JSTOR we systematically analyze the uses of “analog” and its cognates (analogies, analogous, etc.) in the Philosophical Transactions of the Royal Society of London for the period 1665–1780. In addition to giving the possibility of evaluating quantitatively the proportion of papers explicitly using analogies, this approach makes it (...) possible to go beyond the maybe idiosyncratic cases of Descartes, Kepler, Galileo, and other much studied giants of the so-called Scientiªc Revolution. As a result a classiªcation of types of uses is proposed. Relations between types of analogies and research ªelds are also established. In this paper we are less interested in discussing the “real nature” or “essence” or even the cognitive limitations of analogical thinking than in describing its various uses and different meanings as they changed over the course of a century. (shrink)

There is some audacity in adding to the formidable list of articles onPythian2, which raise the questions of the structure or thematic coherence of the ode, of its specific occasion and of its relation to Pindar's biography. In this paper my aim is the circumscribed one of showing how a correct analysis of the final section of the poem can lead us to a better understanding of the nature of Pindar's poetry, and of the way in which he adapts his (...) laudatory stance to the circumstances and status of the addressee. (shrink)

The aim of the present paper is to investigate the connection between ancient medicine and sophistry at the end of 5th century B.C. Beginning with analyses of some passages from the De vetere medicina, De natura hominis and De arte, the article identifies many similarities between these treatises, on the one hand, and the sophistic doctrines, on the other: these concern primarily perceptual/intellectual knowledge and the interaction between reality, knowledge and language. Among the Sophists, Gorgias was particularly followed and imitated, (...) as he was admired not only for his tremendous rhetorical skills, but also for his philosophically significant work On not being, which probably influenced various discussions in the Hippocratic treatises. However, if Gorgias argues in favor of language as dynastēs megas, the authors of VM, NH and De arte consider knowledge to be far more relevant and reliable than logos. These Hippocratic treatises criticize the philosophical thesis and the resulting kind of reductionism. Above all they defend the supremacy of medicine over any other art. By using the same argumentative and rhetorical strategies that were employed by Gorgias, these treatises reverse the thought of those Sophists who exalted only the technē tōn logōn. (shrink)

Those who write about early Greek literature often assume that each item in the ancient vocabulary answers to a single concept in the world-view of its users. It seems reasonable to hope that the body of ideas represented by a particular Greek word will frame one's discussion better than any question that could be asked in English: so that a cautious scholar might prefer to discuss the phenomenon called αἰδώς, for example, than to plunge into a study of Greek ideas (...) of ‘honour and shame' irrespective of whether those anthropologists’ labels mark off a single body of ancient ideas. But the question is not merely one of common sense: in recent years, for example, a strategy of extrapolating deep ideas from single words has been deliberately developed by such scholars as Gregory Nagy, who constantly moves back and forth between the semantic patterns of individual words and corresponding thematic patterns found in myths. Here is a recent example from his analysis of Pindar's conception of the unity between athletic victory and mythical heroism:In Pindaric usage ἂεθλος applies equally to the contests of athletes and to the life-and-death ordeals of heroes. We have already seen from the myth of the chariot race of Pelops that the ordeals of heroes on the level of myth correspond aetiologically to the contests of athletes on the level of ritual, in that the myths can motivate the rituals. Now we see that a word like ἂεθλος can collapse the very distinction between the myth and the ritual. (shrink)

La notion d'« auto-identité absolument contradictoire » du penseur japonais Nishida constitue le fondement de sa philosophie. Élaborée entre 1925 et 1945, elle permet d'établir une comparaison avec la philosophie occidentale puisqu'elle rejoint un thème privilégié en philosophie comparée, celui de la contradiction.

Husserl desarrolla un enfoque genético que busca dar cuenta del origen de las formas lógico-categoriales a partir de las correspondientes preestructuraciones situadas en el nivel de la receptividad sensible. Para un enfoque de ese tipo, la explicación del origen de las modalidades del juicio, en general, y la negación, en particular, plantea peculiares desafíos. El presente trabajo discute el modo en el que Husserl trata la negación, en tanto forma básica de la modalidad, tanto en el enfoque estático de Ideen (...) I como en el enfoque genético de Erfahrung und Urteil. A fin de poner de relieve el al-cance histórico y sistemático de la concepción husserliana, se proporciona previamente una presentación general de su contexto polémico inmediato. Este viene dado por la oposición entre psicologismo y formalismo, dominante en la filosofía de la lógica alemana de fines del siglo XIX y comienzos del siglo XX.Husserl develops a genetic approach that seeks to account for the origin of the logical-categorical forms starting from the corresponding pre-structures located at the level of sensitive receptivity. For such an approach, the explanation of the origin of the modalities of judgment, in general, and negation, in particular, poses peculiar challenges. This paper discusses how Husserl treats negation as a basic form of modality, both in the static approach of Ideen I and the genetic approach of Erfahrung und Urteil. Previously, in order to highlight the historical and systematic significance of the Husserlian conception, a general presentation of its immediate polemic context is offered, especially with reference to the opposition between psychologism and formalism, dominant in the German philosophy of logic of the late nineteenth and early twentieth century. (shrink)

There is some audacity in adding to the formidable list of articles on Pythian 2, which raise the questions of the structure or thematic coherence of the ode, of its specific occasion and of its relation to Pindar's biography. In this paper my aim is the circumscribed one of showing how a correct analysis of the final section of the poem can lead us to a better understanding of the nature of Pindar's poetry, and of the way in which he (...) adapts his laudatory stance to the circumstances and status of the addressee. (shrink)

ABSTRACTThis response to Analogical Investigations concentrates on the legacy of Lloyd's polarity and analogy, other theories of metaphor, and relations between theories of metaphor and theories of nature.

Appliquée à la lecture des ouvrages de Théophraste sur les plantes, la notion de genre facilite l’analyse d’un de ses deux critères classificatoires : la distinction entre « mâles » et « femelles ». Le maitre de la botanique grecque projette sur le monde végétal les représentations culturelles du masculin et du féminin en pays grec. Les plantes étant chargées de sens différents selon les cultures, cette constatation invite à tenir compte du genre des plantes dans l’étude de leur symbolique, (...) notamment dans la sphère du religieux. Les agronomes romains n’emploient pas eux les qualificatifs « mâles » et « femelles » pour décrire deux plantes s’unissant en vue de leur reproduction. Plusieurs critères entrent en jeu dans le choix de ces dénominations : la ressemblance entre un aspect de la plante et une partie de l’anatomie féminine ou masculine ; l’analogie entre une caractéristique de la plante et une attitude culturellement considérée comme féminine ou masculine. En somme, ce sont majoritairement des critères relevant du genrequi déterminent la catégorisation des végétaux en « mâles » et « femelles ». Mais ces catégories sont rarement essentialisées. Elles fonctionnent comme un couple polarisé, permettant de distinguer deux espèces similaires en leur reconnaissant des qualités relatives et non absolues. (shrink)

This essay contributes to our understanding of pre-Aristotelian concepts of argument by examining the works of the Attic rhetorician Isocrates. Isocrates employed a quasi-technical vocabulary and described conditions under which various types of arguments more or less proper. By careful abstraction we can see what he meant by these terms and conditions. Though not an original argument theorist, per se, Isocrates provides us with a window into pre-Aristotelian argumentation.