I explain what Aristotle means when, after puzzling about the matter of motion in incomplete animals (those without sight, smell, hearing), he suggests in De Anima III 11.433b31–434a5 that just as incomplete animals are moved indeterminately, desire and phantasia are present in those animals, but present indeterminately. I argue that self-motion and its directing faculties in incomplete animals differ in degree but not in kind from those of complete animals. I examine how an object of desire differs for an incomplete (...) animal. Using a comparison with Aristotle’s account of recollection, especially in unfavorable circumstances, I describe indeterminate self-motion. Finally, I discuss implications for our understanding of Aristotle’s accounts of the faculties of the soul and incomplete animals. (shrink)

A lot of scholarly attention has been given to Aristotle’s account of how and why animals are capable of moving themselves. But no one has focused on the question, whether self-change is possible in plants on Aristotle’s account. I first give some context and explain why this topic is worth exploring. I then turn to Aristotle’s conditions for self-change given in Physics VIII.4, where he argues that the natural motion of the elements does not count as self-motion. I apply those (...) conditions to natural change in plants. Then I explore the reasons for and consequences of Aristotle’s argument that plants are incapable of sensation. I argue that for Aristotle plants cannot possess the directing faculties for self-change, namely, desire and phantasia. My goal is to show why growth, metabolism, and reproduction in plants would not count as self-change for Aristotle, despite many of these natural changes appearing as autonomous as the analogous changes in animals. This sheds light on how, for Aristotle, self-change differs from natural change. (shrink)

I argue that a study of the Nicomachean Ethics and of the Parva Naturalia shows that Aristotle had a notion of attention. This notion captures the common aspects of apparently different phenomena like perceiving something vividly, being distracted by a loud sound or by a musical piece, focusing on a geometrical problem. For Aristotle, these phenomena involve a specific selectivity that is the outcome of the competition between different cognitive stimuli. This selectivity is attention. I argue that Aristotle studied the (...) common aspects of the physiological processes at the basis of attention and its connection with pleasure. His notion can explain perceptual attention and intellectual attention as voluntary or involuntary phenomena. In addition, it sheds light on how attention and enjoyment can enhance our cognitive activities. (shrink)

Traditional interpretations of Aristotle’s theory of perception mainly focus on uncovering the underlying mechanisms that are at stake when perceivers are affected by sensible qualities. Investigating the nature of sense perception is one of Aristotle’s main worries and one that he explicitly relates to the question of its causes (e. g.Sens. 436a16–17, 436b9) and its ends (e. g.de An. 434a30 ff.). Therefore I suggest that, in order to fully explain Aristotle’s view of perceptual phenomena, the possibilities, the constraints, and the (...) goals defined by the embodied and situated engagement of perceivers with the external world must be taken into account. Accordingly, in this paper, I provide an affective reading of Aristotle’s theory of perception. I shall ask what, in addition to functioning sense organs and appropriate response mechanisms, the perceiver contributes to perceptual content. Specifically, I propose to shed light on the significance of perceptual experience for the perceiver and I aim to show that, according to Aristotle, one’s biological and personal qualities are perceptually relevant, meaning that they underpin perception, rather than coming into play after perception has occurred and its objects have been discerned. The paper is divided into two parts, respectively dealing with sensory affections and more complex affective phenomena. As regards the domain of primal sense perception, I will focus on smell as a representative example: since Aristotle identifies it as the least developed of human sensory faculties, it will serve as a revealing illustration of how sense perception is informed and qualified by what, drawing on contemporary philosophical terminology, I will call ‘perceptual interests’, viz. the affective sense of what is at stake in the living being’s interaction with the environment. I will then proceed to consider the way more complex affective phenomena underpin perception by examining the case of emotions and that of virtues of character. By showing how perception is affectively inflected and how emotion is rooted in perception’s bodily nature, I aim to sketch out the general lines along which I believe that the Aristotelian theory of perception should be approached. (shrink)

