In this paper I hope to show that a particular modern approach to Aristotle's philosophy of mind is untenable and, out of that negative discussion, develop some tentative suggestions concerning the interpretation of two famous and puzzling Aristotelian maxims. These maxims are, first, that the soul is the form of the body and, second, that perception is the reception of form without matter. The fashionable interpretation of Aristotle which I wish to criticize is the attempt to assimilate him to certain (...) modern philosophies of mind by making him into a functionalist. I shall therefore begin by explaining this modern term of art. (shrink)

Desperately difficult texts inevitably elicit desperate hermeneutical measures. Aristotle's De Anima, book three, chapter five, is evidently one such text. At least since the time of Alexander of Aphrodisias, scholars have felt compelled to draw some remarkable conclusions regarding Aristotle's brief remarks in this passage regarding intellect. One such claim is that in chapter five, Aristotle introduces a second intellect, the so-called 'agent intellect', an intellect distinct from the 'passive intellect', the supposed focus of discussion up until this passage.1 This (...) view is a direct descendent of the view of Alexander himself, who identified the agent intellect with the divine intellect.2 Even the staunchest defender of such a view is typically at a loss to give a plausible explanation of why the divine intellect pops into and then out of the picture in the intense and closely argued discussion of the human intellect that goes from chapter four through to the end of chapter seven.3 Revolting against an extravagant postulation of entities, Michael Wedin, for example, has argued with considerable subtlety and ingenuity that there is in fact only one intellect discussed in De Anima.4 This unified intellect is fully capable of being integrated into Aristotle's hylomorphic psychology. In order to make his case, though, Wedin is himself forced (1) to discount the importance of some texts and (2) to interpret others in a way that strains credulity. (shrink)

I argue that, for Aristotle, virtues of character like bravery and generosity are, like the emotions, properties that require a hylomorphic analysis. In order to understand what the virtues are and how they come about, one needs to take into account their formal components and their material components. The formal component of a virtue of character is a psychic disposition, its material component is the appropriate state and composition of the blood. I defend this thesis against two potential objections and (...) I show that it is relevant for a study of Aristotle’s ethics. (shrink)

In this paper I hope to show that a particular modern approach to Aristotle's philosophy of mind is untenable and, out of that negative discussion, develop some tentative suggestions concerning the interpretation of two famous and puzzling Aristotelian maxims. These maxims are, first, that the soul is the form of the body and, second, that perception is the reception of form without matter. The fashionable interpretation of Aristotle which I wish to criticize is the attempt to assimilate him to certain (...) modern philosophies of mind by making him into a functionalist. I shall therefore begin by explaining this modern term of art. (shrink)

Aristotle'sRhetoricdefines fear as a kind of pain (lypē) or disturbance (tarachē) and pity as a kind of pain (2.5.1382 a 21 and 2.8.1385 b 13). In hisPoetics, however, pity and fear are associated with pleasure: ‘ The poet must provide the pleasure that comes from pity and fear by means of imitation’ (τ⋯ν ⋯π⋯ ⋯λέου κα⋯ ɸόβου δι⋯ μιμήσεως δεῖ ⋯δον⋯ν παρασκευάζειν14.1453 b 12–13). The question of the relationship between pleasure and pain in Aristotle's aesthetics has been studied primarily in (...) connection withcatharsis.Catharsis, however, raises more problems than it solves. Aristotle says nothing at all about the tragiccatharsisin thePoeticsexcept to state that tragedy accomplishes it. Though he gives a more complete account ofcatharsisin thePolitics, the context of this passage is so different from that of thePoeticsthat its relevance is questionable. A more promising, but largely neglected, approach to Aristotle's theory of tragic pleasure and pain is through a study of his psychological works. Here, Aristotle describes a number of emotional and cognitive responses to kinds of objects that include works of art. These descriptions support an interpretation of thePoeticsaccording to which (1) a tragedy is pleasurable in one respect and painful in another, and (2) pity and fear, though painful and not in themselves productive of pleasure, are nevertheless essential to the production of theoikeia hēdonē, ‘proper pleasure’, of tragedy. This interpretation has the advantage of not depending on a particular view ofcatharsis. It also makes much better sense than alternative views, once its seemingly paradoxical aspects are explained with the help of the psychological works. (shrink)

