The Song and Ming dynasty Confucians make frequent use of what would today be identified as a slippery slope argument. The Book of Changes and its early commentaries provide both the language and the rationale for this argument, inasmuch as the Confucians regard these texts as a method for identifying tiny problems that will one day threaten the state. While today the slippery slope argument is often criticized for promoting an unreasoned resistance to change, a close look at its use (...) by Confucians reveals that they largely avoid this criticism, using the argument in a reasoned way to target not change, but excess. (shrink)

Understanding recreational experiences is a longstanding research tradition and key to effective management. Given the complexities of human experience, many approaches have been applied to study recreational experience. Two such approaches are the experiential approach (based in a positivistic paradigm) and emergent experience (based in an interpretive paradigm). While viewed as being complementary, researchers have not offered guidance for incorporating the approaches into a common model of recreational experience. This study utilized longitudinal, qualitative data to examine aspects of recreational experience (...) posited by these two approaches. Results provided a framework for synthesizing across the two approaches. Respondents had clear pre-activity expectations, and most respondents realized their expected outcomes. This supports the experiential approach. Of the 48 activity narratives, 27 experienced something unexpected, and 45 described process-oriented, intrinsic motivation, suggesting evidence of emergent and unique characteristics specific to an individual’s realization of recreational experience. This supports the application of the emergent experience approach to understand how individuals create meaning from recreational engagements. The paper proposes a model for integrating results of the two approaches. While not advocating for any specific approach, the findings can serve as an example of building a holistic model of the outdoor recreation experience. The purpose of the model is to allow for a more complete understanding of how individuals create recreation experiences, more complete documentation of the benefits of outdoor recreation for both researchers and managers, and better synthesis across studies. (shrink)

In this paper I will investigate the identity of the daímōn introduced by Parmenides in B12, 3 DK, the deity “who steers all things”. The importance of this deity is not adequately reflected in ancient doxography but in recent decades many scholars have reconsidered its role. I argue that in Parmenides’ poem this daímōn may play a relevant role in connecting the theological, ontological and cosmological planes. My purpose is to provide enough arguments for the hypothesis that the daímōn may (...) be the same goddess, Themis, who in the proem (B1, 28) is paired with Dike as a guide for Parmenides to the theá who will reveal to him the truth of tò eón, and in the part of the poem called alḗtheia (B8, 32) is echoed as the divine personification of the thémis of tò eón itself. I will examine the different identities and attributes found in the accounts on Parmenides’ daímōn and will compare them with the identities and attributes that the mythological tradition assigns to the goddess Themis. (shrink)

The dóxa is a major aspect of Parmenides’ “scientific” commitment, as evidenced by studies of its discoveries in various fields of knowledge. Among them in astronomy. However, these studies have ended up identifying a scientific plan separate from the mythicalreligious and philosophical one of the first part. This survey explores the possibility of reconsidering the presence in the Parmenides’ dóxa of ontology and theology. It does so by proposing the hypothesis that the proem contains among the multiple semantic-linguistic layers the (...) mythopoeic presentation of the astronomical theorem of the identity of Eos and Hesperus, with the intent of showing, from the very beginning and in the most authoritative language for his audience, the alḗtheia of «being» on the divine stage of the celestial sphere. In our reading, therefore, the deities that enter the scene give life to a firmament that interconnects every cosmic dimension with each other and leads the one who knows (the εἰδότα φῶτα; B1, 3) – he knows that πᾶν πλέον ἐστὶν ὁμοῦ φάεος καὶ νυκτὸς because ἐπεὶ οὐδετέρωι μέτα μηδέν (B9, 3-4) – on the other side of the sky, in the presence of the theá that will reveal to him the meaning of everything. (shrink)

In this essay, I look at two negative portrayals of egoism. I summarize in detail the superb All About Eve—which won six Academy Awards, including Best Picture. The movie is about the rise of a ruthlessly ambitious actress, and how she treats her main competitor. Eve Harrington worms her way into top theatrical actress Margo Channing’s inner circle by pretending to be an admirer, but she is really a schemer who wants to eclipse Margo’s star in the theater universe. (...) However, Eve runs into trouble when she attempts to manipulate tart-tongued theater critic, Addison de Witt. The movie portrays the New York theater industry as being full of narcissists. I then review the classic film noir The Third Man (1949), rated by the prestigious British Film Institute as the greatest film of the 20th century. The film centers around a charismatic, handsome criminal mastermind Harry Lime living in bombed-out post-War Vienna. Lime is a man of no conscience or empathy—a true psychopath. He cripples children by selling hospitals adulterated penicillin. But we (the audience) still feel sympathy for him. I end the piece by explaining the psychological mechanisms at work that give rise to our paradoxical sympathy. (shrink)

In this review of Brooke Harrington's edited collection of essays on deception, written by people from different disciplines and giving us a good "status report" on what various disciplines have to say about deception and lying, I reject social psychologist Mark Frank's taxonomy of passive deception, active consensual deception, and active non-consensual deception (active consensual deception is not deception), as well as his definition of deception as "anything that misleads another for some gain" ("for gain" is a reason for (...) engaging in deception, not part of its definition). I also take issue with management professor Guido Mollering's claim that all deception involves a violation of trust. (shrink)