In this article, I foreground the physiology of phantasia in Aristotle, which has been comparatively understudied. In the first section, I offer a new interpretation of the relationship between aisthēmata and phantasmata, based on passages in the De Anima and the Parva Naturalia, and for a nuanced understanding of their respective substrates in the body, which I argue to be connate pneuma and blood. In the second section, I draw out the ramifications of this physiological presence of phantasmata in the (...) blood and compare the integration of phantasmata into a person or animal’s experiential history with the process of digestion. Both processes, I contend, require internalization of foreign elements as well as their optimal organization; more strikingly, both processes occur in the same substance, in the same location, and, perhaps, at the same time. (shrink)

In De Anima 1.4, Aristotle asks whether the soul can be moved by its own affections. His conclusion—that to say the soul grows angry is like saying that it weaves and builds—has traditionally been read on the assumption that it is false to credit the soul with weaving and building; I argue that Aristotle’s analysis of psychological motions implies his belief that the soul does in fact weave and build.

Duas das principais controvérsias que têm ocupado aqueles que se dedicam à teoria aris- totélica do movimento animal são a controvérsia acerca da forma da cognição através da qual um animal irracional apreende um objeto como um objeto de desejo e a controvérsia acerca da função desempenhada pela cognição na explicação aristotélica dos movimentos voluntários de locomoção animal. Neste artigo, eu apresento uma teoria acerca das formas como o desejo e a cognição se articulam na teoria aristotélica segundo a qual (...) um animal irracional apreende um objeto como um objeto de desejo através da percepção incidental deste objeto e, ao contrário do que a maioria parece acreditar, esta percepção não tem sempre a mesma função na produção destes movimentos. Se o que for dito aqui estiver correto, em alguns casos esta percepção é responsável tanto pela geração do desejo quan- to pela sua orientação, mas em outros ela é responsável apenas pela sua orientação. (shrink)

This paper aims to undertake an examination of the exposition made in the aristotelian treatise De Incessu Animalium about the directional orientations (above and below, right and left, front and behind) mostly from its extra, inter and intratextual context. These directional orientations seem to be directly related to the principles of movement, perception and growing. The treatise starts from the points of origin (archai) of these functions in the animals and, from these functions, distinguish them. Therefore, functionality is established as (...) the first value, because it is the prism through which Aristotle perceives and think the right, above and front in the animals. On that account, it is corroborated the great importance of functionality in the aristotelian philosophy. Afterwards, it will be searched if (or how) the primacy of the trinominal formed by right, above and front is related to aspects of the greek imaginary contemporaneous with the given text. (shrink)

Aristotle sometimes claims that the perception of special perceptibles by their proper sense is unerring. This claim is striking, since it might seem that we quite often misperceive things like colours, sounds and smells. Aristotle also claims that the perception of common perceptibles is more prone to error than the perception of special perceptibles. This is puzzling in its own right, and also places constraints on the interpretation of. I argue that reading Alexander of Aphrodisias on perceptual error can help (...) to make good sense of both of Aristotle’s claims. (shrink)

In De Anima III 10, Aristotle proposes a notable tripartite scheme of animal self-locomotion. Though many note that the proximate source of the scheme is in Physics VIII 5 (Ferro 2022; Laks 2020; Polansky 2007; Rapp 2020a; Shields 2016), it is nevertheless surprising that Aristotle chooses a scheme of general locomotion from Physics, rather than choosing some of his specific work there on animal self-motion. Further, the two tripartite schemes don’t line up very precisely. I defend a novel view on (...) which the tripartite schemes are understood as non-fundamental, since their authority rests on a more basic Separability Thesis advanced in Physics VIII, which states that every self-mover has minimally two parts: an unmoved mover and a moved part. While the importance of the Separability Thesis has been frequently noted in the literature (e.g., Morison 2004; Waterlow 1982), its relationship to the tripartite schemes has not been explored. I argue that once the fundamentality of the Separability Thesis is recognized, the tripartite schemes can be understood as two different applications of it and Aristotle’s theory of self-motion from Physics is therefore present, in a veiled way, even in De Anima III 10. Further and finally, the argument provides resources for offering a novel response to worries about the unity of self-movers. (shrink)