Aristotle's Rhetoric defines fear as a kind of pain or disturbance and pity as a kind of pain . In his Poetics, however, pity and fear are associated with pleasure: ‘ The poet must provide the pleasure that comes from pity and fear by means of imitation’ . The question of the relationship between pleasure and pain in Aristotle's aesthetics has been studied primarily in connection with catharsis. Catharsis, however, raises more problems than it solves. Aristotle says nothing at all (...) about the tragic catharsis in the Poetics except to state that tragedy accomplishes it. Though he gives a more complete account of catharsis in the Politics, the context of this passage is so different from that of the Poetics that its relevance is questionable. A more promising, but largely neglected, approach to Aristotle's theory of tragic pleasure and pain is through a study of his psychological works. Here, Aristotle describes a number of emotional and cognitive responses to kinds of objects that include works of art. These descriptions support an interpretation of the Poetics according to which a tragedy is pleasurable in one respect and painful in another, and pity and fear, though painful and not in themselves productive of pleasure, are nevertheless essential to the production of the oikeia hēdonē, ‘proper pleasure’, of tragedy. This interpretation has the advantage of not depending on a particular view of catharsis. It also makes much better sense than alternative views, once its seemingly paradoxical aspects are explained with the help of the psychological works. (shrink)

Interpretations of Aristotle's account of the relation between body and soul have been widely divergent. At one extreme, Thomas Slakey has said that in theDe Anima‘Aristotle tries to explain perception simply as an event in the sense-organs’. Wallace Matson has generalized the point. Of the Greeks in general he says, ‘Mind–body identity was taken for granted.… Indeed, in the whole classical corpus there exists no denial of the view that sensing is a bodily process throughout’. At the opposite extreme, Friedrich (...) Solmsen has said of Aristotle's theory, ‘it is doubtful whether the movement or the actualization occurring when the eye sees or the ear hears has any physical or physiological aspect.’ Similarly, Jonathan Barnes has described Aristotle as leaning hesitantly towards the view that desire and thought are wholly non-physical. But on the emotions and sense-perception, Barnes takes an intermediate position. Aristotle treats these, he says, as including physical and non-physical components. Other writers too have sought a position somewhere in the middle. Thus G. R. T. Ross concedes that we find in Aristotle ‘what looks like the crudest materialism’. It appears that objects produce changes in an organism, ‘and the reception of these changes in the sense organisperception’. But, he maintains, this gives us only half the picture. The complete theory ‘may in a way be designated as a doctrine of psychophysical parallelism’. W. D. Ross also seeks a middle position. He thinks that Aristotle sometimes brings out ‘the distinctively mental, non-corporeal nature of the act [of sensation].… But Aristotle cannot be said to hold successfully to the notion of sensation as a purely mental activity having nothing in common with anything physical. He is still under the influence of earlier materialism’. (shrink)

The possibility of a harmony between the psychological doctrine of Aristotle and that of Plato marks a significant issue within the context of the debate surrounding Aristotle’s putative opposition to or harmony with Plato’s philosophy. The standard interpretation of Aristotle’s conception of the soul being purely hylomorphic leaves no room for harmonisation with Plato, nor does a functionalist interpretation that reduces Aristotle’s psychological doctrine to physicalist terms. However, these interpretations have serious drawbacks, both in terms of ad-hoc explanations formulated in (...) the developmentalist mode, and the misconstruing of some of the fundamental features of Aristotle’s psychological doctrine. A dualist interpretation that accepts Aristotle’s doctrine of some part of the soul being properly incorporeal, separable and immortal overcomes these drawbacks and, significantly, opens the door for Platonic harmonisation. Furthermore, it can be shown that the kind of immortality in question is also in line with the Platonic stance, due to a deep similarity between the conceptions of metaphysical and moral personhood held by Plato and his student. However, this Aristotelian dualism is not Platonic dualism simpliciter. Rather, it is best understood in terms of the division of labour between Aristotle and Plato suggested by the Neoplatonic commentators generally, and Simplicius in particular. I argue that though questions surrounding these issues and particularly the issue of reincarnation remain, an account of Aristotle’s psychological doctrine as dualist and in harmony with Plato’s view of the soul can be shown to be stronger than both standard hylomorphic and functionalist accounts, both exegetically and philosophically. (shrink)

El presente artículo trata de reconstruir la eventual continuidad doctrinal en el tratamiento aristotélico entre el alma y el cuerpo. Primeramente, trataremos de problematizar las clásicas dicotomías en las que se ha intentado encajar la teoría hilemórfica con vistas a demostrar la imposibilidad de defender bien sea un dualismo o bien un monismo que resuma, con exactitud suficiente, el tratamiento aristotélico del alma. Finalmente, y a la luz de los planteamientos definitivos que parecen recogerse en De Anima, abordaremos un análisis (...) comparado entre este tratado tardío y el examen de la relación entre el alma y el cuerpo contenido en los textos morales del Estagirita. (shrink)