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  1. Against abjection.Imogen Tyler - 2009 - Feminist Theory 10 (1):77-98.
    This article is about the theoretical life of `the abject'. It focuses on the ways in which Anglo-American and Australian feminist theoretical accounts of maternal bodies and identities have utilized Julia Kristeva's theory of abjection. Whilst the abject has proved a compelling and productive concept for feminist theory, this article cautions against the repetition of the maternal (as) abject within theoretical writing. It argues that employing a Kristevan abject paradigm risks reproducing, rather than challenging, histories of violent disgust towards maternal (...)
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  • “Nothing Short of a Horror Show”: Triggering Abjection of Street Workers in Western Canadian Newspapers.Caitlin Janzen, Susan Strega, Leslie Brown, Jeannie Morgan & Jeannine Carrière - 2013 - Hypatia 28 (1):142-162.
    Over the past decade, Canadian media coverage of street sex work has steadily increased. The majority of this interest pertains to graphic violence against street sex workers, most notably from Vancouver, British Columbia. In this article, the authors analyze newspaper coverage that appeared in western Canadian publications between 2006 and 2009. In theorizing the violence both depicted and perpetrated by newspapers, the authors propose an analytic framework capable of attending to the process of othering in all of its complexity. To (...)
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  • Poietical Subjects in Heidegger, Kristeva, and Aristotle.Melissa Shew - 2010 - Comparative and Continental Philosophy 2 (1):63-80.
    Prompted by Eryximachus’ speech about the relationship between Eros and health in Plato’s Symposium, this paper engages the nature of poiēsis as it arises in the works of Martin Heidegger, Julia Kristeva, and Aristotle. All three address poiēsis as a human activity that points beyond an individual person, and in so doing speaks to what’s possible for human life. Section I addresses Heidegger, whose insistance on the interplay between “earth” and “world” in “The Origin of a Work of Art” speaks (...)
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