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  1. Empathy: A Review of the Concept. [REVIEW]Benjamin M. P. Cuff, Sarah J. Brown, Laura Taylor & Douglas J. Howat - 2016 - Emotion Review 8 (2):144-153.
    The inconsistent definition of empathy has had a negative impact on both research and practice. The aim of this article is to review and critically appraise a range of definitions of empathy and, through considered analysis, to develop a new conceptualisation. From the examination of 43 discrete definitions, 8 themes relating to the nature of empathy emerged: “distinguishing empathy from other concepts”; “cognitive or affective?”; “congruent or incongruent?”; “subject to other stimuli?”; “self/other distinction or merging?”; “trait or state influences?”; “has (...)
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  • Zum Problem der Stimmungseinfühlung.Moritz Geiger - 1911 - Zeitschrift für Ästhetik Und Allgemeine Kunstwissenschaft 6:1-42.
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  • The Descriptive Phenomenological Psychological Method.Amedeo Giorgi - 2012 - Journal of Phenomenological Psychology 43 (1):3-12.
    The author explains that his background was in experimental psychology but that he wanted to study the whole person and not fragmented psychological processes. He also desired a non-reductionistic method for studying humans. Fortunately he came across the work of Edmund Husserl and discovered in the latter’s thought a way of researching humans that met the criteria he was seeking. Eventually he developed a phenomenological method for researching humans in a psychological way based upon the work of Husserl and Merleau-Ponty. (...)
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  • Cartesian meditations: An introduction to phenomenology.E. Husserl - 1960 - Philosophical Books 2 (2):4-5.
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  • Leitfaden der Psychologie.Theodor Lipps - 1904 - Journal of Philosophy, Psychology and Scientific Methods 1 (14):382-385.
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  • A Phenomenology of Musical Absorption.Simon Høffding - 2018 - Cham: Springer Verlag.
    This book presents a detailed analysis of what it means to be absorbed in playing music. Based on interviews with one of the world’s leading classical ensembles, “The Danish String Quartet”, it debunks the myth that experts cannot reflect while performing, but also shows that intense absorption is not something that can be achieved through will, intention, prediction or planning – it remains something individuals have to be receptive to. Based in the phenomenological tradition of Husserl and Merleau-Ponty as well (...)
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  • (1 other version)A History of Esthetics.George Boas, Katharine Everett Gilbert & Helmut Kuhn - 1941 - American Journal of Philology 62 (1):126.
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  • Zugänge zur Ästhetik.Moritz Geiger - 1929 - Philosophical Review 38 (6):593-597.
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  • (1 other version)Phenomenology. [REVIEW]Frederick J. Wertz - 2014 - Journal of Phenomenological Psychology 45 (1):93-101.
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  • The empathy principle: Towards a model for the psychology of art.W. Ray Crozier & Paul Greenhalgh - 1992 - Journal for the Theory of Social Behaviour 22 (1):63–79.
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