Aristotle’s soul is a first principle (an ‘efficient cause’) of every vital change in an animal, in the way that a craft is a cause of its product’s coming-to-be. We argue that the soul’s causal efficacy cannot therefore be reduced to the formal constitution of vital phenomena, or to discrete interventions into independently constituted processes, but involves the exercise of vital powers. This reading does better justice to Aristotle’s conception of craft as a rational productive disposition; and it captures the (...) soul’s continuous causal role as that which brings about all forms of vital change and underwrites their unity. (shrink)

Aristotle is often named as the first zoologist or biologist because of his writings on animals. Although Aristotle’s major intention in these books was to illustrate his ideas of how knowledge and understanding might advance, at least one modern biologist (C. Darwin) has recognized Aristotle's depth and breadth as being of surviving merit. Of greater surprise is the ongoing attention that his works continue to receive, including publications in contemporary scientific journals. This review identifies 38 peer-reviewed papers on various topics (...) from Aristotle’s biological writings that have been published during the last 50 years. These papers are described according to content (genetics, population biology, anatomy, brain, movement), specific creatures (fish, scorpions, elephants, insects, birds), publication outlet, distribution over the fifty year period surveyed, and visible trends in the topics studied. It is concluded that, in the highly-competitive field of peer-reviewed scientific publication and citation, Aristotle's biology continues to excite the interest of scientists and remains salient to modern science itself. (shrink)

The main aim of my thesis is to ascertain whether empathy has the required qualities of an emotion. Disagreement is rife regarding the process leading to the arousal of an emotion, which creates uncertainty as to what exactly an emotion is, and how it appears. This is the first issue I tackle in my work, as I concentrate on examining some of the significant cognitive and feeling theories of emotions. My study of these theories outlines their downsides, and I instead (...) propose to retain a hybrid definition that combines the advantages of both families of theories to provide a balanced approach that recognises the importance of both physical changes and cognitions. The focus of my work then moves specifically onto empathy, with the intention of precisely defining this term too, its functioning, as well as the meaning of the expression ‘feeling empathy for someone’. The existing literature on empathy fails to provide a clear understanding of empathy’s classification as an emotion or a skill. My work is original in that I avoid assertions and clearly establish that empathy constitutes an emotion based on the definition of emotion I advance in the first part of my work. (shrink)

Aristotle’s theory of causes requires a first, unmoved mover outside the sublunary world, along with soul as first and unmoved mover in the natural world below. Aristotle separates the charmed group of causes headed by soul that are jointly sufficient for typical animal behaviour from external causes. The border between external and charmed is permeable: crops growing in the field are co-opted to become an instrument of soul that nourishes the animal. (Instruments of soul like the sumphuton pneuma are internal (...) to the animal from the start.) But no causes, not even the Unmoved Mover, may supersede soul as unmoved mover. (shrink)

Aristotel je vpeljal pojem skupnega čuta, zaznavno zmožnost višjega reda, ki združuje in nadzoruje posamezne čute. Osnovni namen prispevka je predstaviti, kako je skupni čut in njegove funkcije razumel Aristotelov najodličnejši antični komentator Aleksander iz Afrodizijade. Avtor je pri tem pozoren na Aleksandrovo ujemanje z Aristotelom ali odmikanje od njega, opozarja pa tudi na njegove prispevke k problematiki. Drugi cilj prispevka je obravnava enega posebnega odmika, ki je prevladoval v kasnejših razlagah Aristotelovega pojma skupnega čuta, tj. analogije med skupnim čutom (...) in središčem kroga, v katerem se srečujejo različni polmeri. (shrink)